I will never tire of Peter Pan and the spin-offs, sequels, prequels, alternate stories, and whatever else it has inspired. The Neverland is a special place and fertile ground for the imagination. Some writers have made brilliant new stories of J.M. Barrie’s play, others riff on the Disney version of Peter Pan. Lisa Jensen gives a voice to the unsung hero of the story, Captain Hook. Let’s be honest. We all have a soft spot for that dark and sinister man, right?
Published by: Thomas Dunne Books, 2014 (2013)
Ebook: 368 pages
My rating: 6/10
Review copy provided by the publisher (thank you!)
First sentence: Second star to the right of what?
- Peter Pan
“Every child knows how the story ends. The wicked pirate captain is flung overboard, caught in the jaws of the monster crocodile who drags him down to a watery grave. But it was not yet my time to die. It’s my fate to be trapped here forever, in a nightmare of childhood fancy, with that infernal, eternal boy.”
Meet Captain James Benjamin Hook, a witty, educated Restoration-era privateer cursed to play villain to a pack of malicious little boys in a pointless war that never ends. But everything changes when Stella Parrish, a forbidden grown woman, dreams her way to the Neverland in defiance of Pan’s rules. From the glamour of the Fairy Revels, to the secret ceremonies of the First Tribes, to the mysterious underwater temple beneath the Mermaid Lagoon, the magical forces of the Neverland open up for Stella as they never have for Hook. And in the pirate captain himself, she begins to see someone far more complex than the storybook villain.
With Stella’s knowledge of folk and fairy tales, she might be Hook’s last chance for redemption and release if they can break his curse before Pan and his warrior boys hunt her down and drag Hook back to their neverending game. Alias Hook by Lisa Jensen is a beautifully and romantically written adult fairy tale.
Hook is trapped in the Neverland. The cultured and correct but lonely man yearns for nothing more but to finally die. Whether it’s at the hands of the tyrannical boy Peter Pan or through some other means, doesn’t really matter to him. But then he stumbles across a woman – a grown woman – in the Neverland…
Lisa Jensen takes her sweet, sweet time telling the story of how Hook got his life back. There is magic involved, and a prophecy (naturally), Hook needs to come-of-age in a way, despite his immortality and his eternal war with the eternal child. I could sum up the plot in one sentence or I could do it like the author and talk and talk and talk without getting to the point. Lisa Jensen’s strength is her use of language – she writes flowery prose with tons of description, an introspective, thoughtful protagonist, but very little action. I have nothing against a book that moves slowly, that demands to be savored rather than devoured in one quick bite. But the need for plot, for a reason for this story to be told, is still there. And this is where I was disappointed a bit.
Alias Hook started out well enough. It slogged along a bit until Stella Parrish showed up and turned Hook’s head with her modern (comparatively) speech, manners, and ideas. I loved, loved, loved the scene where the two banter over a bottle of wine and I really wish there had been more scenes like it. This book is also supposedly a romance. But apart from the abovementioned snappy banter, there is very little to go on. Hook falls in love with Stella, to a large part because Stella doesn’t mind his missing hand, his scars, or his dark past. Once they are together however, it gets sappy as hell and I rolled my eyes frequently.
I can forgive cheesiness for the sake of good old Captain Hook becoming a little more human, a little less cold-hearted. But what I can’t forgive is the very thin plot. We find out why Hook is in the Neverland in the first place, and then, through convenient intervention by fairies, the Indians, and the mermaids are shown the signs of an ancient prophecy that will finally set Hook free – if he reads the signs right and does the right thing at the right time. That’s it. There isn’t much more to it, I’m sad to say. The rest of the nearly 400 pages is filled with description and inner monologue and rehashing of the same things we read in the beginning of the book.
I did like certain aspects of the world-building, however. Pan’s tyrannical rule, for example, is shown through small details, such as his dislike of roses. The Neverland accomodates the boy in everything he wishes, so there are no roses. Another cool spin on the original is the mermaids, the only creatures that Pan is afraid of. We only touch the surface of their story but I was really hooked whenever the mermaids showed up. They did what I always hope for in a fairy tale retelling – they added something new to a well-known and beloved story.
The fact that it took me weeks and weeks to finish the book, reading in small increments only, speaks to its readability. It is not a difficult story to follow but the prose is so thick, so luscious that it can be overwhelming if you read too much of it in one go. This was by no means a bad book, just one that had quite a few flaws. A tighter and faster moving plot and more layered side-characters would have been a good place to start. Nonetheless, I had fun in this Neverland adventure. Recommended to readers with patience or a deep, deep love of Peter Pan.
RATING: 6/10 – Good