This is a severe case of over-hyped book. Tor.com had been advertising this book for months, it is the only one of the novellas to come out in hardcover as well as paperback and e-book, and that does send a clear message to readers. It has Seanan McGuire’s name on it, so it must be a hit. Except even a writer with a fanbase as large as McGuires can write something bad every once in a while.
EVERY HEART A DOORWAY
by Seanan McGuire
Published by: Tor.com, 2016
Ebook: 176 pages
Series: Every Heart a Doorway #1
My rating: 3,5/10
First sentence: The girls were never present for the entrance interviews.
Eleanor West’s Home for Wayward Children
Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere… else.
But magical lands have little need for used-up miracle children.
Nancy tumbled once, but now she’s back. The things she’s experienced… they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.
But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of things.
No matter the cost.
Here’s an idea that is so perfect, so full of potential that just thinking of it makes me weep a little. Children disappear to magic lands, parallel universes, the underworld, a palace of clouds to have adventures, fall in love, come of age – only to be thrown out eventually. And they never truly find their way back into our world because that other place is what they think of as home. In the hands of Cat Valente, this idea would have probably turned into a whole series of beautiful, heartbreaking books, but Seanan McGuire (as capable a writer as she is) just is no Cat Valente.
The entire novella felt very cold. I can’t put my finger on why, that’s just the general feeling I took away from it. Nancy arrives at her new school, where everybody is somewhat like her. Everybody went to a different place and had to come back. They are all looking for their door to return to where they were happiest. I suppose this could all be taken as a metaphor for not wanting to grow up and trying to find your way back into childhood, but you know me – I always take magic seriously and I take these trips to other worlds literally.
As this novella is the first of a series, maybe McGuire will expand on all the things that were lacking here in later stories. But with a school full of world-travelling kids, there is just so much potential for cool stuff. To be fair, McGuire does show us some of the madness. Nancy went to the underworld (thus the frequent mentions of pomegranates), others went into a rainbow world, yet others lived in a zombie-infested place full of violence, or one full of vampires. But no matter how gruesome or uninviting their world may seem to us outsiders, they all want to go back. The bit I found quite annoying was that there is a specific classification of worlds at Eleanor West’s Home for Wayward Children. There are logic and nonsense worlds, which can be subdivided into even more categories. Nancy – as any good protagonist would – asks about this in the beginning but then seems to lose interest and drops the topic. I feel that if you go to the trouble of building your own system for a multiverse, it would be nice to let the readers get a small glimpse of it.
An even bigger problem for me was the complete lack of emotional impact. I can live without world building, without logic (this is fantasy, after all), even without much plot. But I need characters to hold on to, to understand, to feel something. Nancy’s slightly catatonic state was completely understandable. I don’t quite get why in her underworld, standing as still as a statue was so important, but okay, let’s roll with it. Nancy’s roomate Sumi may have been a sterotypical cloud cuckoo lander, but at least she brought some movement into a very slow, boring plot.
Speaking of plot. I expected a sort of anti-Harry Potter, a story of a girl feeling misplaced in this world, wanting to go back to the world of the dead, now finding her way in a school with others who feel just as much that they don’t belong. An anti-magic school if you like. But the book changes its mind and turns into a murder mystery. Which, okay fine. Except I didn’t really care about any of the murder victims or even about who did it and why. When the characters are so pale that they are barely cardboard, I find it difficult to care about their fate.
Instead of staying on the topic that drew me in (I know it’s not the author’s job to cater to my very specific needs, although I often wish it were :D), focusing on how these children had to leave a world behind, leave their adventures and – I assume – friends, and finding a place in this world, this novella deals mostly with the murders of several students and, occasionally, with people’s sexuality and gender identity. Sadly, that’s about the only positive thing I got out of this – some character diversity. I did like both Kade and Nancy, although Nancy remains pretty pale throughout, but this may be due to how the underworld shaped her to be.
I’m not a writer, so I can’t put my finger on what exactly would have to be done differently to make this story good. But it just left me completely cold from beginning to end. Looking back at the entire novella, I don’t see the point. I didn’t like the plot, didn’t care for the characters, and the ending had no impact whatsoever. In fact, for a while I thought Nancy was going to kill herself to return to the underworld, which – drastic as it may be – would at least have been something proactive, something that comes with a cost, and would return her to the underworld. You can guess that this did not happen… The ending that did happen cheapens the entire point of the book.
All my problems with this book may very well be my own fault for having set my expectations too high or for having misunderstood the book description, but that doesn’t change that I really disliked Every Heart a Doorway. To me it felt like Seanan McGuire was trying to write a Cat Valente story and failed miserably. I’ll give the next book in the series a chance, but if that turns out to be equally boring, I will probably stick to McGuire’s other books.
MY RATING: 3,5/10 – Bad