Aaaaand Mistborn continues to be great, although there is a clear departure from the light-hearted The Alloy of Law to this new story arc. While Alloy was just a bit of fun and can technically be read without any prior knowledge of the other Mistborn books, Shadows of Self is set deeply in the world that we first came to know through Vin’s eyes. The tone also shifts and is more serious again as Sanderson delivers one of his most heartbreaking twists yet.
SHADOWS OF SELF
by Brandon Sanderson
Published by: Tor, 2015
Ebook: 384 pages
Series: Mistborn #5
My rating: 7,5/10
First sentence: Waxillium Ladrian, lawman for hire, swung off his horse and turned to face the saloon.
With The Alloy of Law, Brandon Sanderson surprised readers with a New York Times bestselling spinoff of his Mistborn books, set after the action of the trilogy, in a period corresponding to late 19th-century America.
The trilogy’s heroes are now figures of myth and legend, even objects of religious veneration. They are succeeded by wonderful new characters, chief among them Waxillium Ladrian, known as Wax, hereditary Lord of House Ladrian but also, until recently, a lawman in the ungoverned frontier region known as the Roughs. There he worked with his eccentric but effective buddy, Wayne. They are “twinborn,” meaning they are able to use both Allomantic and Feruchemical magic.
Shadows of Self shows Mistborn’s society evolving as technology and magic mix, the economy grows, democracy contends with corruption, and religion becomes a growing cultural force, with four faiths competing for converts.
This bustling, optimistic, but still shaky society now faces its first instance of terrorism, crimes intended to stir up labor strife and religious conflict. Wax and Wayne, assisted by the lovely, brilliant Marasi, must unravel the conspiracy before civil strife stops Scadrial’s progress in its tracks.
Shadows of Self will give fans of The Alloy of Law everything they’ve been hoping for and, this being a Brandon Sanderson book, more, much more.
Wax and Wayne are irrisistible (especially Wayne). And they’ve got another case on their hands, but this time, they don’t work nearly as alone as they did last time. Marasi has become a constable and helps them wherever she can, although her personal relationship with Wax seems strained, compared to their easy banter from the first book. Which is only natural, considering that Wax is coming more and more to terms with marrying Steris, Marasi’s cousin.
One surprise of this new series was that characters turn out not to be as one-dimensional as they seem at first. Steris in particular turned out to be more than what she likes to show in public. But in Shadows of Self, Wayne also gets to show a side of him that doesn’t fit with his cocky, fun, light-hearted side. It made him an even better character to know that – like anyone else – he has darkness in his past and he can’t just shake it off.
But the most tortured soul in Shadows of Self is definitely Wax. His past confronts him in several ways, but especially the loss of his wife in the Roughs haunts him with every move he makes. It was also Wax who was hit hardest by the ending. I cried big tears for him, that’s all I’m saying. And I am very curious to see how these new developments impact his character development in the rest of the series.
Plot-wise, this was a bit of a mess. Sanderson tries to juggle many, many plot-strings at once. There is the one started in The Alloy of Law with Wax’s uncle conspiring for his own ends, there are the terrorist attacks that Wax, Wayne, and Marasi are trying to figure out, the kandra make a new appearance and wrap up a whole of lot of history since last we saw them. There are labor strikes and unrests, there are politics and police procedures, several religions trying to gain the upper hand… you see what I mean when I say it was a bit too much for one book, especially one comparatively short for Sanderson. I commend him for making the best of every scene, getting out the most of each line, having his text do world-building as well as advancing the plot at the same time. But as a reader, it still felt a bit overwhelming, not knowing which aspect to concentrate on.
I think that piece of legwork was simply needed to give the next book in the series room to breathe. A lot of things have been established here that can be used later without re-explaining them. I appreciated that – despite the abundance of themes – there was still time for character growth and development. The introduction of MeLaan promises a lot of fun for future books, and meeting old (very old!) friends again gave me some readerly joy, even if it was bittersweet.
Although things are resolved at the end of Shadows of Self, this was one of the most devastating endings Sanderson has ever written (at least of the ones I’ve read). It’s a perfect balance between telling a story with a satisfying ending but leaving enough questions open for the next book. He’s always been good at that but this time, it’s the emotional plot strings that are left frayed and I worry for Wax as a person more than for the larger world and its fate. Well… I guess there’s no way around it – I’ll just have to pick up the next book and find out what else lies in store.
MY RATING: 7,5/10 – Very good
If you haven’t read the the Mistborn Series at all, here are my thoughts on the other books.
- The Final Empire
- The Wax & Wayne Series
- The Alloy of Law
- Shadows of Self
- The Bands of Mourning