The first complete book I read in 2018 (I did finish the last few chapters of Hogfather this year, but that doesn’t count) lets me begin this year with hope. Not that I expected anything less from Katherine Arden after the gorgeous The Bear and the Nightingale but middle books in a trilogy are usually a challenge for authors. How to keep the plot moving and characters developing without going too far, how to save enough story for the final instalment without making the second part boring? Well, Arden definitely has an answer to those questions and the answer is this book.
THE GIRL IN THE TOWER
by Katherine Arden
Published by: Del Rey, 2017
Hardback: 363 pages
Series: The Winternight Trilogy #2
My rating: 8,5/10
First sentence: A girl rode a bay horse through a forest late at night.
The magical adventure begun in The Bear and the Nightingale continues as brave Vasya, now a young woman, is forced to choose between marriage or life in a convent and instead flees her home—but soon finds herself called upon to help defend the city of Moscow when it comes under siege.
Orphaned and cast out as a witch by her village, Vasya’s options are few: resign herself to life in a convent, or allow her older sister to make her a match with a Moscovite prince. Both doom her to life in a tower, cut off from the vast world she longs to explore. So instead she chooses adventure, disguising herself as a boy and riding her horse into the woods. When a battle with some bandits who have been terrorizing the countryside earns her the admiration of the Grand Prince of Moscow, she must carefully guard the secret of her gender to remain in his good graces—even as she realizes his kingdom is under threat from mysterious forces only she will be able to stop.
The Girl in the Tower opens not long after The Bear and the Nightingale ends, although it immediately shows the readers more of the world and more of its characters. The attentive reader will remember that some of Vasya’s siblings were sent away or left their forest home to pursue other ways. Olga has become a princess and a mother, Sasha is a man of god. And Vasya… well, Vasya chose adventure over a confined life in a convent or in some minor lord’s bed. With her fantastic horse Solovey, she rides out into the world, without much of a plan but with fierce determination not to be caged.
The changing viewpoints of this book give a good picture of the state of affairs in Rus’ – taxes waiting to be collected, a looming war, bandits who leave villages burned down and steal Russian girls. As Vasya finds it makes things much, much simpler, she is dressed like a man with her long hair hidden away as she stumbles into all of this. As Vasilii Petrovich, she meets her siblings again and even gains favor with the Prince of Moscow. But navigating court is no easy feat even when you’re not trying to disguise your gender. Although it’s an old trope, it is one I can never get enough of. After all, who doesn’t love a good girl-disguised-as-a-boy story?
But although the trope has been used many times by many authors, in this particular setting, it becomes so much more obvious why Vasya would choose to do this. Okay, it kind of just happens because she’s practical and doesn’t like what the world holds in store for women, but once she arrives in Moscow, the differences between men and women are so stark that I wonder why not more women would pretend to be men, if only to have the simple freedom of stepping outside a building when they wished to see the sky.
In Moscow, Vasya also meets her niece, Marya, for the first time, and the connection between the two made me so very happy, despite all the danger that constantly surrounds them. As family reunions go, this was a bittersweet one but the love these siblings have for each other was tangible on every page. Never mind the secrets between them, the difference in how they choose to live their lives (or the way they have to live the lives chosen for them, in Olga’s case), there is a true sense of family there, and the way Marya and Vasya strike up a friendship out of the blue made that all the clearer.
Morozko makes a few appearences as well, to my utter delight. I admit I have been hoping for a romantic development here and I am not ashamed of my fangirling! He still holds a lot of secrets that Vasya, and us poor readers, don’t quite know yet, but there are glimpses of humanity in this immortal being, as well as hints to the past and where Vasya’s family came from. Not all questions are answered – this is only book 2, after all – but there were enough hints for me to have closed to book satisfied. Morozko isn’t the only mythological creature in this book. Rest assured, there are domovoi and even more famous personalities to be met.
While this book was much more action-packed than the first, with a faster pace, more focus on politics and social structures, I still loved every bit of it. Arden’s style is as beautiful as ever and her characters as multi-faceted. I particularly enjoyed any description of Vasya riding or dealing with horses and literally any interaction between her and Morozko. Even without stating a thing outright, you can still read the characters’ emotions between the lines, in the description of their body language, a twitch or a sigh. It was just pure joy to read!
Katherine Arden has published her two novels at remarkable pace (two in one year!) and the next one is supposed to be published in August of this year. That’s really fast, especially considering the quality of these books. Whether the publication date is fixed or gets pushed back a litte, I have already pre-ordered my copy of The Winter of the Witch and am waiting more than eagerly to find out how this gorgeous story concludes.
MY RATING: 8,5/10