October has been kind of a reading slump-y month for me and I’ve come to realize why. Because expectations are a bitch! Whether it’s a book hype on Twitter and Goodreads or simply misleading marketing by the publisher, once I’ve formed certain expectations and they aren’t met – even if the book is otherwise fine – it puts me off reading a book. While this book wasn’t a disappointment the way Gideon the Ninth was, it still was so completely different from what the cover, synopsis, and general buzz about it made me expect that it took me a while to get into it.
GODS OF JADE AND SHADOW
by Silvia Moreno-Garcia
Published by: Del Rey, 2019
Ebook: 352 pages
My rating: 6/10
First line: Some people are born under a lucky star, while others have their misfortune telegraphed by the position of the planets.
The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore.
The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own.
Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.
In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld.
Jazz Age, Mexico, Mayan gods! These are only three things that made me excited for this book. I had also heard nothing but great things about the author herself and I love mythology retellings, especially when they are written for adults (like Circe or The Golem and the Jinni). But this was also my first mistake. Nowhere – and I mean nowhere – did I see any mentions that this was a YA book or, how I would categorize it, a middle-grade one. The cover doesn’t look particularly like YA, it is shelved as “Adult” on Goodreads, and none of the reviews I’d read made me expect anything but an adult mythology retelling with a teenaged protagonist.
So the writing style was the first thing that threw me. Casiopea Tun lives a Cinderella-like life in her grandfather’s house, where she cleans, cooks, fetches things for her insufferable, arrogant douche of a cousin Martín, and can only dream of the wider world. Until, that is, she opens a chest which contains some bones. These bones happen to belong to the Mayan god of the Underworld, Hun-Kamé who has been imprisoned by his jealous brother who now sits on the throne of Xibalba. Because Casiopea freed Hun-Kamé and also got a piece of bone stuck in her thumb, these two are now connected and she has to go with him on a quest to retrieve his missing pieces that will restore him to full power. Adventure ensues.
The plot is pretty straight-forward, nothing unexpected happens, and the whole book reads more like a fable or (and that’s a plus, in my book) a fairy tale than anything else. The writing is quick and to the point, there is a lot of telling instead of showing, the plot moves fast and felt almost episodic. Each chapter is a new city, a new piece of Hun-Kamé to retrieve, a new enemy to defeat or mythological creature to meet. None of these adventures were bad. I enjoyed most of them a lot, to be honest, but at the same time it all felt so incredibly simple, so child-like. Even the romance, which I found sweet and subtle, was fitting for 12-year-old readers. The only reason this bothered me so much was because that’s not at all what the book promised! Had I known from the start what kind of novel I was picking up, I would have probably loved it from the start. But since I had to adjust my expectations, I only started really liking this after the first third.
Another disappointment were the setting and the time period. The setting lived mostly through its mythology and I loved learning about Xibalba, various mythical creatures and Mayan rituals. But Mexico didn’t really come to life for me. The Roaring Twenties aspect was represented even less. Sure, most chapters begin with a short introduction of the place Casiopea and Hun-Kamé are visiting, but mentioning bobbed hair and fast dances here and there does not make any of this come to life. This didn’t make the reading experience less pleasurable, but it also did nothing to enhance what was already a very simplistic story. There was so much potential for depth, for turning this fast-paced children’s book into what it was sold as. But apart from the fact that Mayan gods are characters, this story could have happened anywhere and during any number of time periods.
Now that I’ve got the gripes out of the way, let me tell you why this book is worth your while anyway! First of all, you, faithful readers, are aware of what you’re going to get yourselves into. Don’t pick this up if you want something like The Song of Achilles, pick it up if you feel like a light-hearted fantasy read with interesting mythology. Because what you’ll get is actually a really sweet tale of a young girl breaking out of her sad life, finding confidence, falling in love for the first time, and growing up a bit. Casiopea may be the protagonist but – just like in a lot of children’s books – she is almost a little bland. Although we’re told how feisty and headstrong she is, mostly she’s just a really good person who happens to be a teenager and thus wants things, such as freedom and pretty dresses and to be kissed by a boy. I liked her enormously, but from a storytelling persepective, I found Hun-Kamé and Casiopea’s jerk cousin Martín even more interesting. Martín is the kind of spoiled brat who believes himself a gift to whomever may walk in his presence and I loathed him with a passion. But then he gets his own point of view chapters and you realize there is more to him than meets the eye. Not much more, mind you, but more nonetheless.
Hun-Kamé, that dark, mysterious god was the perfect romantic interest for a YA novel. Kind of brooding, super sexy, protective of the heroine… but being a god who’s missing some of his pieces, and thus some of his power, he’s also going through an interesting development. As a piece of his bone is stuck in Casiopea’s finger, her humanity is swapping over to Hun-Kamé just as she gets some of his godly powers. I felt that Hun-Kamés slow turn from godly aloofness to an almost human young man was fantastically done. Just like the romance, the changes happen gradually. It is subtle at first and becomes more and more obvious as the story progresses. Because I hate insta-love and enjoy character-focused stories, I really liked that part of the narrative.
In the reviews I’ve since read of this book, some readers were disappointed in the ending but I really liked it. Much like the plot that came before, I didn’t really find it surprising but even in its predictability, it had a lot of charm. Casiopea’s story felt well-rounded, she had grown as a person, seen more of the world, experienced romantic feelings – oh yeah, and also fought terrifying creatures, helped the god of the Underworld, and seen places others can only dream of. Although this book absolutely isn’t what it appears to be, it is a lovely kids’ adventure story with Mayan mythology.
MY RATING: 6/10 – Good