It is time for excitement, for making reading lists, for having opinions. Because DisCon III announced the Hugo Award finalists on April 13th and
CONGRATULATIONS TO ALL THE FINALISTS!
I’ll do this the same way I did it last year. I’ll go through the categories one by one, see how many books I’ve already read and what I think about the finalists. I will – again – leave out the categories about which I have little to say and/or which I don’t plan to vote in (like Best Editor, Long Form) or which don’t really fit this blog (the Dramatic Presentation categories).
Warning: This is going to be a long post. Feel free to skip ahead to a certain category or to my general thoughts at the very end.
BEST NOVEL (3/6)
- Martha Wells – Network Effect
- N. K. Jemisin – The City We Became
- Susanna Clarke – Piranesi
- Tamsyn Muir – Harrow the Ninth
- Mary Robinette Kowal – The Relentless Moon
- Rebecca Roanhorse – Black Sun
Network Effect and The City We Became were both books I nominated for obvious reasons. I left out Piranesi because, well, I knew it didn’t need my help and I had some other, less buzzy books I wanted to support (Micaiah Jonson’s The Space Between Worlds ended up on my ballot for example – Johnson is an Astounding finalists so that makes me happy). And as much as I loved Clarke’s newest book, I don’t feel it’s a Hugo novel. It feels more like a World Fantasy or Mythopoeic Award kind of book, you know?
I look forward to finally continuing Mary Robinette Kowal’s excellent Lady Astronaut series and I knew – I just knew – that my fellow Hugo nominators would make me read the entire Locked Tomb series simply by nominating it. I was one of the very few people who didn’t find much to like in Gideon the Ninth but I’m willing to give Harrow a try. Although from what people have been saying it’s even more bonkers than the first so I don’t have high hopes that I will like it. But hey, I’m open for it. Maybe this time, aesthetics and cool names will be enough to entertain me.
I’m surprised that Mexican Gothic by Silvia Moreno Garcia didn’t make it. It was on my nominations ballot and there was a lot of hype surrounding that book. The author beats her own marketing drum hard all year round and it’s impossible to miss this book’s gorgeous cover. I was so sure she would make it onto the final ballot. Then again, horror books have a hard time at the Hugo Awards, so I guess I should have known better.
I also expected Kim Stanley Robinson’s The Ministry for the Future to be on here because Robinson is an old Hugo darling and always ends up as a finalist. To me, he is one of the authors the older Hugo voter generation nominates simply because he has written something – which doesn’t mean he isn’t deserving! I haven’t yet read any of his works so I wouldn’t know but I dislike authors being nominated rather than books and that seems to happen a lot. I guess times have changed a little and I can’t say I’m too upset. 🙂
BEST NOVELLA (4/6)
- P. Djèlí Clark – Ring Shout
- Sarah Gailey – Upright Women Wanted
- Nghi Vo – The Empress of Salt and Fortune
- Tochi Onyebuchi – Riot Baby
- Nino Cipri – Finna
- Seanan McGuire – Come Tumbling Down
Ah, the inevitable Seanan McGuire and her Wayward Children series. Look, I’ll be the first to admit that last year’s novella was actually very good but that doesn’t change the fact that, overall, she just shouldn’t be a finalist every year simply for having lots of fans. Not EVERY SINGLE ONE of her books is award-worthy. That’s not me being mean to her in particular, that goes for every author, even someone like N. K. Jemisin. But you can be sure, if McGuire has written something (and she’s always written something) it will end up on the Hugo ballot wherever it fits, taking a potential spot from a debut or underrated or marginalised author.
I’ll read Come Tumbling Down and I hope it’s another good one, but can we please all admit someday that apparently, she just doesn’t write Hugo Award novels/novellas? She has won once for the first Wayward Children novella and then nothing ever again. And it’s really not for lack of chances as you’ll see when we meet her again further down the ballot, not once, but twice, because of course.
I wasn’t a big fan of Upright Women Wanted, and Riot Baby surprisingly fell flat for me. I loved the message of both these novellas but they lacked story/plot and didn’t hit me emotionally the way they promised. I think that’s mostly me, though, not the quality of the work. Gailey and Onyebuchi are both authors whose other work I adore!
(This is a good example of how not to nominate authors simply because I like them but to nominate based on the quality of their eligible work. I would gladly throw Hugos at Gailey and Onyebuchi (figuratively speaking) but these particular books weren’t for me so I didn’t nominate them. It’s really not that hard…)
Ring Shout is a different story. I nominated it because that novella did everything right and completely blew me away. With two novellas still to read, I am fairly certain it will remain on the top of my ballot. The Empress of Salt and Fortune was also excellent, although very different in tone. So far, these are my top two. I’m going to check out Finna and the McGuire, mull things over a bit and then decide on my final ranking.
Generally, I’m very sad that the entire ballot is made up of Tordotcom novellas. I love Tordotcom as much as the next guy but it wouldn’t hurt to have more variety on the ballot. And because I am one of the culprits who only nominated stuff from Tordotcom, I know that I myself should do better as well.
So, here’s my appeal to other publishers: Please step up your game and promote your novellas the way you do novels if you want them to reach a wide reader base. Dear old-timey magazines: It’s 2021 so get with the times and make sure your online presence is inviting. Then people will come and read your stuff and, if it’s good (which I suspect it is), they will nominated it for awards.
BEST SERIES (5/6)
- S. A. Chakraborty – The Daevabad Trilogy
- Martha Wells – The Murderbot Diaries
- Mary Robinette Kowal – The Lady Astronaut Universe
- Seanan McGuire – October Daye
- R. F. Kuang – The Poppy War
- John Scalzi – The Interdependancy
Boy, am I glad it’s a Toby Daye year, not an InCryptid year! I’m only two books into the series (14 novels published so far, plus a ton of shorter stuff) but I genuinely liked both. I didn’t consider them award-worthy, because they are fun and have interesting characters but tons of books have that. For a Hugo Award, there should be a little more. I’m hoping to catch up a LOT on this series because people say it gets better and better and I’m curious to see if I hit the point where I go “oh, I get it now” and where I think the series as a whole should get a Hugo Award. Either way, this is one Seanan McGuire series I enjoy and would continue even without the bi-yearly nomination.
If you think it’s clear that Murderbot will win, wait a second. Yes, it’s universally beloved and it totally deserves an award. BUT. The series is still ongoing which means it has a chance of being nominated again and then winning, whereas The Daevabad Trilogy and the Poppy War series are finished. If we want to honor them with a Hugo, now is the time! That said, I also totally think Murderbot will take home the award.
I loved City of Brass and just started Kingdom of Copper which is also very good so far. I love how much more depth and politics the first book offered than I had expected. I also admit to shipping a certain couple and I’m curious to see where that goes. The question I’m going to ask with all the finalists here is whether the series as a whole is more than the sum of its parts – if it makes a difference whether you’ve just sampled the world and story or actually followed through until the end.
The Poppy War is a tough one, in every way. I loved the first book, as much as you can love something that so utterly depresses you. I want to finish the trilogy but knowing a little of what’s ahead (pain, tears, death,…) it’s difficult to get in the right mood. I will absolutely read the other two books before the voting period ends but I need to pick them up between some super happy stuff!
I enjoyed The Calcuating Stars a lot and it earned its Hugo Award two years ago. With the third in the series/universe being up for a Best Novel Hugo again, I’m even more excited to continue. Although I’ve mixed things up in the past – with Becky Chambers’ books for example – I will go in publication order here and read The Fated Sky before I dive into The Relentless Moon.
The only series I haven’t even started yet is Scalzi’s Interdependency. I heard great things about the first book and… not so great ones about the last book. Scalzi is a strange one for me. I am a huge fan of him as a person and his online writings. I haven’t been such a fan of his fiction which makes me all the more curious to see what this sci-fi trilogy is like. My fingers crossed but I’m keeping expectations low.
BEST GRAPHIC STORY (0/6)
- Kieron Gillen, Stephanie Hans – DIE, Volume 2: Split the Party
- Seanan McGuire, Takeshi Miyazawa, Rosie Kämpe – Ghost-Spider vol. 1: Dog Days Are Over
- G. Willow Wilson, Christian Ward – Invisible Kingdom, vol 2: Edge of Everything
- Marjorie Liu, Sana Takeda – Monstress, vol. 5: Warchild
- Kieron Gillen, Dan Mora – Once & Future vol. 1: The King Is Undead
- Octavia Butler, Damian Duffy, John Jennings- Parable of the Sower: A Graphic Novel Adaptation
Okay, okay. There’s nothing too surprising on this ballot but I’m looking forward to all of those, even the – who would have expected this nomination?! – Seanan McGuire comic. (Can you tell I’m a little bitter when it comes to her? Cause I am definitely a little bitter and will tell you more at the bottom of this page.)
Although I have technically read zero out of these finalists, I have read the first volume(s) of 3/6 of them.
Monstress is on the ballot yet again and while I’ve never fallen head over heels for this series, I find it beautifully drawn, I like the story, and I don’t begrudge it its success. It just doesn’t get me emotionally for some reason but I’ll gladly read the latest instalment when and if it’s included in the Hugo Voters Packet. Last year’s packet was amazing so I’m all caught up on the series except for this newest volume.
I am thrilled that G. Willow Wilson’s Invisible Kingdom vol 2 is on here because I read volume 1 a few months ago and immediately put the second part on my wishlist. I haven’t gotten to it yet but I’m cackling in anticipation! This is such a cool world with original characters.
Last year, Die vol. 1 was nominated and I found it pretty good, very dark, but also a bit too much of a set-up volume to really grip me. Again, this is a universe and an idea I’ll happily explore further and Kieron Gillen is someone I’ve come to trust.
Gillen is nominated a second time, for the first volume in a new series, Once & Future, which seems to be a dark contemporary spin on the King Arthur legend. I have no idea what to expect but I’m here for it. King Arthur seems to be cool again, he also shows up in the Lodestar category.
I also can’t wait to see what the Graphic Novel adaptation of Octavia Butler’s Parable of the Sower will be like. It hasn’t been that long since I read the book so it’s all still fresh in my mind and I know there are things in that book that I do not want to see… I’m intrigued to read the graphic novel and see how things are depicted but at least I know the story is good.
And last but not least, Seanan McGuire has written a Gwen Stacy comic titled Ghost-Spider. I am always up for some Spider Gwen, although reviews of this one are pretty middling. Also, it appears this “volume 1” is set after two volumes of Spider Gwen, the second of which is called Ghost-Spider Vol. 2? I haven’t made sense of it it yet and need to do more research but I am properly confused.
- Jordan Ifueko – Raybearer
- Tracy Deonn – Legendborn
- Naomi Novik – A Deadly Education
- Darcie Little Badger – Elatsoe
- T. Kingfisher – A Wizard’s Guide to Defensive Baking
- Aiden Thomas – Cemetery Boys
Aaaaaaaah, this is such an exciting ballot! With the exception of Naomi Novik’s book – more on that later – I love how diverse and different all these books are.
Obviously, my beloved Raybearer is on here. I am so hyped for its sequel (and duology ender) so maybe I’ll give this a re-read before voting is over. I haven’t heard many people talk about this book so I am doubly glad enough people read and liked and nominated it. Because now even more people will read it and get to know Sunshine Girl and this beautiful found family!
I just read Legendborn and enjoyed it quite a bit. I wasn’t particularly impressed with the way the King Arthur legend was used, but as a story of its own about a secret society at college, it worked fine. Its strengths were definitely the themes of dealing with loss and grief, racism and finding a place to belong. So I’m happy to see it nominated but for now, it feels like a middle of the ballot kind of book.
I have so much excitement for Elatsoe – it has a ghost dog, apparently! – as well as Cemetery Boys – a trans, Latinx protagonist is something new for me and I love reading different perspectives from my own. And T. Kingfisher is just T. Kingfisher. I can’t wait to meet her latest pragmatic protagonist and the shenanigans they get into. Maybe I should read this after one of the R.F. Kuang books…
Now, about A Deadly Education. We’re talking arbitrary frontiers here, like what even is the line between YA and adult fiction? Most of these lines are drawn by publishers and/or book sellers who put the book in a category and that’s what we sticks. I could be wrong (I can’t find the interview I remember reading) but didn’t Naomi Novik herself make clear that this is not YA? Like how dare we assume that just because a book is written by a woman and takes place at a magic school with teenage protagonists, it’s automatically YA? And I agree, that assumption is stupid and we should all be better than that. But then, when it gets nominated for an award, it’s suddenly okay again that the book is considered YA? That leaves a bad taste in my mouth, to say it mildly.
I was one of the people who enjoyed this book – although I still can’t quite tell you why, it has so many problems – but I find the author’s behaviour a little strange. Add to that the fact that Novik is well established and beloved in the SFF community and doesn’t really need an awards boost. If you look at the other authors, they are all either new or not well know or not the big bestselling types and can each benefit greatly from being nominated. If Novik had declined the nomination (based on the fact that she doesn’t consider her book YA and it thus doesn’t fit the category), who would have gotten the last finalist spot? Guess we’ll have to wait until December to find out.
ASTOUNDING AWARD (2/6)
- Micaiah Johnson (The Space Between Worlds)
- Emily Tesh
- Lindsay Ellis
- Simon Jimenez
- Jenn Lyons
- A. K. Larkwood
So that’s where those other buzzy books went. 🙂
The Unspoken Namen by A. K. Larkwood has been popping up here and there over the course of the last year. I haven’t read it yet but I’m glad to pick it up for Award reading. The same goes for The Ruin of Kings by Jenn Lyons and the rest of the series – the speed with which these books are being published is stunning. I don’t know if it was the Game of Thrones-y style of the covers that kept me from picking them up so far or something else. But I look forward to checking it out.
The two authors I’ve read are Micaiah Johnson – I nominated her myself – and Emily Tesh. Johnson’s The Space Between Worlds was excellent and I even nominated it for Best Novel as well. I read the first of Tesh’s novellas, Silver in the Wood which was good, but didn’t stick in my memory for very long. I’ll read the second one, Drowned Country, but unless it has more memorably characters or a more exciting plot, I can’t say anything much nicer than that Tesh is a competent writer.
I am most excited about Simon Jimenez‘ novel The Vanished Birds. This feels like such a quietly buzzy book. I kept coming across it, in more literary circles as well as genre spaces, but the reactions to this book were overwhelmingly positive. So I cannot wait!
Lindsay Ellis wasn’t on my radar at all, although I have seen Axiom’s End floating around. Whisleblower/first contact/conspiracy story sounds intriguing, especially because it’s not my usual cup of tea.
BEST FANCAST (5/6)
- Be the Serpent
- The Coode Street Podcast
- The Skiffy and Fanty Show
- Worldbuilding for Masochists
- Claire Rousseau’s YouTube channel
Here’s another category that gives me OPINIONS. Or, to say it better, that makes me feel like a bit of a fool.
Last year, I was so excited that a BookTuber was nominated, and even one that I knew and liked. Claire Rousseau used to do these Genrewise SFF News videos that summed up what’s going on in the field really well. She has a nice D&D based TBR game going with herself, and I liked her reviews, even when we didn’t agree. So I felt she totally deserved her nomination (last year). But in 2020, she has barely uploaded any videos – which I absolutely don’t mean to sound reproachful. It’s a pandemic and holy shit, we all understand when you have other things on your mind than creating content. But if you don’t create anything, should you be nominated for an award? Like, for what? For having made some videos for the first few months of the year and then just stopped? I follow Claire’s channel and I get notified when she uploads new stuff. She was completely off my radar for the second half of 2020 because there was simply nothing there. Her channel literally shows you the newest video (one day ago) and the video before (7 months ago). Again, I’m not saying Claire has any obligation to produce videos but I do believe that we should award fancasters who actually, you know, fancast.
Her channel will probably be at the bottom of my ballot because I’ve already seen all her 2020 videos and they will have a hard time keeping up with what the other finalists have to offer. But I’m glad she plans to re-launch her channel and I’ll happily nominate her next year if she makes great videos again in 2021.
This year, Claire isn’t the only BookTuber on the Hugo ballot this year. Rachel from Kalanadi, a wonderfully calm and thoughtful person, has been making videos consistently for years. I also follow her (although I didn’t nominate her, I instead nominated The Fancy Hat Lady Reads, another BookTuber) and I especially like her long-term projects of reading certain award winners – she did the Tiptree a while back, she’s reading through the SF Masterworks, but she’s also very self-aware and checks in on her goals and reading stats. As with any reviewer, we don’t always agree, but I appreciate her reviews and the way she talks about books. I would definitely be happy to see her take home a Hugo Award.
Now to the podcasts. I like The Coode Street Podcast and its two incredibly well-read hosts, which I say every year. 🙂 I sometimes love, sometimes don’t like Skiffy and Fanty, also like every year. I have to listen to Be the Serpent more to make up my mind properly. And I don’t know Worldbuilding for Masochists at all, so this is exciting. I love discovering new things through the Hugo ballot and this is one of the few that’s actually completely new to me.
I will admit to a general bias on my part towards the BookTubers. This category has been going to podcasts for so long that I feel it’s time for a change. Having two BookTube finalists on the ballot is already a win but unless Be the Serpent or Worldbuilding absolutely blow me away, Kalanadi will be my first choice for this award.
In general, there is nothing overly surprising on this year’s ballot. In the Best Novel category, so many potential great books could have made it, it was really just a matter of who was nominating this year and what their personal favorites were. Some years, you just know one or two of the most hyped books, the ones everyone was talking about. But 2020, we were all talking about many buzzy books that we loved.
The one thing that I did notice last year, and in part with the Hugo finalists, is the blurry distinction between YA and adult novels. The Bone Shard Daughter, for example was very well received but was it YA or adult? I think it’s sold as adult but the marketing campaign gave it YA vibes, if you know what I mean. Maybe that kept people from nominating it or maybe some nominated it as Best Novel, others as a Lodestar? I’ll be interested to see the final stats in December.
The Best Related Work category is interesting this year. I don’t have enough to say about it to warrant its own section in this (huge) post, but it’s cool that a convention is nominated – although I have no idea how I, as a non-attendee, am supposed to judge that – as well as the ConZealand Fringe, a sort of side event alongside regular WorldCon which can be watched on YouTube. Add the obligatory ranty blog post and one actual non-fiction book and you have a pretty diverse category.
My (yearly) Seanan McGuire rant:
I’m so tired of having to read so much Seanan McGuire every year. You guys, I know I can sound mean when I talk about her, but I’m really just tired. It’s like this war inside me where, on the one hand, I want to give all nominated books a chance and vote fairly for what I thought was best, but on the other hand, I spend my precious time reading her books when I could be reading a debut author, a marginalised author, an underrated author, or even re-reading an old favorite.
It’s getting to the point where I want to just not read her work, no matter the book – just the way she gets nominated every year, no matter the book. And if I don’t read it, I won’t vote for it. If her fans can convince themselves that every single of her works deserves an award, then I can convince myself of the opposite. The truth is probably somewhere in between but I guess we’ll never know because people aren’t always fair and authors aren’t always gracious.
Seanan McGuire is by far not the only author who has lots of Hugo nominations but only a single (or even no) win. The difference is that she writes so damn much that she takes up space in at least two categories every year. If she wrote a novel, a novella, and an instalment in a series, you can be damn sure she will be on the ballot in all three categories. If she really were that much of a literary genius, shouldn’t she be swimming in Nebula Awards? World Fantasy? Mythopoeic? I mean, those are the ones that get judged by other authors, by her peers. Interestingly, she was only nominated and won once for Every Heart a Doorway which is also her sole Hugo win (except for fancast but she was part of a larger group there).
I know nothing I say here will sway the hardcore McGuire fans. And look, I’m glad she has so many fans and I’m glad they love her work that much. Finding a favorite author is a great thing, especially when that author churns out a ton of content every year.
But if you count together all the spots taken up by McGuire works in the last few years, spots which eventually all ended up not winning – the potential other books for those spots could have given at least 10 other authors a hands up in the industry, a chance for a career, a chance to build their own fan base just like the one McGuire has. Simply not accepting a nomination – at least in one of the three/four/five categories – has apparently never crossed McGuire’s mind. After being told by the voters that her work is not deserving of a Hugo this many years in a row, maybe giving someone else a chance is a viable option?
This year, I will read all her nominated works again because I would feel like a quitter otherwise and they all sound interesting. But next year, I will definitely skip InCryptid – the first one is a book I’d be ashamed to have published – and only pick and choose the rest. Depending on this year’s Wayward Children novella, I may or may not read next year’s. And if you think these won’t make the ballot next year, don’t make me laugh. If it has the name Seanan McGuire on it, it will be on the ballot…
So now that’s out of the way again, I have decided to focus on the postives. There are so many books, graphic novels, and series I look forward to discovering or continuing this year. I hope this ballot will push me towards my goal of finally finishing up some series I’ve started and show me some new authors and creators I can follow in the future.
What do you think about the finalists? Did your nominees make it? Am I too touchy about Seanan McGuire? 🙂 Are you going to read the finalists and if yes, are you voting?