McGuire’s Wayward Children series is so hit or miss for me that, with almost comical certainty, I will like and dislike alternating titles. That meant this one was supposed to be a good one and the rule still holds up. It was not only a good one but I’d say one of my top two favorites of the series so far.
ACROSS THE GREEN GRASS FIELDS
by Seanan McGuire
Published: Tordotcom, 2021
eBook: 208 pages
Series: Wayward Children #6
My rating: 7.5/10
Opening line: At seven, Regan Lewis was perfectly normal according to every measurement she knew, which meant she was normal in every way that counted.
A young girl discovers a portal to a land filled with centaurs and unicorns in Seanan McGuire’s Across the Green Grass Fields, a standalone tale in the Hugo and Nebula Award-wining Wayward Children series.
“Welcome to the Hooflands. We’re happy to have you, even if you being here means something’s coming.”
Regan loves, and is loved, though her school-friend situation has become complicated, of late.
When she suddenly finds herself thrust through a doorway that asks her to “Be Sure” before swallowing her whole, Regan must learn to live in a world filled with centaurs, kelpies, and other magical equines―a world that expects its human visitors to step up and be heroes.
But after embracing her time with the herd, Regan discovers that not all forms of heroism are equal, and not all quests are as they seem…
Damn, the beginning of this novella hits hard! It’s about young Regan Lewis, a girl as average as they come. She loves running around, riding horses, and playing with her two best friends, Heather and Laurel. But when one day, Heather brings a snake to school and clearly adores it rather than be scared or disgusted by it, Regan learns that there are apparently rules on how to be a girl and those rules are set by society. In their little circle of friends society is represented by Laurel – who will not accept any aberrations from what she considers the norm.
She knew even without asking that Heather was no longer part of the trusted inner circle: she had performed girlhood incorrectly and hadn’t instantly mended her ways when confronted with Laurel’s anger. She was out.
This broke my heart in so many ways, not only because it is told excellently but also because McGuire either remembers her own childhood days or takes seriously the problems and feuds and intricacies of girl friendships at that age. When bringing the wrong kind of candy can make you ostracized, when liking football instead of dolls turns you into a pariah. Heather is out of the group but Regan has learned to keep things to herself until she is sure that Laurel approves.
When puberty starts hitting and Regan seems to be the last one left out, no hint of boobs or a period in sight, she talks to her parents about it and learns something about herself that, generally, isn’t a problem for her. The problems appear only once she confides in Laurel because it turns out, Regan is performing girlhood even more “incorrectly” than Heather ever did and also never should have trusted someone like Laurel, who is unaccepting of anyone the slightest bit different than herself. So ten-year-old Regan runs away and promptly stumbles through a door that asks her to “Be sure”.
What follows is the portal fantasy we all signed up for when pickin gup this book but I must say, it’s one of the more enjoyable ones. Regan is found by a centaur who takes her home to the herd with her where Regan makes friends with a young centaur named Chicory and is taken in as if she were family. She also learns a thing or two about the Hooflands and its hinhabitants. I absolutely adored the idea of unicorns – that revered species of mythical being – turning out to be beautiful, sure, but also completely dumb! Seriously, this made me giggle so hard, I’m still not over it.
Take unicorns. They’re as beautiful as it gets, and they don’t have the brains to come in out of the rain. They’ll just stand there trying to figure out why they’re getting wet and wait for someone to come along and fix it for them.
More of Regan’s awe died during the first storm. It was hard to be dazzled by a wet, muddy unicorn that was attempting to eat your mattress.
But even though Regan’s time in the Hooflands is mostly harmonious and gives her the freedom of just being who she is without any strict rules on how to be a girl the right way, there is conflict on the horizon. Because humans come to the Hooflands only when something big is about to happen. Humans are heroes and have to do some heroing eventually and Regan kknows she will have to present herself to the queen someday.
I won’t spoil any of it but I really enjoyed that part. Both the fact that we get to go along on Regan’s quest and not just witness the aftermath, and the way McGuire even adds a twist at the end.
The world building for the Hooflands may not be stellar but it has everything that’s needed to tell this story and make me feel like I’m in a believable world filled with sympathetic characters. Just like all the Wayward Children stories, we know how this one will end ahead of time but that doesn’t mean it’s always impactful. This time, it absolutely was, and I’m counting this instalment among my top two (In an Absent Dream is the seocond).
I don’t know why bigger fans of McGuire and the Wayward Children series seem to not have liked this volume as much. It has the lowest rating of all the volumes on Goodreads (not that that’s saying much, really) so I feel like I have to come to its defense. I’m also grateful that this year’s Hugo nominated McGuire work truly deserves its spot on the ballot, even if it makes ranking my ballot that much harder.
MY RATING: 7.5/10 – Damn good!