I read this book in July 2018 and I adored every page. But – as with many of Cat Valente’s books – I find it very difficult to write a coherent review. Some of my Valente reviews are gushing, fangirly, quote-filled posts that I hope will convince some people to pick up her books. But I would understand if you guys just think: “That girl is crazy, but good for her for liking this book, I guess.” and moving on with your lives. With Space Opera, Valente garnered a much-deserved Hugo Award nomination (although I’ll repeat what I’ve said many times before: She should have been nominated and won for her novel Radiance!), so I’m giving this reviewing thing another try.
by Catherynne M. Valente
Published by: Saga Press, 2018
Hardcover: 294 pages
My rating: 9/10
First sentence: Once upon a time on a small, watery, excitable planet called Earth, in a small, watery, excitable country called Italy, a soft-spoken, rather nice-looking gentleman by the name of Enrico Fermi was born into a family so overprotective that he felt compelled to invent the atomic bomb.
A century ago, the Sentience Wars tore the galaxy apart and nearly ended the entire concept of intelligent space-faring life. In the aftermath, a curious tradition was invented—something to cheer up everyone who was left and bring the shattered worlds together in the spirit of peace, unity, and understanding.
Once every cycle, the civilizations gather for the Metagalactic Grand Prix—part gladiatorial contest, part beauty pageant, part concert extravaganza, and part continuation of the wars of the past. Instead of competing in orbital combat, the powerful species that survived face off in a competition of song, dance, or whatever can be physically performed in an intergalactic talent show. The stakes are high for this new game, and everyone is forced to compete.
This year, though, humankind has discovered the enormous universe. And while they expected to discover a grand drama of diplomacy, gunships, wormholes, and stoic councils of aliens, they have instead found glitter, lipstick, and electric guitars. Mankind will not get to fight for its destiny—they must sing.
A band of human musicians, dancers, and roadies have been chosen to represent Earth on the greatest stage in the galaxy. And the fate of their species lies in their ability to rock.
Decibel Jones and the Absolute Zeroes are a has-been glam rock band, currently in sort-of-retirement. But when alien life pops up on Earth – all over the place, all at once, I might add – and informs us that we have to compete in an intergalactic music competition to prove our sentience and, therefore, our right to continue living on as a species, Decibel is ripped right out of his stupor and has to make music again.
There is a reason why this book has been compared to The Hitchhiker’s Guide to the Galaxy and that reason is very simple (and if you read the first sentence above, you’ll know it). The style is similar, it has a silliness to it that will remind anyone of Douglas Adams’ hilarious trilogy of five, and it is filled to the brim with ideas, with original alien species, with deep thoughts about life and what makes humanity worthy of living. But like any comparison, it’s not exactly the same. Any book by Cat Valente will feature her signature style, although I admit she departed quite far from it for this novel. But you’ll still get flowery descriptions, long sentences, clever inside jokes, and references to real-world things. Except, you know, with a wink and a smile.
Do not expect a very plot-heavy book. Stuff happens at the beginning and at the end. In the middle, the time where Decibel and the Absolute Zeroes prepare their intergalactic musical number, is spent mostly with character development, world-building, and ruminations about what makes life worthwhile. That could go either way for you, but I personally loved it. I don’t need big epic things to happen on every page, or at least not in every book I read. Discovering all the crazy aliens Valente came up with felt pretty epic to me. While some of them are just weird creatures – like giant, talking flamingoes – others are not corporeal at all. I don’t want to spoil the fun for you, but rest assured that there are a lot of aliens to be discovered and that some of them are absolutely hilarious, especially if you remember Microsoft Word from The Olden Days. 😉
But despite the humor, this book also has depth. Decibel Jones is a Bowie-esque has-been rock star and that alone would make him an interesting enough character study. But the band is missing a member and figuring out what exactly happened and why is a nice sub-plot to the main story that may help readers who want more plot get over that rather quiet middle part. I loved getting to know Decibel and slowly finding out why there is so much tension between the band members and what went wrong in their past.
As this is marketed as “Eurovision in Space”, you can be sure that there will be an epic competition of music (in its broadest definition) at the end. If you go in knowing that the song contest only happens at the very end of the book, maybe I can keep you from being disappointed. The way I read this book, I loved the journey to the ultimate plot climax as much as the ending itself. Even if I hadn’t, the ending would make it all worthwhile.
Because it is nominated for a Hugo Award for Best Novel, let me say that it’s at the top of my ballot (I know, shocking, right?). I don’t think it will win because as with any humorous book (especially humorous science fiction or fantasy), it’s polarising. People either love it or bounce off it hard. And I get it. I came to this book totally biased because Cat Valente is my favorite author of all time. All I can do is recommend it to you and give you a heads-up of what to expect. If you’re in the mood for something funny but with depth, a wild ride through space (with red pandas!) or if you liked the “SHOW ME WHAT YOU GOOOOOT” episode of Rick and Morty, then you should give Space Opera a shot. And then, of course, go on to read everything else by Cat Valente.
MY RATING: 9/10 – Nearly perfect!