Reading The Witcher: Andrzej Sapkowski – The Last Wish

Happy New Year, Dear Readers! The last book I read in 2019 has now turned into my first review of 2020 and I am so glad that I can start the year with a good one. With the Witcher now on Netflix (haven’t watched it yet but I’m very excited), it was about time I checked out one of those books. I think I may read one more of them before I dive into the TV show because this collection really got me hooked.

THE LAST WISH
by Andrzej Sapkowski

Published by: Orbit, 1993
Ebook: 353 pages
Series: The Witcher #0.5
My rating: 7/10

First line: She came to him towards morning.

Geralt of Rivia is a witcher. A cunning sorcerer. A merciless assassin. And a cold-blooded killer. His sole purpose: to destroy the monsters that plague the world. But not everything monstrous-looking is evil and not everything fair is good… and in every fairy tale there is a grain of truth.
A collection of short stories introducing Geralt of Rivia, to be followed by the first novel in the actual series, The Blood of Elves. Note that, while The Last Wish was published after The Sword of Destiny, the stories contained in The Last Wish take place first chronologically, and many of the individual stories were published before The Sword of Destiny.

I had known about the Witcher for many years and I watched my boyfriend play some of the game (The Witcher III) but I had always planned to read the books before I checked out the games for myself. Now there’s a Netflix show with none other than Henry Cavill (I like him 🙂 ) and that gave me the needed push to finally check out the first – in publication order – of the books. People have warned me that this is more of a short story collection than a novel and that is true but to me it never felt like a collection but rather like looking into Geralt of Rivia’s life at different points in time.

We first meet Geralt just before one of his adventures. As a witcher, his job is to find a monster who plague people, get hired to defeat that monster, and then get the  job done, get paid, and move on to the next village. That doesn’t, however, always mean killing a monster. Sometimes it first means figuring out who the monster even is – and having horns or vampire teeth isn’t always the necessary indicator. From that very first story it becomes clear that Geralt follows  his own code, that his ethics aren’t always the same as other people’s. And although he’s a quiet, thoughtful kind of man who doesn’t speak much (though he is an excellent grunter), I found myself quite liking him right from the start. Between the individual stories, a sort of frame story is set up that we follow as a red thread. I didn’t really find this necessary but it added a nice time layer to the story collection.

There were several things that surprised me. The first one was how dialogue-heavy the book was, especially during the first few stories. There is very little description and Geralt learns most details about his job or the monster-in-question through some other character telling him. This may not be to everyone’s taste but it sure made for a quick read. The other surprise was how heavily fairy tales feature in these stories. I had known before starting this book that it uses fairy tale tropes and sometimes even retells fairy tales, but to meet obvious versions of Beauty and the Beast or Snow White – although with a twist – was still a happy surprise for me. I loved how Sapkowski uses the tropes we all know from these tales and turns them upside down. Suddenly, you get a beast who’s not all that unhappy with his beastly form. And Snow White turned a little bloodthirsty after being almost killed for jealousy… there are more twists to discover that I won’t tell you here, but I was very happy with the direction these stories took.

As for recurring characters, there are few. Dandilion the bard follows along with Geralt on a couple of adventures and Yennefer – a well-known character to people  who played the Witcher games – is mentioned several times. I was super excited to get a story where Geralt and Yennefer met for the first time because although I don’t know how, I have gathered that she will be important later. Despite most characters only being there for one story, and considering the lack  of vivid descriptions, I find it all the more impressive that the world feels like a proper world. I have no idea of the geography or who rules what part of the land but every place Geralt visits feels lived in and believable.

The writing style is the one thing I’m conflicted about. I don’t know how much is due to the translation, how much would have been the same in the original Polish, but even though there wasn’t much description, I found it slightly weird how women were described. Reading about any of the women in these stories gave me major flashbacks to older fantasy books I used to read. Although there aren’t explicit descriptions of boobs, a woman’s body shape  is almost always remarked upon in some way, as is her beauty (or lack thereof). That doesn’t mean that women are reduced to their looks as there are quite a few powerful female characters here, and some of them are beautifully complex in their motives and actions. But I did notice that their bodiees were commented on quite frequently, especially compared to the male characters.

For me, this was an excellent book to end the year with. It wasn’t groundbreaking or particularly beautifully written, but it was highly entertaining, it surprised me with its twists, I really loved Geralt as a character and I will read another Witcher book very soon! If you want something fun that’s a quick read, that uses fairy tale roots to tell a whole new story, then pick this up. It also made me even more excited for the Netflix show because, even after reading just this one book, I feel like I know Geralt and I want to see how Henry Cavill plays this role. So yes, my first review of 2020 is definitely a recommendation.

MY RATING: 7/10 – Very good

An Artist’s Life: Steven Brust – The Sun, the Moon, and the Stars

Terri Windling’s Fairy Tale Series has been on my radar ever since I caught sight of the first of those gorgeous covers (I mean look at the one below!). The only book I’ve read so far was the amazing (if super tough to read White as Snow), so it was time I  tried another one of these retellings. This one takes a (to me) unknown Hungarian folktale and weaves it into a contemporary story. As a fairy tale retelling, I have to say this failed pretty bad, but as a novel in general, I really enjoyed it!

THE SUN, THE MOON, AND THE STARS
by Steven Brust

Published by: Ace, 1987
Hardcover: 210 pages
Standalone
My rating: 7/10

First line: You want to know what good is? I’ll tell you what good is.

Once upon a time there was a kingdom that lived in darkness, for the sun, the moon and the stars were hidden in a box, and that box was hidden in a sow’s belly, and that sow was hidden in a troll’s cave, and that cave was hidden at the end of the world.
Once upon a time there was a studio of artists who feared they were doomed to obscurity, for though they worked and they worked, no one was interested in the paintings that stood in racks along their studio walls.
Steven Brust’s fantasy novel The Sun, the Moon, and the Stars is a tale of two quests, of two young men who are reaching for the moon. And the sun. And the stars.

Greg is a struggling artist who shares a studio with some of his artist friends and still hopes tfor a break through, who wants so badly to create a masterpiece, a painting that will mean something. Until then, however, all he can do is pursue his art and hope for the best.

This novel was interesting first of all because of its structure. Each chapter is divided into several sub-chapters. The first deals with Greg’s past (his time at university, how he got to know his girlfriend, how he first met his friends, etc.), the second is about the present. Greg does karate and art. He spends most of his time in the studio and, at the beginning of this book, starts a new project on a large canvas, lovingly called “the Monster”. The other sub-chapters talk about how Greg approaches his new painting, about art in general, and – not to forget – about the Hunarian fairy tale Greg tells his friends. You may have guessed that this is the titular “The Sun, the Moon, and the Stars”.

As a huge fan of fairy tales, I was quite surprised that I found myself more drawn to Greg’s life in the 80ies and his musings about art than about the fairy tale he tells. The story of Csucskari and his two brothers who set out into the world to restore light to the sky was nice enough, but it didn’t really capture me the way Greg’s struggles did. You see, he and his four friends share their studio and it’s getting pretty hard raising rent, also due to the fact that most of them don’t really sell any paintings. They paint and draw and sketch because it’s what they love to do but during this novel, they all ask themselves what’s the point. Shouldn’t they just quit? Get a day job with a secure income? Maybe waste their potential?

There isn’t even a lot of plot in this book. Greg and his friends are thinking about doing an art show, so they can get their paintings out into the world. But mostly, the story deals with their relationship with each other and with art. Greg talks a lot about what he wants to achieve, about techniques and light sources and I am making it sound super boring right now, but it totally isn’t!! I don’t paint at all, although I did just do my very first painting with acrylics (an art class I got as a gift) and it was a lot  of fun and also way harder than I expected. But even without any real knowledge about art history or craft, I found everything Greg had to say about it interesting. His troubles can be easily translated into any other art, be it writing, or dancing, or martial arts. He talks about hours of practice, about using what you were taught at school, about how ideas may come easily sometimes and sometimes just won’t come at all. Even if you’re not artistic in any way, I’m sure you will be able to relate because everything Greg struggles with is utterly human.

What I didn’t get was how the fairy tale was supposed to fit into the narrative. Sure, Greg has Hungarian roots and he tells his friends folk tales sometimes, which is why we get to read “The Sun, the Moon, and the Stars” but it really had nothing to do with the main story. I guess if you put some effort into it, you can kind of see parallels between Csucskari’s quest and Greg’s search for meaning in his art and also the evolution of his new painting. But the connection isn’t really tangible. I enjoyed the fairy tale as such, especially because it was one I hadn’t read before, but I don’t think I’ll remember it for very long.

As for the characters, they are an interesting lot. I read several reviews that said Greg was a pretentious douchebag, and yeah, I guess to some degree he is. But I never had any trouble sympathising with him. The other characters remain rather pale, but as a group, the five artists felt real and believable. They critique each other’s art – sometimes that leads to them being pissed at each other, but it also makes them better at what they do. They chat among themselves, they dream together, they worry together, they fight and they make up. The present day passages are very dialogue-heavy so the characters come across mostly through what they say or choose not to say. Otherwise, we really only focus on Greg.

This book was not what I expected, especially as a fairy tale retelling. But I found it immensely entertaining, I learned a lot about painting and about art in general, and while I think the connection between fairy tale and real life was minimal at best, I’d recommend this to anyone who is involved in the arts and maybe wants to create something themselves. If nothing else, the book will make you feel understood and less alone.

MY RATING: 7/10 – Very good

A Real Little Mermaid Retelling: Esther Dalseno – Drown

I had the hardest time finding an indie book for the Retellings Challenge for several reasons. Number one, I admit it, I am biased and book covers do have an impact on me. So if I see a cover that looks like someone threw it together with Word Art, I don’t want to read that book, no matter how amazing the text may be. Plus, it’s really hard to find recommendations when you’ve already read the most “hyped” indie retellings. But I did find something (with a gorgeous cover, no less) that turned out to be really, really good!

DROWN
by Esther Dalseno

Published by: Little Birds Books, 2015
eBook: 260 pages
Standalone
My rating: 7/10

First line: It was destined to fail because it was an artificial species.

Seven emotionless princesses.
Three ghostly sirens.
A beautiful, malicious witch haunted by memories.
A handsome, self-mutilating prince.
Belonging to a race that is mostly animal with little humanity, a world obsessed with beauty where morality holds no sway, a little mermaid escapes to the ocean’s surface. Discovering music, a magnificent palace of glass and limestone, and a troubled human prince, she is driven by love to consult the elusive sea-witch who secretly dominates the entire species of merfolk. Upon paying an enormous price for her humanity, the little mermaid begins a new life, uncovering secrets of sexuality and the Immortal Soul. As a deadly virus threatens to contaminate the bloodstreams of the whole merfolk race, the little mermaid must choose between the lives of her people, the man she loves, or herself.
A complete reinvention of Hans Christian Andersen’s classic fairy tale, this is a magical-realist fable that captures the essence of sacrifice and the price of humanity.

Many fairy tale retellings use the original tale and give it more depth by putting them in a different setting or time period, by giving the protagonists a job other than “prince” or “miller’s daughter” and by giving them a backstory and personality. That’s what I love so much about retellings – that you can discover something new about a tale you generally already know. So reading about an android Cinderella or a Beauty who is also a gardener is something I enjoy but that doesn’t mean it’s the only good way to retell an old story.

Esther Dalseno went a different route  in her version of The Little Mermaid. None of the characters in this book have names. The little mermaid is just the little mermaid, the sea witch gets no name, and even the prince and his uncle are only called by their title. It’s to the author’s credit that it took me a few chapters to even figure this out because the story flows beautifully right from the start and I didn’t feel like there was anything missing. There are enough original ideas to make up for this traditional way of telling a fairy tale. The prose in general was very good and made it easy for me to fall into the story. The one big gripe I have – and that goes to the list of baises I have against indie books – was the many, many typoes and even grammar mistakes. They got worse and worse toward the end of the book and that’s just not necessairy. A copy editor should have easily found those mistakes and fixed them. They’re not even style problems (which are subjective anyway) but really just spelling mistakes. That’s the only thing that ever took me out of the story. It’s a minor gripe but it bothered me nonetheless.

Now let me tell you why this was such a great book anyway. The little mermaid lives with her six sisters and her father in the underwater palace where they eat delicious food and admire their own beauty. The merpeople are completely emotionless and don’t really do anything, but learning about their species – and the way that the little mermaid just doesn’t seem to fit in – was quite fascinating. We don’t just see them they way they are now but we get a little origin story about how merpeople even came to exist. The same goes for the sea witch’s backstory which is revealed more and more throughout the novel.

The story follows the fairy tale pretty closely – definitely more closely than other retellings I’ve read and when I say “the fairy tale” I don’t mean the Disney version but the one by Hans Christian Andersen. The little mermaid falls in love with the handsome prince but what she wants even more than to be with him is an Immortal Soul! And because she believes that marriage grants you half your partner’s soul, she makes a plan to visit the sea witch and have herself turned human. She gives up her voice for human legs and goes to the palace to win her prince. So far, so predictable. But wait! While the prince may not get a name, he does get a personality. His father has just died and the prince is dealing with severe depression and self-harm. That came out of nowhere for me and gave the otherwise very pale character a lot of depth. In addition to the mermaid’s point of view, we also follow his and while I may not have liked him very much, I appreciated him as a character.

Once the little mermaid has turned human and lives at the palace, the story offers more and more original ideas that diverge from the fairy tale.The prince’s uncle (and king regent), for example, plays an important role. He was in fact the most interesting of all the characters. Servants gossip about how he picks a different maid each week to visit his room at night, yet he seems like a sad, lonely man. The little mermaid is quite scared of him (because she thinks his beard is an animal parasite sticking to his face). Figuring out the uncle’s character, why he is the way he is, and what his plans are for the future, was almost as much fun as following the little mermaid in her quest to marry the prince.

If you’ve read the Andersen fairy tale, you know it doesn’t end happily. I don’t think it’s a spoiler to say that this version has a similar ending. The tone of the book is pretty dark right from the start, so a happy ending would simply not have fit! But even though you may know how the little mermaid’s story ends, you’ll be hooked until the last page to find out what happens to her sisters, her father, the sea witch, and the merpeople in general. I liked how Esther Dalseno mixed a predictable story line (if you know the fairy tale) with her own ideas in order to keep us readers guessing. The whole backstory of the merpeople’s origin and the uncle’s role turned this into a fascinating read. Except for the many spelling errors, I really enjoyed it and would definitely recommend this if you like fairy tale retellings and want to try something published by a very small press. I certainly hope Esther Dalseno publishes more retellings in the future.

MY RATING: 7/10 – Very good

If you’re curious about the type of errors I was moaning about, here are a few examples:

[…] before her could examine them[…]

[…] usually the couple were sick of the sight of each another by one year’s end. […]

[…] he had saw fit to […]

But then again, you’ve been to absorbed to notice.

Again, this doesn’t diminish the quality of the story for me but it is something that’s easily remedied. If I can find these errors while reading the story a single time, a publisher should have been able to see them as well and fix them.

Lesbian Feminist Snow White: Melissa Bashardoust – Girls Made of Snow and Glass

In my everlasting quest to discover new and fresh takes on fairy tales and mythology, I have come across Melissa Bashardoust’s debut novel, which was sold as a lesbian retelling of Snow White. Teh strengths of the novel were definitely the original ideas the author brought to the table. Trying to kind of stick to the fairy tale may have actually hurt this book more than helping it. My overall opinion is both underwhelmed and positively surprised.

GIRLS MADE OF SNOW AND GLASS
by Melissa Bashardoust

Published by: Flatiron Books, 2017
eBook: 384 pages
Standalone
My rating: 6/10

First line: Lynet first saw her in the courtyard. Well, the girl was in the courtyard. Lynet was in a tree.

Frozen meets The Bloody Chamber in this feminist fantasy reimagining of the Snow White fairytale.
At sixteen, Mina’s mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone has never beat at all, in fact, but shed always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the kings heart with her beauty, become queen, and finally know love. The only catch is that shell have to become a stepmother.
Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queens image, at her fathers order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do and who to be to win back the only mother shes ever known or else defeat her once and for all.
Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything unless both can find a way to reshape themselves and their story.

This is the story of princess Lynet and her stepmother Mina, told through both their perspectives. We are slowly eased into the world of this particular Snow White retelling, as well as to one of the two protagonists. Lynet lives in the castle with her father the king, and nothing weighs on her as much as her father’s pressure for Lynet to be exactly like her dead mother. As she died during childbirth, Lynet never got to know her, but she is told on a daily basis just how much like her she is – same look, same fragility (oh, how she loathes the word!), same spirit.

Mina on the other hand is Lynet’s stepmother and actually gets along really well with her adopted daughter. Some of her chapters are flashbacks to how she came to be queen and I really, really loved those chapters. They show a young girl with an oppressive, scary magician father. Mina is ambitious but she is also driven by fear. She wants to break out of her life and she wants power – because that is what she feels she needs to be safe. So she plays the part perfectly, gains the newly widowed king’s attention, and works her way into his inner circle via his small daughter. I found it fascinating how well Bashardoust managed to write a sympathetic character who is nonetheless using manipulation to get to her goal. Like, I thought I was supposed to hate her. She’s the villain right? Well… not so much. But she’s no goody-two-shoes either. So well done on flawed and believable characters!

The first half of the book has almost nothing to do with the fairy tale Snow White. A new surgeon beings working at the palace – a young girl named Nadia – and Lynet feels immediately drawn to her and strikes up a friendship. It’s not hard to see that this friendship will eventually bloom into a romance, so I was quite disappointed that we get so little development and chemistry between these two characters. There is far more spark between Lynet and Mina and it was their mother/daughter relationship that kept me glued to the pages more than anything else.

Lynet and Mina also are each special in a magical sort of way. The book title is a dead givaway and it’s revealed pretty early on in the book, so I’ll just tell you: Lynet was created out of snow and magic. Mina, whose heart failed when she was still a child, has a magical heart made of glass. These may sound like tropey fantasy add-ons at first, but it has a huge impact on the plot and the protagonists. While Mina has been told all her life that she cannot love and will never be loved, Lynet feels even more that she was just made to be a stand-in for her dead mother. Their personalities have evolved around their magic and I felt that this was also really well done by the author.

I won’t say much about the plot or the villain – they are both super obvious once the plot actually starts. At about the halfway mark, I felt the book lost a lot of its qualities. Inserting all the necessairy Snow White plot points to turn this into a retelling felt rather forced and ruined what would otherwise have been a beautiful character-driven book about a mother and daughter and a world that would pit them against each other. But you get it all: the poison, the stepmother worrying that she’s being replaced by a younger, more beautiful woman, the prince (in this case: princess), and so on.

The weaker points of the novel were definitely the world building. Except for a few mentions here or there about a curse that leaves the castle in eternal winter, about politics (North vs. South), and about university, there wasn’t much there. I also thought that the magic was built up too slowly at first, only to rush in with a bang at the very end. If you give your characters magical abilities, at least throw in some kind of a learning curve… The romance between Lynet and Nadia was just badly done, and I much preferred the more subtle and growing relationship between Mina and the huntsman!

As for the ending: I loved where the characters ended up and how they resolved the problem of succession and rivalry. Everything did fall into place a bit too neatly however, and because the villain of the novel was so over the top evil, and for no discernible reason, it also fell a little flat. Before the big showdown even began, I already knew how everything would be resolved and I prefer at least some element of surprise when it comes to fairy tale retellings.
All that said, I did enjoy what Bashardoust has done with these characters, and while this turned from a really good into a mediocre book, I will definitely check out her upcoming novel Girl, Serpent, Dove.

MY RATING: 6/10 – Good

2019 Retellings Challenge – Third Quarter Update

Holy smokes, where have all these months disappeared to? I could swear it was July a week ago, but here we are, at the beginning of October (speaking of which, I have to find me some witchy reads for Halloween). The summer months have probably been my best reading months in years, if not ever! I participated in the NEWTs Readathon which meant I first had to catch up on the OWLs readathon. Both of these were crazy months where I got a lot of reading done. I’m happy to announce that among the many books I read were also a few retellings.

What I’ve Read

The Golem and the Jinni by Helene Wecker was one of the group reads for this readathon and I absolutely loved it! From the very beginning, this quiet tale of a Golem and a Jinni grabbed me. I enjoyed following them as they found their footing in a new world, within new cultures, and as they became friends. But while this is mostly a quiet story with lots of focus on characters, there is quite an epic ending. I cannot recommend this enough. The language is beautiful, the characters are so engaging, and the story itself had me close to tears several times.

Helen Oyeyemi’s Gingerbread was quite a different experience. It may not be a precise retelling of Hansel and Gretel, but it uses many of the fairy tale’s motifs. Gingerbread is the most obvious ones, but there are also breadcrumbs, houses in forests, and friendships that last through the ages. Most of all, it is the story of a mother and daughter, of how the mother grew to be who she is, why the daughter has turned into who she is and how their past connects them as much as their present. The family relations in this tale get surprisingly complex, but once I found my way into this rather strange story, I was enjoying myself a lot. This will not be everybody’s cup of tea. If you like magical realism (randomly talking dolls, anyone?) then definitely try it, though.

I also finally read The Gospel of Loki by Joanne M. Harris. It was pretty much exactly what I had hoped for, expect shorter and with less depth. We follow the story of Loki, from his brith as an Asgardian god to his demise – all narrated by himself, in the arrogant, hilarious manner you’d expect. I loved the narration, the silly nicknames he gave the other gods, the tricks he played on them and especially his relationship with Thor. In fact, I loved it so much that I would have liked more of the same. More chapters of Loki’s exploits, his travels with Thor, his trickery and cleverness. But Harris tells a proper story that leads straight to the end of Asgard. From a proper critic’s standpoint I would probably command her for writing a proper beginning and end, but as I read this simply for enjoyment, I felt a little let down by how things ended. Not that it came as a surprise but it was slightly anticlimactic. However, I will very likely pick up the sequel.

I also read The Ice Puzzle by Catherynne M. Valente – a retelling or reimagining of The Snow Queen from the point of view of different cultures. As this is one of Valente’s earlier works, it pretty much has no plot but tons of gorgeous language and beautiful imagery. This novella was like falling into a dream. Things don’t always make sense, you don’t know who all of the characters are, but you just roll with it. And what unfolds is snippets of a Snow Queen, of a young girl trying to save a boy, of mirror shards and pieces of ice stuck in an eye. I didn’t love this as much as I do Valente’s other work, but it was definitely a new kind of retelling for me.

I finally finished The Winternight Trilogy with Katherine Arden’s The Winter of the Witch. This was a great book but unfortunately, I started reading it at a bad time. You have to be in the right mood for this in order to fully appreciate it. I put the book away for several months and when I picked it back up, I was exactly as excited as I should have been from the start. It is the conclusion to Vasya’s story. It brings together the elements from the first and second book beautifully and even mixes a lot of real historical events and people into Vasya’s fictional story. Once I got into the atmosphere  of this book again, I loved every page. The Bear and the Nightingale is still my favorite of the trilogy but this was definitely a worthy ending.

Lisa Goldstein’s The Uncertain Places landed on my TBR pile because it won a Mythopoeic Award – a goldmine for retellings of myths, fairytales, and altogether books that I like. Reading it was a strange experience. While I read it, I was quite engaged, I wanted to know what happened and I wanted the characters to figure out how to break the fairy curse at the heart of this story. But whenever I put the book down, I didn’t really want to pick it back up again. I also felt that the most interesting characters weren’t featured enough. Instead, the story is told from one POV, and he was one of the least interesting people in this book. It was a fun read with many nods to fairy tales and fairies in general, but now that I’ve thought about it for a while, I’d rate it only okay.

My favorite retelling of the last few months and probably the whole year was Echo North by Joanna Ruth Meyer. It retells East of the Sun and West of the Moon with a few changes and one mind-blowing twist. Instead of a polar bear, Echo, our protagonist, has to live with a white wolf in an enchanted castle. The castle itself feels like a character – there are so many rooms to discover and so much magic hidden inside of it. And it has a library… a magical library. Need I say more? I also loved that this story manages to take the heroine’s really, really stupid decision from the original fairy tale and make it feel sensible. The villain was fantastic, the last third of the book went by in a blur of action and adventure, and because I was rooting so much for Echo, that twist at the end completely wrecked me. I’m not ging to say any more about it, just please pick up this book if you like fairy tale retellings. It is a true gem!

And another highly recommended book, this time for graphic novel fans: Neil Gaiman & Colleen Doran – Snow, Glass, Apples. This is Snow White from the stepmother’s perspective, except Snow White isn’t the fairy tale princess we know. Without spoiling, I’ll only say that the roles of villain and heroine are flipped in a very original way. It has all the things you know from the original tale – poisoned apples, mirrors, skin as white as snow – but the way Gaiman turned the story on its head, nothing should work but everything does. All the beats of the original tale fit perfectly into this new version. This is a short comic book but it’s also surprisingly dark. The artwork is gorgeous (if you’re into the style, obviously) and had me so impressed I read the book two times in a row.

Reading plans for the next months

  • Silvia Moreno-Garcia – Gods of Jade and Shadow
    Although this doesn’t fit into any of the slots left on my bingo card, I have started this story featuring Aztect gods. I have been buying Moreno-GarcĂ­a’s book for a while, but this is the first one I’m finally going to pick up.
  • Alexa Donne – Brightly Burning
    This is a Jane Eyre retelling set in space. Since I’ve already read The Lunar Chronicles, my options for this bingo slot are slim, but I quite look forward to this. I haven’t read Jane Eyre in a while so I’m quite interested in how this author deals with the story and makes it work in a futuristic setting.
  • Anna-Marie McLemore – Blanca & Roja
    I’ve been meaning to read this for a while now. A retelling of Snow White and Rose Red plus Swan Lake sounds too good to miss. Since it features sisters – with all the love and rivalry that comes with it – I am even more intrigued. And I’ve also never read anything by McLemore but she keeps being recommended, so it’s about time I found out if I like her writing.

General Thoughts

I did not realise I’d read that many retellings. To be honest, I didn’t focus on this challenge at all during the last three months, so it’s a bit of a surprise to me how many retellings crept into my reading. With The Golem and the Jinni I got my first bingo on the Bingo Card, but I’m still planning to fill the entire card so there are still some books left for me to discover. The prompts are getting harder and harder to fulfill. While I do own some books that fit into the remaining categories, I’m not particularly in the mood for some of them at the moment. We’ll see how it goes but I am more motivated than ever to actually pull off my crazy plan.

In all honesty, at the beginning of the year, I thought my goal of reading books for all the prompts was way too ambitious but I like big goals. 🙂 I would have been fine with a single bingo, but now that I’m this close to finishing the entire card, there’s no way I’m stopping.

How’s your reading going? Are you (still) participating in this challenge? Which books can you recommend for my missing bingo slots – I’d really appreciate your recommendations!

A Gorgeous, Creepy Graphic Story: Neil Gaiman & Colleen Doran – Snow, Glass, Apples

A few years ago, I read Neil Gaiman’s short story Snow, Glass, Apples and was completely blown away. It takes the Snow White fairy tale, tells it from the point of view of the evil (?) stepmother and turns it on its head in a unique, original way.

SNOW, GLASS, APPLES
by Neil Gaiman and Colleen Doran

Published by: Dark Horse, 2019
Hardcover: 64 pages
Standalone
My rating: 8,5/10

First line: I do not know what manner of thing she is.

A chilling fantasy retelling of the Snow White fairy tale by New York Times bestselling creators Neil Gaiman and Colleen Doran!
A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren’t so happily ever after.
From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Timesbestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge)!

This is the story of a young woman who fell in love with a king. This king has a daughter, a young girl with hair as black as ebony, skin white as snow, and lips red as blood. You know how it goes. Except there is something off about this particular Snow White. I don’t think it’s a spoiler but just to be safe, I won’t tell you what’s up with Snow White. Let’s just say, she’s not the fairy tale princess you’d expect. And the evil queen is actually doing her best to protect her kingdom. Apples are involved as well as a super creepy twist on the prince who wakes up Snow White with a kiss. But that’s all best discovered for yourselves.

There are several things that made this story work so well for me. On the one hand, the way Gaiman incorporates all the beats of the original fairy tale into a story that is essentially the opposite of the Grimms’ tale. On the other hand, the art itself. It’s a matter of taste, of course, but I can hardly express how much I adored Colleen Doran’s drawing style. Inspired by Harry Clarke, the art is luscious and detailed and there’s plenty to discover. So I read this first for the story itself, following along where the author led me, and then went right back again just to look at the art on each page.

What I found really impressive was that the graphic novel works almost completely without the use of panels. Most pages are full-page artworks like the one above where smaller images blend into other small images. The way the pages are set up, however, makes the reading order totally intuitive. I always knew where the author, artist, and letterer wanted my eyes to go next. That’s something I didn’t expect at first glance, so now I am all the more impressed. I can’t explain why or how, but it works beautifully. And the pages are gorgeous to look at as complete pieces of art as well.

This is the kind of book you can read really quickly but it will stay with you long after you’re finished. Some lines in Gaiman’s story simply stick because they are so well written. With the graphic novel adaptation, the same thing goes for Doran’s images. I have read this book more than a week ago and yet I still vividly remember certain pictures. I had also forgotten just how dark the story goes at certain points and while it’s one thing to read about brutality, it’s quite another to see it depicted – even if it’s in an art style that’s not super realistic.

I should also mention that this is not a story for kids. When I say “twisted fairy tale” I don’t just mean that plot elements get twisted around. I mean actually twisted. There are dark scenes here, some truly disturbing things happen, and the ending is also not for the faint of heart. Although if you’ve read some fairy tales without the added sugar coating, you’ll know what you’re in for.

MY RATING: 8,5/10 – Pretty amazing!

An Icy Fairy Tale: T. Kingfisher – The Raven and the Reindeer

If you’ve had the pleasure of reading one of T. Kingfisher’s retold fairy tales, I’m sure you’ll have already bought all the rest. But just in case you don’t know the brilliant mind and practical heroines of T. Kingfisher (a pseudonym for Ursula Vernon, creator of Digger), then let me tell you why you should absolutely give her a try.

THE RAVEN AND THE REINDEER
by T. Kingfisher

Published by: Argyll Productions, 2017
Paperback: 224 pages
Standalone
My rating: 7,5/10

First sentence: Once upon a time, there was a boy born with frost in his eyes and frost in his heart.

When Gerta’s friend Kay is stolen away by the mysterious Snow Queen, it’s up to Gerta to find him. Her journey will take her through a dangerous land of snow and witchcraft, accompanied only by a bandit and a talking raven. Can she win her friend’s release, or will following her heart take her to unexpected places?
A strange, sly retelling of Hans Christian Andersen’s “Snow Queen,” by T. Kingfisher, author of “Bryony and Roses” and “The Seventh Bride.”

The Snow Queen has always been one of my favorite fairy tales, not so much because of the setting or the idea of having a piece of magical glass mirror stuck in your heart or eye, but because it was the one fairy tale I read as a kid where the girl goes out on a proper quest, where she meets witches and robbers, and has to be incredibly brave to save her friend. I also discovered a Finnish movie version that was, to me, utterly perfect. The musical score still breaks my heart and the imagery pops up in my mind whenever someone mentions The Snow Queen. So I’m invested in this story!

I have loved everything T. Kingfisher has written, so I was quite surprised when the beginning of this book didn’t really grab me. It read like a proper fairy tale – but like the bad parts of a fairy tale. Descriptions of plot, characters that are little more than names with maybe one attribute to them, and nothing to create any kind of immersion. The beginning read like the raw material out of which great fairy tale retellings are grown. I wanted to feel the atmosphere, to be told how cold it is in the North, why Gerta loved Kay so much that she’d be willing to go out into the world and save him. And because I trust T. Kingfisher, I kept reading. And I was rewarded.

Although the beginning does drag a little if you don’t want to read a story told just like a fairy tale, it gets better and better the longer Gerta has been on her journey. The stops she makes and the people she meets start to feel less and less like little episodes and more like parts of a whole, bigger story. And by a certain point, we were right back in that well-beloved Kingfisher fairy tale territory that I had hoped for. It just took a little longer this time than in The Seventh Bride or Bryony and Roses.

Gerta does meet some characters from the original fairy tale, but they aren’t exactly the same as you’d expect. She also meets new characters, such as a raven and a reindeer (I know, bit surprise). The way these Nordic myths were incorporated into the reimagined fairy tale was probably my favorite part. I grew to love both raven and reindeer so much that I was sad when the story was over. The reindeer especially offers something new to discover even for crazy fairy tale lovers such as myself – for us, a straight forward retelling can sometimes feel a bit boring because we know everything that’s going to happen. So I always look for the parts that the author added, maybe took from other fairy tales, from myth, from history, or even from pure imagination, to keep me hooked. T. Kingfisher succeeded in that.

But there is another twist on the original tale here, one which most blurbs and synopsis will tell you beforehand, and which I don’t consider a spoiler either. On her travels, Gerta meets a Robber Girl, and in this version, the Robber Girl gets a personality and a mind of her own. And she may just fall in love with our protagonist a little bit… As Kay isn’t all that great to begin with (flying off with the Snow Queen, leaving his Gerta behind. I mean, how cold is that [pun a little intended]), I found it absolutely wonderful and refreshing to see Gerta figure out her own life without the need for Kay. Oh, she’s an amazing friend and definitely wants to save him, but that doesn’t mean she wants to be his girlfriend. Instead, she discovers what she values in people, she sees what it’s like when someone sticks by your side through the bad times as well as the good, and she learns to just love whom she loves.

If you’ve picked up this book and didn’t like the beginning, I urge you to push through it to get to the good bits. Because they are so good they make it all worthwile. I started reading this with a lot of disappointment, thinking Kingfisher had lost her deft hand at rewriting fairy tales with feminist twists, clever heroines, and believable romances. But a little patience did the trick and I was rewarded with another lovely, heartwarming tale of friendship, bravery, magic, and love. And reindeer! Never forget the reindeer.

MY RATING: 7,5/10 – Very good!

 

A Perfect Fairy Tale: Joanna Ruth Meyer – Echo North

As someone who reads a lot of fairy tale retellings, it’s become hard for books to blow my mind and truly enchant me. Not only do I know the fairy tale by heart but I’ve also read many versions, updates, twists, and retellings of it – so to discover a book that manages to be original while honoring its fairy tale basis is something special. Joanna Ruth Meyer has not only done that, but she’s added some amazing twists that actually left me gasping.

ECHO NORTH
by Joanna Ruth Meyer

Published by: Page Street Publishing, 2019
Hardcover: 389 pages
Standalone
My rating: 8/10

First sentence: I was called Echo for my mother, who died when I was born, because when my father took me into his arms he said he felt the echo of her heartbeat within me.

Echo Alkaev’s safe and carefully structured world falls apart when her father leaves for the city and mysteriously disappears. Believing he is lost forever, Echo is shocked to find him half-frozen in the winter forest six months later, guarded by a strange talking wolf—the same creature who attacked her as a child. The wolf presents Echo with an ultimatum: If she lives with him for one year, he will ensure her father makes it home safely. But there is more to the wolf than Echo realizes.
In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books-turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear, and Echo must solve the mystery of the wolf’s enchantment before her time is up, otherwise Echo, the wolf, and Hal will be lost forever.

When Echo was born, her mother died, leaving her only with her beloved father and brother and a thirst for knowledge. She grows up loved and happy, but at the age of seven, an encounter with a white wolf leaves one side of her face hideously scarred. From that day on, she becomes an outcast in her villages, can’t make any friends, and has people stare at her and avoid her. Things don’t get better when Echo’s father decides to get married again – to a greedy, superficial woman who demands more riches than the family can  afford. And then Echo’s father doesn’t return from a trip to the city, so she goes looking for him and finds… a while wolf.

From there, things follow the story of the fairy tale not exactly, but at least recognisably. Echo promises to live with the wolf for one year in order to save her father’s life. They sleep in the same room, and the one thing she is forbidden to do is light a candle in the night and look upon the sleeping wolf. But Joanna Ruth Meyer has added so many layers, so many ideas to this time spent with the wolf. Instead of a castle, they live in a magical house under a hill, with ever-changing rooms filled with both wonders and terrors. Discovering these rooms was so much fun, but best of all was the Library of Mirrors (I want one and I don’t care if it’s impossible)!

The idea of stepping into stories and living them, rather than just reading them on a page, will appeal to any book nerd. So you can imagine my joy when Echo discovered just such a marvel in the enchanted house. But she’s also the kind of character who doesn’t just sit around all day, living fictional people’s stories (not that that’s a bad thing… ahem) – she knows something is up, she knows the wolf is under some kind of curse, and she is determined to figure everything out and save him. Then there are the people she meets in books – a girl who becomes her friend, and a boy named Hal who may become even more than that. But he is also surrounded by mystery, so Echo has a lot of secrets to solve. Meanwhile, the house is starting to unravel, becomes more and more dangerous, and Echo and the wolf have their hands full just staying alive.

What made this book so special for me were a few small-ish things that added up to an amazing experience. First of all, Echo’s being scarred and always feeling like and outsider made her a great protagonist to follow. Like most young girls, she dreams of being beautiful, of being accepted, yet she knows that her scars will always scare people away. She is a resourceful, smart protagonist who desperately wants to help people even though people in general haven’t been very kind to her. If you know the fairy tale, you also know that the heroine does something incredibly stupid – I loved how Meyer solved that problem and made Echo’s decision to do that stupid thing feel not stupid at all. In this version of the tale, it made perfect sense and it didn’t make me think less of Echo.

The other thing that makes this retelling stand out is the underlying mythology Meyer came up with. While in the original, the wolf is a bear and the evil Queen is a Troll Queen, here everything is just different enough to keep people like me intrigued and guessing. If this is not the dumb Troll Queen from the fairy tale, what powers might she wield? How smart might she be and how much more difficult could she make it for Echo to save her wolf? The winds also make appearances, although not as literally as in the fairy tale. I was also delighted at the way they were incorporated into the story, especially the North Wind, who even gets a back story of his own.

As for the romance, it may not have given me butterflies, but it was the steadily building kind of romance that happens between the lines. By the end, I was invested in the relationship, although I don’t quite know when that happened. Speaking of the end – holy shit, there is a twist I did not see coming and that alone makes the book worthwile! The author really doesn’t go easy on her protagonist and just when you think she’s managed to save her wolf, when things start looking good, a knife is twisted in your heart.

If you couldn’t tell, I adored this book. The characters, the plot, especially the world building were all fantastically done. If I had to pick anything I didn’t like 100% it was the language. There were a few phrases that the author kept repeating, such as descriptions of the house’s features or people’s looks. But compared to everything else, that’s a tiny nitpick which didn’t diminish my reading pleasure at all. I am so excited to see what Meyer comes up with next and if it will be just as wonderful as Echo North.

MY RATING: 8/10 – Excellent!

A Frogged Up Fairy Tale: Nancy Springer – Fair Peril

I bought this book when I saw that it was nominated for a Mythopoeic Award – an award that picks books just to my liking. Sometimes, I prefer the nominees to the winners, but in general, it’s a literary award I trust. Well, I was bound to come across a not-so-good book eventually and it appears that Nancy Springer’s “feminist” retelling of the Frog Prince was it.

FAIR PERIL
by Nancy Springer

Published by: Avon Books, 1996
Ebook: 246 pages
Standalone
My rating: 4/10

First sentence: “Once upon a time there was a middle-aged woman,” Buffy Murphy declaimed to the trees, “whose slime-loving, shigella-kissing, bung hole of a husband dumped her themonth after their twentieth wedding anniversary.”

Divorced, overweight Buffy Murphy is not a happy camper. One April afternoon, she walks into the woods . . . and meets a talking bullfrog. He asks her to kiss him so he can transform back into his princely self. This being modern-day Pennsylvania, Buffy figures she’s better off with a talking amphibian than a cheating husband, so she takes him home. The fun really starts when her rebellious teenage daughter, Emily, kisses him.
Suddenly, Emily and her handsome prince have vanished into the land of Fair Peril, an enchanted realm that can only be accessed through a portal in the local mall. Aided by a gay librarian named LeeVon and hindered by her fairy-godmother-in-law, Fay, Buffy shuttles back and forth between the real world and Fair Peril. Does Emily really want to be rescued, or does she just need someone to love her? It’s up to Buffy to figure out the key to reclaiming her daughter—and maybe herself, as well.

Buffy is a middle-aged woman who has just been left by her husband of 20 years because he found someone younger and prettier. So Buffy is bitter. Very bitter. So bitter, in fact, that I disliked her from the first moment. When she comes across a talking frog, she is only about half as shocked as she should be and takes it home. This enchanted frog, Prince Adamus, wants her to kiss him so he can become human again. But Buffy won’t hear of it. Instead, she prefers to continue wallowing in self-pity, shoving unhealthy crap into herself, complaining that she got fat  (reading about her eating habits, I wonder how that happened), and hating men.

Although the embittered comments become less frequent as the book progresses, I found it really horrible just how man-hating this story started out. According to Buffy, pretty much all men are the same. The way she thinks of them, they are less than human, they all act only on their urges, women are prized objects (also not humans) to them, and her husband left her only because she got fat and had a mind of her own… Honestly, if Buffy’s personality was the way it was described in this book during her marriage, I can’t even fault the guy for leaving. Holy shit, I wouldn’t want to live with someone that toxic and negative.

My reading of this story is that Buffy is an overdrawn character on purpose. Because all the other characters, without exception, are also overdrawn bad stereotypes. Buffy’s ex-husband is a despicable low-life whose only reaction to his daughter missing (with an older boy, no less) is “well, I like them young, too”. Emily, the daughter in question is shown as a vapid young thing who cares only about shopping and looking pretty. Prince Adamus has slightly more personality. Of course, he is an arrogant fairy tale prince who also thinks he is entitled to any woman’s love just because. Oh yeah, and let’s not forget the new trophy wife. She is young and pretty and only married the guy for his money. She even says that outright at one point.

The only character I really liked was Buffy’s gay friend LeeVon. Not only was he kind and multi-layered and simply a good friend, he also developed throughout the story, even though he’s not the main chracter. To be fair, Emily also shows that there’s more to her than a credit card and fashion style, but not much more. While Buffy definitely grows into a slightly more bearable person by the end, I never really liked her. People who are hateful and bitter because their own actions have consequencees they don’t like are just not my cup of tea. I know such people exist in real life and I’m sure they don’t have it easy, but they are not the sort of people I surround myself with if I can help it.

So despite disliking almost all the characters, I wanted to know what happened. I wanted to see how Nancy Springer tackles the Frog Prince fairy tale. About halfway through the book is where it gets really magical. Buffy, Emily, LeeVon and occasionally even Buffy’s ex-husband Prentis enter the realm of Fair Peril, a world that exists side by side with ours but definitely doesn’t adhere to our rules of physics (or any other rules). I quite liked how Fair Peril and our world overlapped, I liked the feeling that magic was wild and didn’t follow rules. So no magic system, nothing that you can make sense of, just untamed imagination.

The writing style was sadly also not for me. The author sometimes described things, then turned Buffy’s inner dialogue into weird rhymes or lines that could have been lifted out of nursery songs… it felt strangely childish and out of place and made Buffy seem like a really silly person even though I think I was supposed to take her seriously. I also found the reactions to a talking frog (at a certain point a very oversized frog) incredibly weird. Emily is shocked when she first sees Adamus and hears him talk – so far, so understandable. But she gets over that impossibility really quickly and just goes with it. Other characters who eventually meet a frog, talking, oversized, sometimes even clothed, also react way too mildly for my taste. On the other hand, Buffy lands herself in an institution for (dumb that she is) telling a police officer that she is looking for her talking frog who is a prince in disguise…
Add to the list of things that don’t make sense Emily’s age. I think she is described as being 16-ish. A teenager with her own car has to be at least 16, but then she has a birthday party where she behaves more like a 10-year-old. But her behaviour changes so drastically with every scene she’s in that it was impossible to place her, age-wise. That kind of ruins the growth she goes through because I never had a clear image of who she was before.

This was supposed to be a feminist retelling of a fairy tale but not only did I hate all the women and most men in this story, I don’t think it’s a feminist thing to paint all people of a certain gender as their worst stereotype. It also didn’t help that Buffy clearly hated herself as much as she hated men. I don’t know how many times she mentioned how fat she was, how “unlovely” her legs were, how her outfits are shit, how she looks bad, etc. etc. Having low self-confidence is one thing, but constantly putting yourself down for things you can easily change (don’t like your legs unshaved? Go shave them! Want to lose a little bit of weight? Try not eating three microwaved, fatty meals every day! Hate your clothes? Go get yourself something that makes you feel pretty, for gods sake!). Buffy is in this spiral of self-hate and generally despises her situation but she’s not willing to do anything to better her situation. It’s like needing to pee but not being willing to get up and go to the bathroom, instead just sitting there, whining to everyone that you really have to pee and how unfair the world is for not beaming you to a toilet… That’s a stupid analogy, but I hope you know what I mean.

The story itself does get better in the second half and the ending is even halfway decent, putting more focus on the mother-daughter relationship than on kissing frogs or hating men. But I have to say, this really put me off picking up other books by Nancy Springer. I give every author at least a second chance, but judging by this book, Springer’s chance will not come any time soon.

MY RATING: 4/10 – Pretty bad

2019 Retellings Challenge – Second Quarter Update

Another quarter year has gone by and, like every year, I wonder how it happened so fast. Summer is here, I already went on holiday in lovely Tuscany, and of course I spent many days reading on the beach. The Hugo finalists have taken much of my reading time, so I haven’t read as many retellins as I would have liked, but I am still excited for this challenge (visit Tracy at cornerfolds for more info) and I plan to finish the entire bingo card this year.

What I’ve Read

For “Middle-Eastern Myth” on the bingo card, I finally read S. A. Chakraborty’s City of Brass and I loved it. The setting and characters were wonderful, especially the complex political intricacies that Nahri and the readers have to learn about. I loved that there is so much more going on than first appears. Also, I have a super soft spot for Dara.

Brianna R. Shrum’s Never Never was a group read and while I thought it was well done, I wasn’t exactly blown away. A very slow, character-focused book that retells Hook’s side of Peter Pan’s story, it takes a rapid turn at the end, with characters changing their entire personality in a matter of seconds, just for the sake of a dramatic ending. I liked parts of, but very much disliked others, so all things considered, it was okay, but not great.

I fully expected to love Circe by Madeline Miller and I was not disappointed. While it took me a while to warm to Circe herself, once she grew up a bit and I liked her, I was all aflame for her story. You meet many well-known characters from Greek myths and you especially get to see the women’s stories in a different light. Although quite different from The Song of Achilles, this was another excellent retelling of a Greek myth!

Nikita Gill’s Fierce Fairytales just fell into my hands one day at the book shop. This gorgeous looking little book is filled with poetry, short stories, and illustrations, all based on fairy tales. As with any collections, there were stories I liked better than others. But it bothered me how very obvious and on the nose the author was with her message. I fully support the message that you should love yourself the way you are, that women shouldn’t be princesses waiting to be saved by a strong prince, the message of empowerment and female friendship – it’s all there and it’s all things I totally love and want to see more of in fiction. But the execution felt like someone preaching with a raised finger and I really don’t enjoy being preached to. So this was also only a good read, not a great one.

Reading plans for the next months

  • Helene Wecker – The Golem and the Jinni
    June’s group read on Goodreads and a book I’ve been meaning to read forever! I’m a quarter of the way in and I absolutely love it.
  • Helen Oyeyemi – Gingerbread
    I adore Oyeyemi’s style and my favorite book of hers was another retelling (Boy, Snow, Bird), so I’m very excited for this new one.
  • Joanne Harris – The Gospel of Loki
    I hope this book wins the poll for July group read but if it doesn’t, I’ll probably read it anyway.
  • Ellen Datlow (ed.) – Mad Hatters and March Hares
    For the Wonderland bingo square, I might just go with this anthology. It features some of my favorite authors and short stories are usually quick reads. Even if there are a lot of them.

General Thoughts

By now, it’s become a little harder finding books to fit on the bingo card. For example, I already read my Middle-Eastern myth book (The City of Brass), so I’m lucky the group read, The Golem and the Jinni, also fits into the “award-winning” square.
This quarter, my reading has really been focused more on the Hugo Awards than this challenge. Once Hugo voting is over (by the end of July), I can put my attention back to this challenge and also finally reading some of the new releases from 2019 which I’ve been buying. I swear those books look at me sadly just to make me feel guilty that I haven’t picked them up yet!

But I’m still enjoying this challenge and the more I read, the more I appreciate Tracy’s reading prompts. Some of them are vague enough that you can read many things (like the “Brothers Grimm” prompt) and some are more specific and make you go hunt for books which you may otherwise not have read, especially if you’ve already read the most obvious choice (“a retelling set in space” –> Marissa Meyer’s Cinder). The Goodreads group reads also push books onto me which I either wouldn’t have read or which I’ve been putting off for way too long. So I’m still very happy with the challenge and with my progress. I expect to catch up much more quickly once I’m done with the Hugo Award nominated books and stories.