Mary Robinette Kowal took home a well-deserved Hugo Award for her novel The Calculating Stars which put humanity into the uncomfortable position of having to look to the stars for habitable places, because Earth wasn’t going to last much longer. I both loved and hated that book – I loved it because it was really, really good, but it was also damn uncomfortable to read. The amount of sexism and racism displayed by some characters was staggering and the protagonist suffers from an anxiety disorder and gets kind of addicted to a drug… so yeah, a great book, but not exactly a comfort read. This second one starts out similar, but was much more fun to read. Prepare for lots of love and admiration for Mary Robinette.
THE FATED SKY by Mary Robinette Kowal
Published: Tor, 2018 eBook: 416 pages Series: The Lady Astronaut #2 My rating: 8.5/10
Opening line:Do you remember where you were when the Friendship probe reached Mars?
THE SECOND IN THE NEBULA AND LOCUS AWARD-WINNING SERIES
One large step for humankind… It’s 1961, and the Earth’s gaze is turning to Mars. The Moon colony is well established, but tensions are rising on Earth—both from those who see themselves being left behind on a disaster-laden planet, and those who don’t believe in equality for all. But even with personal sacrifices and political tensions, Elma York, the Lady Astronaut, dearly wants to go on the first mission to Mars—despite everything that stands in her way.
Elma York has reached a major goal. She has not only become an astronaut – the Lady Astronaut, in fact – but she actually spends part of her year living on the moon! Piloting a shuffle from space station to the moon and back is great and all, but Elma yearns for the stars. So when the opportunity arises for her to join the first manned Mars mission, she can’t believe her luck. Except it also means at least three years away from Earth, away from her family and her husband Nathaniel. But this strain on the relationship is only one difficulty. The Mars team has been training for months already when Elma gets asked to join them. And entering an established team of people as “the new one” is not good for Elma’s anxiety. The fact that the mission commander is none other than Stetson Parker doesn’t help either…
I adored this story! It goes through several phases, all of which have different layers to offer for readers. On the one hand, there is the very straight forward story of a woman joining the mission to Mars. She goes through training, she gets on the ship with the rest of her team, she lives on that ship with the team for a long, long time. There’s maintenance work, lots of mathematics, space ship mumbo jumbo, and of course interpersonal tensions when people are crammed into limited space for such a long period of time. But this wouldn’t be a Lady Astronaut novel if it didn’t also have lots of social commentary. Kowal did such a fantastic job of showing how far humanity has come since the last book – women astronauts are almost not noteworthy anymore – but how much there is still to do. Here, this means mostly fighting against racism, both overt and more subtle in nature. It’s one thing for Mission Control to send the best people up into space and “the best people” happens to include men and women of color, but it’s quite another to also show these people in ads and to put them center stage when reporting on the IAC’s work. Nobody on the crew is unaware of these issues but they also don’t have an easy fix for it. Watching these people – who are all, in a way, good people who sometimes make mistakes – felt incredibly real to me.
So you can expect a story similar to The Calculating Stars but also something new. Everybody’s reading experience is different, of course, but for me TCS was a tough read, one that made me angry with all the injustice it showed, and even angrier for reminding me how realistic it all is. As brilliant as the novel may have been, it wasn’t a very enjoyable experience watching a protagonist you care for sliding deeper into anxiety, becoming dependent on a dangerous drug, facing sexism every single day, and all of that still made her one of the luckier ones in the book. The Fated Sky still shows plenty of sexism and racism, but with the mission crews being rather diverse and living together very closely, even the strongest biases start to crumble a little. Things aren’t perfect by any means but it warmed my heart to see how these people went toward each other, tried to empathize and take care of each other, appreciated the others’ work and abilities, and didn’t care all that much about race or gender. Even sexuality is a topic, albeit one that only comes up a little, but I also thought Kowal handled it really well. As much as we’d like to think of Elma as a super progressive woman, she is still living in the early 1960s and gay or transgender people aren’t all that visible. So even though it’s not a big plot point, I liked the inclusion of it and the reminder that there have always been gay people.
Mary Robinette Kowal does another pretty amazing thing in this book. She manages to take a character that I absolutely loathed and turn them into someone sympathetic, someone who may be far from perfect, with lots of ingrained sexism, but someone who feels like a human who is actually trying to better themselves. I wouldn’t have thought that I could ever end up liking this character but by the end of the book, I was really quite fond of them. But as this development robs us of a sort of antagonist, Kowal steps up and delivers a character we can hate with a passion in DeBeers, the South African who is so overtly racist that it almost feels like a joke. The guy goes out of his way to be hurtful to his BIPOC colleagues, people he knows are just as capable as he is (if not more so) because otherwise they would not be on this mission. Maybe DeBeers is a bit overdrawn but I was perfectly fine hating him throughout this book and hoping the others would just lock him up somewhere during the trip…
I don’t want to spoil any of the plot, but it’s a nice mixture of character focused parts and action-y bits. They are traveling through space, after all, and let’s just say there are a lot of things that can go wrong with a space ship. Some may be more serious than others but that doesn’t make it any less exciting. Have you ever thought about a toilet misfunction in zero G? Neither have I but it was fascinating (and a little bit gross) to read about. I loved the little Hunger Games reference the author managed to sneak into the book. 🙂 It has no impact on the plot whatsoever, it’s really just a tiny little aside, but it made me giggle and give the book an imaginary bonus point.
I’m a quite surprised that this “middle volume” of what is currently a trilogy didn’t get more love when it came out. The third book in the series, one that deals with a different protagonist in a different setting (the moon), is nominated for a Best Novel Hugo and the entire trilogy made it onto the Best Series shortlist but somehow, I didn’t see lots of mentions of The Fated Sky when it was new. I actually liked it more than the first book, even though the first one is probably objectively a better book. But while I don’t particularly want to revisit Elma’s struggles from The Calculating Stars, I can easily see myself re-reading this one. It definitely made my ranking of Best Series much harder. We’ll see how I like the doubly Hugo-nominated The Relentless Moon.
It’s already June and that feels more than a little crazy. But in the most excellent news, I got my Covid shots and I couldn’t be happier! I’m still drowning in work and trying to balance that with some exercise and cooking healthy meals which leaves very little time for reading or blogging. But I don’t want to complain. Overall, things are good.
It’s Pride Month and Book Riot has a quiz that helps you choose your next LGBTQIA+ read. I got The House in the Cerulean Sea which I should have read already but haven’t because I suck. Anyway, it seems like a really got fit for me and I enjoyed taking the quiz, so maybe it will help you find a good book for Pride Month as well. line
Hugo Award voting is open! If you’re a member of DisCon III, you can sign in to vote here. Votes can be changed as many times as you like until the voting period is over. No news about the voter packet as of May 28th but fingers are crossed that it will be available soon. line
Timothée Chalamet is going to play Willy Wonka in an origin story movie. And I have to ask: Why would anyone make this? Who wants to see a Willy Wonka origin story and why doesn’t Hollywood throw its money at something new for a change?! Or not even new, just not a remake/prequel/sequel/in-between-quel of an established movie or series but something not yet filmed. There’s literally a ton of books you could adapt, and I’m sure there are just as many original screenplays. line
For my readers in a better suited time zone than mine, TorCon is an upcoming online event of interest. This virtual convention will run from June 10th through June 13th and there are a lot of cool and interesting things to see. Below is the panel schedule and you can find all the details and links to sign up here.
I am particularly interested in “All the Feels” and “Etherial & Eerie”, the first because it’s just totally up my alley and the second because I love to geek out over seasonal reads and I love it even more when my favorite author (Cat Valente) does it. As both of these panels are happening on Saturday and the times are acceptable (11pm for me), I will try to watch them live. Yay!
The third Skyward book is titled CYTONIC and has a cover
I am a big Sanderfan and although I definitely like some of his series more than others (not fond of Steelheart), I do enjoy his YA sci-fi series about aspiring young pilot Spensa, the sentient ship M-Bot, and a whole lot of secrets. The third volume, set to come out this November, finally has a title and cover. You can say what you want about Brandon Sanderson, but the guy is a writing machine!
This might be the first time I don’t love the UK cover (the proportions of that person seem off to me) but I’ll buy it anyway because it goes with the two UK covers I already have. 🙂
Exciting June Publications
June will be great, trust me. I don’t read many ARCs (because I suck at sticking to a TBR, in case you haven’t noticed) but I did get to read two June publications early and I can recommend them both. In addition to those, there are a lot of books coming out that sound cool.
NGHI VO – THE CHOSEN AND THE BEAUTIFUL (June 1st)
If you haven’t read Nghi Vo’s novella The Empress of Salt and Fortune, do yourself a favor and pick it up. And afterwards, you will be just as excited for this novel as I am. It’s fantasy Great Gatsby from a fresh new perspective and I cannot wait!
Jordan Baker grows up in the most rarefied circles of 1920s American society―she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer, Asian, adopted, and treated as an exotic attraction by her peers, while the most important doors remain closed to her.
But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.
Nghi Vo’s debut novel reinvents this classic of the American canon as a coming-of-age story full of magic, mystery, and glittering excess, and introduces a major new literary voice. .
HANNAH F. WHITTEN – FOR THE WOLF (June 1st)
This book has been on my wishlist SO LONG. In my mind, it’s quite similar to the book that comes next in this list. Both have a Red Riding Hood vibe, both seem to be a bit darker, both have very pretty covers, and both are written by debut authors that I’m excited to get to know.
The first daughter is for the Throne. The second daughter is for the Wolf.
For fans of Uprooted and The Bear and the Nightingale comes a dark fantasy novel about a young woman who must be sacrificed to the legendary Wolf of the Wood to save her kingdom. But not all legends are true, and the Wolf isn’t the only danger lurking in the Wilderwood.
As the only Second Daughter born in centuries, Red has one purpose-to be sacrificed to the Wolf in the Wood in the hope he’ll return the world’s captured gods.
Red is almost relieved to go. Plagued by a dangerous power she can’t control, at least she knows that in the Wilderwood, she can’t hurt those she loves. Again.
But the legends lie. The Wolf is a man, not a monster. Her magic is a calling, not a curse. And if she doesn’t learn how to use it, the monsters the gods have become will swallow the Wilderwood-and her world-whole.
Helloooooo, shiny book that wants to be mine. Here’s the second book with the same comparisons as For the Wolf. Naomi Novik’s Uprooted and Katherine Arden’s The Bear and the Nightingale are both big favorites here so I am super curious to see how these new books hold up. For some reason – and I really have nothing to go on here – I think I will like this book better than Hannah Whitten’s. It’s a total hunch but I look forward to finding out if I’m right.
In the vein of Naomi Novik’s New York Times bestseller Spinning Silver and Katherine Arden’s national bestseller The Bear and the Nightingale, this unforgettable debut— inspired by Hungarian history and Jewish mythology—follows a young pagan woman with hidden powers and a one-eyed captain of the Woodsmen as they form an unlikely alliance to thwart a tyrant.
In her forest-veiled pagan village, Évike is the only woman without power, making her an outcast clearly abandoned by the gods. The villagers blame her corrupted bloodline—her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king’s blood sacrifice, Évike is betrayed by her fellow villagers and surrendered.
But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he’s no ordinary Woodsman—he’s the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power. Gáspár fears that his cruelly zealous brother plans to seize the throne and instigate a violent reign that would damn the pagans and the Yehuli alike. As the son of a reviled foreign queen, Gáspár understands what it’s like to be an outcast, and he and Évike make a tenuous pact to stop his brother.
As their mission takes them from the bitter northern tundra to the smog-choked capital, their mutual loathing slowly turns to affection, bound by a shared history of alienation and oppression. However, trust can easily turn to betrayal, and as Évike reconnects with her estranged father and discovers her own hidden magic, she and Gáspár need to decide whose side they’re on, and what they’re willing to give up for a nation that never cared for them at all.
HELENE WECKER – THE HIDDEN PALACE (June 8th)
OMGOMGOMGOMGOMGOMG! It’s the follow-up to the brilliant, wonderful, gorgeous The Golem and the Jinni which I discovered much later than everyone else but didn’t love any less for that. As excited as I am for this new Wecker book, I will probably save it for the right moment, when I’m ready to sink into that world and see those lovely characters again.
Chava is a golem, a woman made of clay, able to hear the thoughts and longings of the people around her and compelled by her nature to help them. Ahmad is a jinni, a perpetually restless and free-spirited creature of fire, imprisoned in the shape of a man. Fearing they’ll be exposed as monsters, these magical beings hide their true selves and pretend to be human—just two more immigrants in the bustling world of 1900s Manhattan. Having encountered each other under calamitous circumstances, Chava and Ahmad’s lives are now entwined—but they’re not yet certain of what they mean to each other.
Each has unwittingly affected the humans around them. Park Avenue heiress Sophia Winston, whose brief encounter with Ahmad left her with a strange illness that makes her shiver with cold, travels to the Middle East to seek a cure. There she meets a tempestuous female jinni who’s been banished from her tribe. Back in New York, in a tenement on the Lower East Side, a little girl named Kreindel helps her rabbi father build a golem they name Yossele—not knowing that she’s about to be sent to an orphanage uptown, where the hulking Yossele will become her only friend and protector.
Spanning the tumultuous years from the turn of the twentieth century to the beginning of World War I, The Hidden Palace follows these lives and others as they collide and interleave. Can Chava and Ahmad find their places in the human world while remaining true to each other? Or will their opposing natures and desires eventually tear them apart—especially once they encounter, thrillingly, other beings like themselves?
TASHA SURI – THE JASMINE THRONE (June 10th)
I only recently read my first book by Tasha Suri and I definitely want more! This sounds like so much fun. Inspired by Indian epics and history, I’m expecting the same atmospheric writing and creative magic that I got to know and love in Empire of Sand.
Author of Empire of Sand and Realm of Ash Tasha Suri’s The Jasmine Throne, beginning a new trilogy set in a world inspired by the history and epics of India, in which a captive princess and a maidservant in possession of forbidden magic become unlikely allies on a dark journey to save their empire from the princess’s traitor brother.
Imprisoned by her dictator brother, Malini spends her days in isolation in the Hirana: an ancient temple that was once the source of the powerful, magical deathless waters — but is now little more than a decaying ruin.
Priya is a maidservant, one among several who make the treacherous journey to the top of the Hirana every night to clean Malini’s chambers. She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides.
But when Malini accidentally bears witness to Priya’s true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to depose her brother from his throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire.
MARJORIE M. LIU – THE TANGLEROOT PALACE (June11th)
I have already read this collection of shorter works from the author of the comic book series Monstress. If you like the comics, you will probably like this collection as well. If you don’t like (or don’t know) the comics, then there is something in this collection for you. The stories range from creepy, gothic horror stories to post-apocalyptic zombie tales, to fairy tales retold, to near future sci-fi pieces. I enjoyed this book immensely, my review will be up soon, and I now want to read many other books by Liu.
New York Times bestseller and Hugo, British Fantasy, Romantic Times, and Eisner award-winning author of the graphic novel, Monstress, Marjorie Liu leads you deep into the heart of the tangled woods. In her long-awaited debut story collection, dark, lush, and spellbinding short fiction you will find unexpected detours, dangerous magic, and even more dangerous women.
Briar, bodyguard for a body-stealing sorceress, discovers her love for Rose, whose true soul emerges only once a week. An apprentice witch seeks her freedom through betrayal, the bones of the innocent, and a meticulously-plotted spell. In a world powered by crystal skulls, a warrior returns to save China from invasion by her jealous ex. A princess runs away from an arranged marriage, finding family in a strange troupe of traveling actors at the border of the kingdom’s deep, dark woods.
Concluding with a gorgeous full-length novella, Marjorie Liu’s first short fiction collection is an unflinching sojourn into her thorny tales of love, revenge, and new beginnings.
A. C. WISE – WENDY, DARLING (June 15th)
Look at that, a Peter Pan retelling/reimagining by an author I’ve had my eyes on for a while. If done well, Peter Pan retellings are my favorites, but unfortunately I’ve come across very few truly clever and original ones. I have to say the synopsis is pretty much exactly the same as every other Peter Pan retelling. Neverland is dark, Peter isn’t actually nice (he isn’t in the original either) and grown-up Wendy looks back on her time as a kid. But I have high hopes for this book, nonetheless.
A lush, feminist re-imagining on what happened to Wendy after Neverland, for fans of Circe and The Mere Wife.
For those that lived there, Neverland was a children’s paradise. No rules, no adults, only endless adventure and enchanted forests – all led by the charismatic boy who would never grow old.
But Wendy Darling grew up. She left Neverland and became a woman, a mother, a patient, and a survivor. Because Neverland isn’t as perfect as she remembers. There’s darkness at the heart of the island, and now Peter Pan has returned to claim a new Wendy for his lost boys…
KERSTIN HALL – STAR EATER (June 22nd)
I am super unsure about this one. It sounds really great but it also makes my Spidey-sense tingle. Because I don’t know if I’m only intrigued by the super cool elevator pitch “cannibalistic nuns” and will end up disappointed when it turns out all the good stuff was “in the trailer” (you know what I mean), or whether there’s also a great story there. But I do love spy stories, books where women run things, and fantasy that plays with the theme of religion. So I think I’ll be cautiously optimistic about this one.
All martyrdoms are difficult.
Elfreda Raughn will avoid pregnancy if it kills her, and one way or another, it will kill her. Though she’s able to stomach her gruesome day-to-day duties, the reality of preserving the Sisterhood of Aytrium’s magical bloodline horrifies her. She wants out, whatever the cost.
So when a shadowy cabal approaches Elfreda with an offer of escape, she leaps at the opportunity. As their spy, she gains access to the highest reaches of the Sisterhood, and enters a glittering world of opulent parties, subtle deceptions, and unexpected bloodshed.
A phantasmagorical indictment of hereditary power, Star Eater takes readers deep into a perilous and uncanny world where even the most powerful women are forced to choose what sacrifices they will make, so that they might have any choice at all.
KATHERINE ADDISON – THE WITNESS FOR THE DEAD (June 22nd)
Me and pretty much everyone else fell utterly in love with Addison’s The Goblin Emperor a few years ago. So a new story set in that world, even one that doesn’t involve our beloved emperor Maia, is something to look forward to. I’ve had the pleasure of reading an e-ARC of this rather short book. I enjoyed it a lot, but I do warn people that it’s quite different than The Goblin Emperor. It’s much more fast paced and less character-focused. It does have an excellent murder mystery plot, shows more of the world, and of course, there’s tons of crazy polysyllabic names. I quite loved it.
Katherine Addison returns to the glittering world she created for her beloved novel, The Goblin Emperor, in this stand-alone sequel.
When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin.
Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honestly will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of the murdered.
Now Celehar’s skills lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness.
G. WILLOW WILSON & CHRISTIAN WARD – INVISIBLE KINGDOM Vol. 3: IN OTHER WORLDS (June 1st)
I’ve copied the synopsis below blindly because I’ve only read the first volume and don’t want to get spoiled. 🙂 But I did adore the first book in this series, the second volume is currently nominated for a Hugo Award and I’ll read it as soon as the voters packet is available. For everyone who joins me in this endeavour, we can then continue straight onto the third book which is already out by the time this post goes up.
The Eisner Award winning series concludes!
Just when the crew of the Sundog thought they’d made it through the most dangerous edge of space–they are taken by a faction of mysterious new Nones to an even further and more deadly place: The Point of No Return. As revolution looms, these Siblings of Rebirth have an unthinkable mission to carry out, and they can’t do it without Vess…or with Grix in the picture.
But who can be trusted? And will Vess choose destruction…or love?
SUSAN DENNARD – WITCHSHADOW (June 2nd)
I am one book behind on this series and I’m still not even sure I want to continue. I was very positively surprised by the first book. It set up great relationships, especially the central female friendship, but also the romances. YA romances don’t often work for me but they did here so I stuck with it. The second book turned out to be quite a drag but the prequel/sequel was good again. So you see, I’m a bit torn, but I kind of do want to know what happens next.
Susan Dennard’s New York Times bestselling, young adult epic fantasy Witchlands series continues with Witchshadow, the story of the Threadwitch Iseult.
War has come to the Witchlands . . . and nothing will be the same again.
Iseult has found her heartsister Safi at last, but their reunion is brief. For Iseult to stay alive, she must flee Cartorra while Safi remains. And though Iseult has plans to save her friend, they will require her to summon magic more dangerous than anything she has ever faced before.
Meanwhile, the Bloodwitch Aeduan is beset by forces he cannot understand. And Vivia—rightful queen of Nubrevna—finds herself without a crown or home.
As villains from legend reawaken across the Witchlands, only the mythical Cahr Awen can stop the gathering war. Iseult could embrace this power and heal the land, but first she must choose on which side of the shadows her destiny will lie.
ZOE HANA MIKUTA – GEARBREAKERS (June 29th)
I’ll admit, that cover and the words “for fans of Pacific Rim” are what did it for me. I don’t even know how that would work in book-form but I’m willing to find out. This will probably be one of those books where I wait for early reviews and then decide whether to go for it or not.
Two girls on opposite sides of a war discover they’re fighting for a common purpose–and falling for each other–in Zoe Hana Mikuta’s high-octane debut Gearbreakers, perfect for fans of Pacific Rim, Pierce Brown’s Red Rising Saga, and Marie Lu’s Legend series.
We went past praying to deities and started to build them instead...
The shadow of Godolia’s tyrannical rule is spreading, aided by their giant mechanized weapons known as Windups. War and oppression are everyday constants for the people of the Badlands, who live under the thumb of their cruel Godolia overlords.
Eris Shindanai is a Gearbreaker, a brash young rebel who specializes in taking down Windups from the inside. When one of her missions goes awry and she finds herself in a Godolia prison, Eris meets Sona Steelcrest, a cybernetically enhanced Windup pilot. At first Eris sees Sona as her mortal enemy, but Sona has a secret: She has intentionally infiltrated the Windup program to destroy Godolia from within.
As the clock ticks down to their deadliest mission yet, a direct attack to end Godolia’s reign once and for all, Eris and Sona grow closer–as comrades, friends, and perhaps something more…
NEWS FROM THE BLOG
I didn’t really stick to any kind of schedule during May and I didn’t post nearly as much as I wanted to but I LOVED Wyrd and Wonder and reading everyone else’s reviews, lists, and creative posts. My TBR for May might as well not have existed at all. I mostly ignored it and somehow ended up reading all my e-ARCs instead. As they were all good books, that wasn’t a bad decision but it also means I have more Hugo reading to catch up on now. And the reviews I wrote in May won’t be published until later. I’ve linked them below but they will each go live one day before the book’s publication. My Stormlight Archive re-read is also not helping but if I want to properly enjoy Rhythm of War, it is necessary. I have forgotten so many details and the re-read is actually a lot of fun!
What I read:
Catherynne M. Valente – The Past is Red(comes out July 20th) OMG I LOVE IT SO MUCH – ahem… – hilarious – post-apocalyptic, post climate-change – heartbreak and humor – favorite book of the year so far – go pre-order it – that cover is to die for
Darcie Little Badger – Elatsoe fun and cute – characters felt much younger than the were supposed to be – emotionally distant – cool murder mystery
Marjorie Liu – The Tangleroot Palace(comes out June 15th) collection of stories – Superman-inspired sci-fi and fairy tale novella were my favorites – seriously great writing
Brandon Sanderson – Words of Radiance re-read – still so much fun – not quite as good as the first time – I have a much better sense of the world-building now
Katherine Addison – The Witness for the Dead (comes out June 22nd) murder mystery – interesting world building – not that character-focused – great book – just don’t expect The Goblin Emperor 2.0
Seanan McGuire – Come Tumbling Down exciting beginning – Jack-focused story – world building and characters suffer in the second half – okay ending – tried to cram too much onto too few pages
Brandon Sanderson – Oathbringer
T. Kingfisher – A Wizard’s Guide to Defensive Baking
Nino Cipri – Finna
I’m sure I’ll finish Defensive Baking either today or tomorrow. It’s so much fun, T. Kingfisher’s humor is hilarious, and this book has a sort-of-character who is a sourdough starter named Bob Do you need to know more? Oathbringer will take me a bit longer, which is totally okay. I’m re-reading it without any pressure, I just want to be up to speed when I finally tackle Rhythm of War. I haven’t started Finna as of writing this but it is prepared and I will start reading it today. Not only is it nominated for a Hugo Award, but it also fits into Pride Month as the author is trans/nonbinary. And right after that I’ll get started with Cerulean Sea.
Until next month: Stay safe, stay kind, and keep reading. 🙂
You guys, everything is so exciting! All the Awards are happening. Well… all the finalists are happening, but that means reading the best books and stories of last year, catching up on things we missed, celebrating the great stuff we already read, and generally enjoying being in SFF fandom.
WorldCon, the annual convention that gives out the Hugo Award, has been moved to December 2021. For the first time ever, the Hugos won’t be announced in August but just a bit before Christmas. The reason is of course to make an in-person con possible (hopefully, nobody knows what will happen until then) but it also means more time to read all the finalists and that, my friends, is reason to celebrate. At least for me. line
The nomination period for the Dragon Awards is open. It’s a rather strange award that doesn’t go by calendar year when it comes to eligible titles. You can nominated one work per category, just make sure that the works have been published between July 1st 2020 and June 30th 2021 because that’s the rules. Anyone can join and nominate so if that’s your jam, go right ahead. line
The Shadow & Bone TV show has hit Neflix and I am far from the only person who binged it right on the first weekend. Although there is much to discuss, my overall feelings towards the show are positive. I adore the cast and the way they chose to bring the characters to life. And while I may disagree with some storytelling decisions and the way the Six of Crows and Shadow and Bone stories have been intertwined, I will definitely re-watch the first season and look forward to the next one.
I am very invested in the Hugo Awards (if you follow this blog, you may have noticed :)) so there is a separate post about all my OPINIONS about the final ballot. But for those who aren’t interested in my thoughts, here are the finalists for Best Novel:
Rebecca Roanhorse – Black Sun
N. K. Jemisin – The City We Became
Martha Wells – Network Effect
Susanna Clarke – Piranesi
Tamsyn Muir – Harrow the Ninth
Mary Robinette Kowal – The Relentless Moon
And the finalists for the Lodestar (which makes me so very, very happy!):
Jordan Ifueko – Raybearer
Darcie Little Badger – Elatsoe
Tracy Deonn – Legendborn
T. Kingfisher – A Wizard’s Guide to Defensive Baking
Aiden Thomas – Cemetery Boys
Naomi Novik – A Deadly Education
Congratulations to all the finalists!
The Best Novel ballot is not surprising in that all the novels on it were fairly buzzy, are sequels in beloved series, or the long-awaited newest novel by a previous Hugo winner. So the only surprises are the novels that didn’t make it. There were others that could have made the cut but didn’t. I won’t be surprised if we see Mexican Gothic, The Once and Future Witches, Andrea Stewart’s The Bone Shard Daughter or Micaiah Johnson’s The Space Between Worlds on the list of nominees just below the top 6. But we’ll have to wait for that data until December, and it’s not like we don’t have a great selection of finalists to entertain us until then.
As with the Nebulas/Andre Nortons, I’m insanely happy that Raybearermade it as a Lodestar finalist. It was my favorite YA book of last year, I nominated it myself, and I wish Jordan Ifueko all the success in the world. That said, the finalists I haven’t read are all books I’m super excited about. Elatsoehas been calling to me for months now, Cemetery Boys was my second choice for trying out Aiden Thomas (Lost in the Never Woods, a Peter Pan retelling, just interested me more) but I heard such good things about it. And T. Kingfisher needs no introduction. I’ve been a fan of hers long before WorldCon realized how great she is and I will follow her fiction for ever and ever.
Even more awards excitement! I am again super happy to see some of the books that got some award recognition but with ballots this good, choosing one favorite won’t be easy. Voting is open up through May 31st, so make sure you read the wonderful finalists and then vote for your favorites. Make sure to check out all the finalists (link in header) because there’s a lot of great stuff to discover. For space reasons, I’m listing only Best Novel and YA Novel here.
These are the finalists for Best Novel:
Rebecca Roanhorse – Black Sun
N. K. Jemisin- The City We Became
C. L. Polk – Midnight Bargain
Stephen Graham Jones – The Only Good Indians
Hao Jingfang – Vagabonds
The Stehen Graham Jones book was the second horror book that was very hyped last year. Although I haven’t read it yet, I’m happy that it made the ballot. Horror books often have a hard time on SFF ballots. I’m even more excited to see Hao Jingfang’s Vagabonds here, a book I’ve been meaning to read but still haven’t got to.
And the finalists for Best YA Novel:
Darcie Little Badger – Elatsoe
Jordan Ifueko – Raybearer
Tracy Deonn – Legendborn
Bethany Morro – A Song Below Water
Sabaa Tahir – A Sky Beyond the Storm
I’m surprised (and kind of delighted) that the final volume of Sabaa Tahir’s series is on here. I didn’t much like the second book and was debating whether to continue the series. If the final volume is good enough to be nominated for an IGNYTE award, I have high hopes. I look forward to A Song Below Water, a book I first heard a lot about and then nothing at all anymore. Legendbornwas fun, and Elatsoe and Raybearerseem to be universal favorites. My absolute favorite is still Jordan Ifueko’s book. I loved it so much I’m going to ge me a special edition, so it can sit on my shelf and be pretty. 🙂
Exciting May Publications
May is going to be great, you guys. I have been rubbing my hands for that new Rivers Solomon book for months now. Maggie Stiefvater continues her Dreamer Trilogy, Joan He – she that wrote the amazing Descendant of the Crane – has a new book coming out and P. Djèlí Clark brings us his first full-length novel set in his alternate Cairo. 2021 seems to just be getting better and better.
RIVERS SOLOMON – SORROWLAND (May 4th)
There are few authors who have made me fall in love as hard with their fiction as Rivers Solomon. Their writing is just brilliant, they create multi-layered, interesting and diverse characters to tell original stories that are like nothing you’ve ever read before. So you could say I’m excited about their newest book.
Vern – seven months pregnant and desperate to escape the strict religious compound where she was raised – flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world.
But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.
To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future – outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.
NICOLE KORNHER-STACE – FIREBRAND (May 4th)
I still haven’t read anything by Kornher-Stace, although I do have her Archivist Wasp on my TBR somwhere… Everything about this new novel sounds amazing. Virtual Reality supersoldiers, a near future (probably?) world where an evil company controls people’s lives, and humans have to work several jobs just to afford water. I have heard nothing but good things from authors who had the pleasure of reading this already, so my excitement levels are high!
Like everyone else she knows, Mallory is an orphan of the corporate war. As a child, she lost her parents, her home, and her entire building in an airstrike. As an adult, she lives in a cramped hotel room with eight other people, all of them working multiple jobs to try to afford water and make ends meet. And the job she’s best at is streaming a popular VR war game. The best part of the game isn’t killing enemy combatants, though—it’s catching in-game glimpses of SpecOps operatives, celebrity supersoldiers grown and owned by Stellaxis, the corporation that runs the America she lives in.
Until a chance encounter with a SpecOps operative in the game leads Mal to a horrifying discovery: the real-life operatives weren’t created by Stellaxis. They were kids, just like her, who lost everything in the war, and were stolen and augmented and tortured into becoming supersoldiers. The world worships them, but the world believes a lie.
The company controls every part of their lives, and defying them puts everything at risk—her water ration, her livelihood, her connectivity, her friends, her life—but she can’t just sit on the knowledge. She has to do something—even if doing something will bring the wrath of the most powerful company in the world down upon her.
JOAN HE – THE ONES WE’RE MEANT TO FIND (May 4th)
Look, I don’t even need to read the synopsis to look forward to this, okay? Descendant of the Crane was such a surprising, twisty, well-crafted book that I will read anything by Joan He. The fact that this is called Black Mirror meets Studio Ghibli is just an added bonus that makes me squee with joy.
One of the most twisty, surprising, engaging page-turner YAs you’ll read this year—We Were Liars meets Black Mirror, with a dash of Studio Ghibli.
Cee has been trapped on an abandoned island for three years without any recollection of how she arrived, or memories from her life prior. All she knows is that somewhere out there, beyond the horizon, she has a sister named Kay. Determined to find her, Cee devotes her days to building a boat from junk parts scavenged inland, doing everything in her power to survive until the day she gets off the island and reunites with her sister.
In a world apart, 16-year-old STEM prodigy Kasey Mizuhara is also living a life of isolation. The eco-city she calls home is one of eight levitating around the world, built for people who protected the planet―and now need protecting from it. With natural disasters on the rise due to climate change, eco-cities provide clean air, water, and shelter. Their residents, in exchange, must spend at least a third of their time in stasis pods, conducting business virtually whenever possible to reduce their environmental footprint. While Kasey, an introvert and loner, doesn’t mind the lifestyle, her sister Celia hated it. Popular and lovable, Celia much preferred the outside world. But no one could have predicted that Celia would take a boat out to sea, never to return.
Now it’s been three months since Celia’s disappearance, and Kasey has given up hope. Logic says that her sister must be dead. But as the public decries her stance, she starts to second guess herself and decides to retrace Celia’s last steps. Where they’ll lead her, she does not know. Her sister was full of secrets. But Kasey has a secret of her own.
ZEN CHO – BLACK WATER SISTER (May 11th)
Zen Cho’s writing is always charming. The Malaysian setting and this gorgeous cover decided it for me. I have to have this book. Hearing your dead grandmother’s voice in your head and having her spirit accompany you is also a thing I would like to happen to me, so there’s that.
A reluctant medium discovers the ties that bind can unleash a dangerous power in this compelling Malaysian-set contemporary fantasy.
Jessamyn Teoh is closeted, broke and moving back to Malaysia, a country she left when she was a toddler. So when Jess starts hearing voices, she chalks it up to stress. But there’s only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she’s determined to settle a score against a gang boss who has offended the god–and she’s decided Jess is going to help her do it.
Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business. As Jess fights for retribution for Ah Ma, she’ll also need to regain control of her body and destiny. If she fails, the Black Water Sister may finish her off for good.
P. DJÈLÍ CLARK – A MASTER OF DJINN (May 11th)
Clark is a treasure and one of the most interesting current writers in the SFF field. This book is the first full-length novel in his alternate Cairo setting with Fatma el-Sha’arawi as protagonist.
Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn
Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer.
So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage.
Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city – or face the possibility he could be exactly who he seems…
SUYI DAVIES OKUNGBOWA – SON OF THE STORM (May 11th)
Young scholar, forbidden magic, skin-changing warrior. Just shut up and take my money.
A young scholar’s ambition threatens to reshape an empire determined to retain its might in this epic tale of violent conquest, buried histories, and forbidden magic.
In the thriving city of Bassa, Danso is a clever but disillusioned scholar who longs for a life beyond the rigid family and political obligations expected of the city’s elite. A way out presents itself when Lilong, a skin-changing warrior, shows up wounded in his barn. She comes from the Nameless Islands–which, according to Bassa lore, don’t exist–and neither should the mythical magic of ibor she wields. Now swept into a conspiracy far beyond his understanding, Danso will have to set out on a journey that reveals histories violently suppressed and magic only found in lore.
LAURE EVE – BLACKHEART KNIGHTS (May 13th)
This could go either way but it sounds too bonkers and fun to miss. Camelot but with bikers? Ok, count me in. I have another Laure Eve book (The Graces) which sounds much more fairy tale-esque, so the author definitely likes to change things up a bit.
Power always wins.
Imagine Camelot but in Gotham: a city where knights are the celebrities of the day, riding on motorbikes instead of horses and competing in televised fights for fame and money.
Imagine a city where a young, magic-touched bastard astonishes everyone by becoming king – albeit with extreme reluctance – and a girl with a secret past trains to become a knight for the sole purpose of vengeance.
Imagine a city where magic is illegal but everywhere, in its underground bars, its back-alley soothsayers – and in the people who have to hide what they are for fear of being tattooed and persecuted.
Imagine a city where electricity is money, power the only game worth playing, and violence the most fervently worshipped religion.
Welcome to a dark, chaotic, alluring place with a tumultuous history, where dreams come true if you want them hard enough – and are prepared to do some very, very bad things to get them . . .
DARYL GREGORY – THE ALBUM OF DR. MOREAU (May 18th)
I didn’t want to want this book. That whole Dr. Moreau story is just not my thing but then I read the synopsis and, well, murder mystery, genetically engineered human-animal hybrid boy band sounded too good. I think this novella might be funny as well as creepy.
Daryl Gregory’s The Album of Dr. Moreau combines the science fiction premise of the famous novel by H. G. Wells with the panache of a classic murder mystery and the spectacle of a beloved boy band.
It’s 2001, and the WyldBoyZ are the world’s hottest boy band, and definitely the world’s only genetically engineered human-animal hybrid vocal group. When their producer, Dr. M, is found murdered in his hotel room, the “boyz” become the prime suspects. Was it Bobby the ocelot (“the cute one”), Matt the megabat (“the funny one”), Tim the Pangolin (“the shy one”), Devin the bonobo (“the romantic one”), or Tusk the elephant (“the smart one”)?
Las Vegas Detective Luce Delgado has only twenty-four hours to solve a case that goes all the way back to the secret science barge where the WyldBoyZ’ journey first began—a place they used to call home.
It’s a new Maggie Stiefvater book!!! If you’ve read the Raven Cycle, you probably also have a soft spot for Ronan Lynch – I certainly do. The first book in this new Dreamer Trilogy didn’t sweep me off my feet as much as I had hoped but I do keep thinking about it and definitely want to find out what happens next and how my Ronan and his brothers are doing.
From the #1 New York Times bestselling author of The Raven Boys, a mesmerizing story of dreams and desires, death and destiny.
The stakes have never been higher as it seems like either the end of the world or the end of dreamers approaches.
Do the dreamers need the ley lines to save the world . . . or will their actions end up dooming the world? As Ronan, Hennessy, and Bryde try to make dreamers more powerful, the Moderators are closing in, sure that this power will bring about disaster. In the remarkable second book of The Dreamer Trilogy, Maggie Stiefvater pushes her characters to their limits – and shows what happens to them and others when they start to break.
A. M. STRICKLAND – IN THE RAVENOUS DARK (May 18th)
I always like to include a few books I’m on the fence about and here’s one of them. I don’t know Strickland, but this book sounds pretty good. Being bound to a sexy spirit, but one that can control your body? Creepy and intriguing. A Greek-inspired world? Yes! And a pansexual protagonist – definitely not someone I’ve read about, so give it to me.
A pansexual bloodmage reluctantly teams up with an undead spirit to start a rebellion among the living and the dead.
In Thanopolis, those gifted with magic are assigned undead spirits to guard them—and control them. Ever since Rovan’s father died trying to keep her from this fate, she’s hidden her magic. But when she accidentally reveals her powers, she’s bound to a spirit and thrust into a world of palace intrigue and deception.
Desperate to escape, Rovan finds herself falling for two people she can’t fully trust: Lydea, a beguiling, rebellious princess; and Ivrilos, the handsome spirit with the ability to control Rovan, body and soul.
Together, they uncover a secret that will destroy Thanopolis. To save them all, Rovan will have to start a rebellion in both the mortal world and the underworld, and find a way to trust the princess and spirit battling for her heart—if she doesn’t betray them first.
E. K. JOHNSTON – AETHERBOUND (May 25th)
Johnston is another author I’ve never read, but I own some of her books, both fairy tale retellings. This book just sounds like a lot of fun, a space adventure with some social commentary.
A thought-provoking new YA space adventure from the #1 New York Times bestselling author of Star Wars: Ahsoka.
Set on a family-run interstellar freighter called the Harland and a mysterious remote space station, E. K. Johnston’s latest is story of survival and self-determination.
Pendt Harland’s family sees her as a waste of food on their long-haul space cruiser when her genes reveal an undesirable mutation. But if she plays her cards right she might have a chance to do much more than survive. During a space-station layover, Pendt escapes and forms a lucky bond with the Brannick twins, the teenage heirs of the powerful family that owns the station. Against all odds, the trio hatches a long-shot scheme to take over the station and thwart the destinies they never wished for.
NEWS FROM THE BLOG
Haha! Finally I have some good news in regards to my reading. I’ve done pretty well in the Mythothon readathon and, as all the best readathons do, it made me pick up some books I definitely wouldn’t have gone for otherwise. The experience isn’t always pleasant but I like to consider reading a bad book as a useful experience rather than a waste of time.
What I read:
Tamora Pierce – Alanna: The First Adventure a gread middle grade adventure – very fast paced – lovable heroine pretending to be a boy – mentions menstruation (yay!)
I’ll do this the same way I did it last year. I’ll go through the categories one by one, see how many books I’ve already read and what I think about the finalists. I will – again – leave out the categories about which I have little to say and/or which I don’t plan to vote in (like Best Editor, Long Form) or which don’t really fit this blog (the Dramatic Presentation categories).
Warning: This is going to be a long post. Feel free to skip ahead to a certain category or to my general thoughts at the very end.
Network Effect and The City We Became were both books I nominated for obvious reasons. I left out Piranesi because, well, I knew it didn’t need my help and I had some other, less buzzy books I wanted to support (Micaiah Jonson’s The Space Between Worlds ended up on my ballot for example – Johnson is an Astounding finalists so that makes me happy). And as much as I loved Clarke’s newest book, I don’t feel it’s a Hugo novel. It feels more like a World Fantasy or Mythopoeic Award kind of book, you know?
I look forward to finally continuing Mary Robinette Kowal’s excellent Lady Astronaut series and I knew – I just knew – that my fellow Hugo nominators would make me read the entire Locked Tomb series simply by nominating it. I was one of the very few people who didn’t find much to like in Gideon the Ninth but I’m willing to give Harrowa try. Although from what people have been saying it’s even more bonkers than the first so I don’t have high hopes that I will like it. But hey, I’m open for it. Maybe this time, aesthetics and cool names will be enough to entertain me.
I’m surprised that Mexican Gothic by Silvia Moreno Garcia didn’t make it. It was on my nominations ballot and there was a lot of hype surrounding that book. The author beats her own marketing drum hard all year round and it’s impossible to miss this book’s gorgeous cover. I was so sure she would make it onto the final ballot. Then again, horror books have a hard time at the Hugo Awards, so I guess I should have known better. I also expected Kim Stanley Robinson’s The Ministry for the Future to be on here because Robinson is an old Hugo darling and always ends up as a finalist. To me, he is one of the authors the older Hugo voter generation nominates simply because he has written something – which doesn’t mean he isn’t deserving! I haven’t yet read any of his works so I wouldn’t know but I dislike authors being nominated rather than books and that seems to happen a lot. I guess times have changed a little and I can’t say I’m too upset. 🙂
Ah, the inevitable Seanan McGuire and her Wayward Children series. Look, I’ll be the first to admit that last year’s novella was actually very good but that doesn’t change the fact that, overall, she just shouldn’t be a finalist every year simply for having lots of fans. Not EVERY SINGLE ONE of her books is award-worthy. That’s not me being mean to her in particular, that goes for every author, even someone like N. K. Jemisin. But you can be sure, if McGuire has written something (and she’s always written something) it will end up on the Hugo ballot wherever it fits, taking a potential spot from a debut or underrated or marginalised author. I’ll read Come Tumbling Down and I hope it’s another good one, but can we please all admit someday that apparently, she just doesn’t write Hugo Award novels/novellas? She has won once for the first Wayward Children novella and then nothing ever again. And it’s really not for lack of chances as you’ll see when we meet her again further down the ballot, not once, but twice, because of course.
I wasn’t a big fan of Upright Women Wanted, and Riot Babysurprisingly fell flat for me. I loved the message of both these novellas but they lacked story/plot and didn’t hit me emotionally the way they promised. I think that’s mostly me, though, not the quality of the work. Gailey and Onyebuchi are both authors whose other work I adore! (This is a good example of how not to nominate authors simply because I like them but to nominate based on the quality of their eligible work. I would gladly throw Hugos at Gailey and Onyebuchi (figuratively speaking) but these particular books weren’t for me so I didn’t nominate them. It’s really not that hard…)
Ring Shout is a different story. I nominated it because that novella did everything right and completely blew me away. With two novellas still to read, I am fairly certain it will remain on the top of my ballot. The Empress of Salt and Fortunewas also excellent, although very different in tone. So far, these are my top two. I’m going to check out Finna and the McGuire, mull things over a bit and then decide on my final ranking.
Generally, I’m very sad that the entire ballot is made up of Tordotcom novellas. I love Tordotcom as much as the next guy but it wouldn’t hurt to have more variety on the ballot. And because I am one of the culprits who only nominated stuff from Tordotcom, I know that I myself should do better as well. So, here’s my appeal to other publishers: Please step up your game and promote your novellas the way you do novels if you want them to reach a wide reader base. Dear old-timey magazines: It’s 2021 so get with the times and make sure your online presence is inviting. Then people will come and read your stuff and, if it’s good (which I suspect it is), they will nominated it for awards.
Boy, am I glad it’s a Toby Daye year, not an InCryptid year! I’m only two books into the series (14 novels published so far, plus a ton of shorter stuff) but I genuinely liked both. I didn’t consider them award-worthy, because they are fun and have interesting characters but tons of books have that. For a Hugo Award, there should be a little more. I’m hoping to catch up a LOT on this series because people say it gets better and better and I’m curious to see if I hit the point where I go “oh, I get it now” and where I think the series as a whole should get a Hugo Award. Either way, this is one Seanan McGuire series I enjoy and would continue even without the bi-yearly nomination.
If you think it’s clear that Murderbot will win, wait a second. Yes, it’s universally beloved and it totally deserves an award. BUT. The series is still ongoing which means it has a chance of being nominated again and then winning, whereas The Daevabad Trilogy and the Poppy War series are finished. If we want to honor them with a Hugo, now is the time! That said, I also totally think Murderbot will take home the award.
I loved City of Brass and just started Kingdom of Copper which is also very good so far. I love how much more depth and politics the first book offered than I had expected. I also admit to shipping a certain couple and I’m curious to see where that goes. The question I’m going to ask with all the finalists here is whether the series as a whole is more than the sum of its parts – if it makes a difference whether you’ve just sampled the world and story or actually followed through until the end. The Poppy War is a tough one, in every way. I loved the first book, as much as you can love something that so utterly depresses you. I want to finish the trilogy but knowing a little of what’s ahead (pain, tears, death,…) it’s difficult to get in the right mood. I will absolutely read the other two books before the voting period ends but I need to pick them up between some super happy stuff! I enjoyed The Calcuating Stars a lot and it earned its Hugo Award two years ago. With the third in the series/universe being up for a Best Novel Hugo again, I’m even more excited to continue. Although I’ve mixed things up in the past – with Becky Chambers’ books for example – I will go in publication order here and read The Fated Sky before I dive into The Relentless Moon. The only series I haven’t even started yet is Scalzi’s Interdependency. I heard great things about the first book and… not so great ones about the last book. Scalzi is a strange one for me. I am a huge fan of him as a person and his online writings. I haven’t been such a fan of his fiction which makes me all the more curious to see what this sci-fi trilogy is like. My fingers crossed but I’m keeping expectations low.
BEST GRAPHIC STORY (0/6)
Kieron Gillen, Stephanie Hans – DIE, Volume 2: Split the Party
Seanan McGuire, Takeshi Miyazawa, Rosie Kämpe – Ghost-Spider vol. 1: Dog Days Are Over
G. Willow Wilson, Christian Ward – Invisible Kingdom, vol 2: Edge of Everything
Marjorie Liu, Sana Takeda – Monstress, vol. 5: Warchild
Kieron Gillen, Dan Mora – Once & Future vol. 1: The King Is Undead
Octavia Butler, Damian Duffy, John Jennings- Parable of the Sower: A Graphic Novel Adaptation
Okay, okay. There’s nothing too surprising on this ballot but I’m looking forward to all of those, even the – who would have expected this nomination?! – Seanan McGuire comic. (Can you tell I’m a little bitter when it comes to her? Cause I am definitely a little bitter and will tell you more at the bottom of this page.) Although I have technically read zero out of these finalists, I have read the first volume(s) of 3/6 of them.
Monstressis on the ballot yet again and while I’ve never fallen head over heels for this series, I find it beautifully drawn, I like the story, and I don’t begrudge it its success. It just doesn’t get me emotionally for some reason but I’ll gladly read the latest instalment when and if it’s included in the Hugo Voters Packet. Last year’s packet was amazing so I’m all caught up on the series except for this newest volume.
I am thrilled that G. Willow Wilson’s Invisible Kingdom vol 2is on here because I read volume 1 a few months ago and immediately put the second part on my wishlist. I haven’t gotten to it yet but I’m cackling in anticipation! This is such a cool world with original characters. Last year, Dievol. 1 was nominated and I found it pretty good, very dark, but also a bit too much of a set-up volume to really grip me. Again, this is a universe and an idea I’ll happily explore further and Kieron Gillen is someone I’ve come to trust. Gillen is nominated a second time, for the first volume in a new series, Once & Future, which seems to be a dark contemporary spin on the King Arthur legend. I have no idea what to expect but I’m here for it. King Arthur seems to be cool again, he also shows up in the Lodestar category. I also can’t wait to see what the Graphic Novel adaptation of Octavia Butler’s Parable of the Sower will be like. It hasn’t been that long since I read the book so it’s all still fresh in my mind and I know there are things in that book that I do not want to see… I’m intrigued to read the graphic novel and see how things are depicted but at least I know the story is good. And last but not least, Seanan McGuire has written a Gwen Stacy comic titled Ghost-Spider. I am always up for some Spider Gwen, although reviews of this one are pretty middling. Also, it appears this “volume 1” is set after two volumes of Spider Gwen, the second of which is called Ghost-Spider Vol. 2? I haven’t made sense of it it yet and need to do more research but I am properly confused.
T. Kingfisher – A Wizard’s Guide to Defensive Baking
Aiden Thomas – Cemetery Boys
Aaaaaaaah, this is such an exciting ballot! With the exception of Naomi Novik’s book – more on that later – I love how diverse and different all these books are.
Obviously, my beloved Raybeareris on here. I am so hyped for its sequel (and duology ender) so maybe I’ll give this a re-read before voting is over. I haven’t heard many people talk about this book so I am doubly glad enough people read and liked and nominated it. Because now even more people will read it and get to know Sunshine Girl and this beautiful found family! I just read Legendbornand enjoyed it quite a bit. I wasn’t particularly impressed with the way the King Arthur legend was used, but as a story of its own about a secret society at college, it worked fine. Its strengths were definitely the themes of dealing with loss and grief, racism and finding a place to belong. So I’m happy to see it nominated but for now, it feels like a middle of the ballot kind of book.
I have so much excitement for Elatsoe – it has a ghost dog, apparently! – as well as Cemetery Boys – a trans, Latinx protagonist is something new for me and I love reading different perspectives from my own. And T. Kingfisher is just T. Kingfisher. I can’t wait to meet her latest pragmatic protagonist and the shenanigans they get into. Maybe I should read this after one of the R.F. Kuang books…
Now, about A Deadly Education. We’re talking arbitrary frontiers here, like what even is the line between YA and adult fiction? Most of these lines are drawn by publishers and/or book sellers who put the book in a category and that’s what we sticks. I could be wrong (I can’t find the interview I remember reading) but didn’t Naomi Novik herself make clear that this is not YA? Like how dare we assume that just because a book is written by a woman and takes place at a magic school with teenage protagonists, it’s automatically YA? And I agree, that assumption is stupid and we should all be better than that. But then, when it gets nominated for an award, it’s suddenly okay again that the book is considered YA? That leaves a bad taste in my mouth, to say it mildly. I was one of the people who enjoyed this book – although I still can’t quite tell you why, it has so many problems – but I find the author’s behaviour a little strange. Add to that the fact that Novik is well established and beloved in the SFF community and doesn’t really need an awards boost. If you look at the other authors, they are all either new or not well know or not the big bestselling types and can each benefit greatly from being nominated. If Novik had declined the nomination (based on the fact that she doesn’t consider her book YA and it thus doesn’t fit the category), who would have gotten the last finalist spot? Guess we’ll have to wait until December to find out.
So that’s where those other buzzy books went. 🙂 The Unspoken Namen by A. K. Larkwood has been popping up here and there over the course of the last year. I haven’t read it yet but I’m glad to pick it up for Award reading. The same goes for The Ruin of Kings by Jenn Lyons and the rest of the series – the speed with which these books are being published is stunning. I don’t know if it was the Game of Thrones-y style of the covers that kept me from picking them up so far or something else. But I look forward to checking it out.
The two authors I’ve read are Micaiah Johnson – I nominated her myself – and Emily Tesh. Johnson’s The Space Between Worlds was excellent and I even nominated it for Best Novel as well. I read the first of Tesh’s novellas, Silver in the Wood which was good, but didn’t stick in my memory for very long. I’ll read the second one, Drowned Country, but unless it has more memorably characters or a more exciting plot, I can’t say anything much nicer than that Tesh is a competent writer.
I am most excited about Simon Jimenez‘ novel The Vanished Birds. This feels like such a quietly buzzy book. I kept coming across it, in more literary circles as well as genre spaces, but the reactions to this book were overwhelmingly positive. So I cannot wait! Lindsay Ellis wasn’t on my radar at all, although I have seen Axiom’s End floating around. Whisleblower/first contact/conspiracy story sounds intriguing, especially because it’s not my usual cup of tea.
BEST FANCAST (5/6)
Be the Serpent
The Coode Street Podcast
The Skiffy and Fanty Show
Worldbuilding for Masochists
Claire Rousseau’s YouTube channel
Here’s another category that gives me OPINIONS. Or, to say it better, that makes me feel like a bit of a fool.
Last year, I was so excited that a BookTuber was nominated, and even one that I knew and liked. Claire Rousseau used to do these Genrewise SFF News videos that summed up what’s going on in the field really well. She has a nice D&D based TBR game going with herself, and I liked her reviews, even when we didn’t agree. So I felt she totally deserved her nomination (last year). But in 2020, she has barely uploaded any videos – which I absolutely don’t mean to sound reproachful. It’s a pandemic and holy shit, we all understand when you have other things on your mind than creating content. But if you don’t create anything, should you be nominated for an award? Like, for what? For having made some videos for the first few months of the year and then just stopped? I follow Claire’s channel and I get notified when she uploads new stuff. She was completely off my radar for the second half of 2020 because there was simply nothing there. Her channel literally shows you the newest video (one day ago) and the video before (7 months ago). Again, I’m not saying Claire has any obligation to produce videos but I do believe that we should award fancasters who actually, you know, fancast. Her channel will probably be at the bottom of my ballot because I’ve already seen all her 2020 videos and they will have a hard time keeping up with what the other finalists have to offer. But I’m glad she plans to re-launch her channel and I’ll happily nominate her next year if she makes great videos again in 2021.
This year, Claire isn’t the only BookTuber on the Hugo ballot this year. Rachel from Kalanadi, a wonderfully calm and thoughtful person, has been making videos consistently for years. I also follow her (although I didn’t nominate her, I instead nominated The Fancy Hat Lady Reads, another BookTuber) and I especially like her long-term projects of reading certain award winners – she did the Tiptree a while back, she’s reading through the SF Masterworks, but she’s also very self-aware and checks in on her goals and reading stats. As with any reviewer, we don’t always agree, but I appreciate her reviews and the way she talks about books. I would definitely be happy to see her take home a Hugo Award.
Now to the podcasts. I like The Coode Street Podcast and its two incredibly well-read hosts, which I say every year. 🙂 I sometimes love, sometimes don’t like Skiffy and Fanty, also like every year. I have to listen to Be the Serpent more to make up my mind properly. And I don’t know Worldbuilding for Masochists at all, so this is exciting. I love discovering new things through the Hugo ballot and this is one of the few that’s actually completely new to me.
I will admit to a general bias on my part towards the BookTubers. This category has been going to podcasts for so long that I feel it’s time for a change. Having two BookTube finalists on the ballot is already a win but unless Be the Serpent or Worldbuilding absolutely blow me away, Kalanadi will be my first choice for this award.
In general, there is nothing overly surprising on this year’s ballot. In the Best Novel category, so many potential great books could have made it, it was really just a matter of who was nominating this year and what their personal favorites were. Some years, you just know one or two of the most hyped books, the ones everyone was talking about. But 2020, we were all talking about many buzzy books that we loved.
The one thing that I did notice last year, and in part with the Hugo finalists, is the blurry distinction between YA and adult novels. The Bone Shard Daughter, for example was very well received but was it YA or adult? I think it’s sold as adult but the marketing campaign gave it YA vibes, if you know what I mean. Maybe that kept people from nominating it or maybe some nominated it as Best Novel, others as a Lodestar? I’ll be interested to see the final stats in December.
The Best Related Work category is interesting this year. I don’t have enough to say about it to warrant its own section in this (huge) post, but it’s cool that a convention is nominated – although I have no idea how I, as a non-attendee, am supposed to judge that – as well as the ConZealand Fringe, a sort of side event alongside regular WorldCon which can be watched on YouTube. Add the obligatory ranty blog post and one actual non-fiction book and you have a pretty diverse category.
My (yearly) Seanan McGuire rant:
I’m so tired of having to read so much Seanan McGuire every year. You guys, I know I can sound mean when I talk about her, but I’m really just tired. It’s like this war inside me where, on the one hand, I want to give all nominated books a chance and vote fairly for what I thought was best, but on the other hand, I spend my precious time reading her books when I could be reading a debut author, a marginalised author, an underrated author, or even re-reading an old favorite. It’s getting to the point where I want to just not read her work, no matter the book – just the way she gets nominated every year, no matter the book. And if I don’t read it, I won’t vote for it. If her fans can convince themselves that every single of her works deserves an award, then I can convince myself of the opposite. The truth is probably somewhere in between but I guess we’ll never know because people aren’t always fair and authors aren’t always gracious.
Seanan McGuire is by far not the only author who has lots of Hugo nominations but only a single (or even no) win. The difference is that she writes so damn much that she takes up space in at least two categories every year. If she wrote a novel, a novella, and an instalment in a series, you can be damn sure she will be on the ballot in all three categories. If she really were that much of a literary genius, shouldn’t she be swimming in Nebula Awards? World Fantasy? Mythopoeic? I mean, those are the ones that get judged by other authors, by her peers. Interestingly, she was only nominated and won once for Every Heart a Doorway which is also her sole Hugo win (except for fancast but she was part of a larger group there). I know nothing I say here will sway the hardcore McGuire fans. And look, I’m glad she has so many fans and I’m glad they love her work that much. Finding a favorite author is a great thing, especially when that author churns out a ton of content every year. But if you count together all the spots taken up by McGuire works in the last few years, spots which eventually all ended up not winning – the potential other books for those spots could have given at least 10 other authors a hands up in the industry, a chance for a career, a chance to build their own fan base just like the one McGuire has. Simply not accepting a nomination – at least in one of the three/four/five categories – has apparently never crossed McGuire’s mind. After being told by the voters that her work is not deserving of a Hugo this many years in a row, maybe giving someone else a chance is a viable option?
This year, I will read all her nominated works again because I would feel like a quitter otherwise and they all sound interesting. But next year, I will definitely skip InCryptid – the first one is a book I’d be ashamed to have published – and only pick and choose the rest. Depending on this year’s Wayward Children novella, I may or may not read next year’s. And if you think these won’t make the ballot next year, don’t make me laugh. If it has the name Seanan McGuire on it, it will be on the ballot…
So now that’s out of the way again, I have decided to focus on the postives. There are so many books, graphic novels, and series I look forward to discovering or continuing this year. I hope this ballot will push me towards my goal of finally finishing up some series I’ve started and show me some new authors and creators I can follow in the future.
What do you think about the finalists? Did your nominees make it? Am I too touchy about Seanan McGuire? 🙂 Are you going to read the finalists and if yes, are you voting?
Here’s my last instalment of the Reading the Hugos series for this year. I’ve done better than ever before in this category but disclaimer right here: I didn’t even get close to reading all the books in all the nominated series.
For my thoughts and rankings (currently) of the other categories, go here:
This is probably the toughest category for me (and many others) to judge. While a Best Novel or Lodestar nomination may happen for book two or three in a trilogy, it rarely happens for part 12 of a long-running series. Which is the entire reason this category exists! So that book series can be honored even when their first book(s) didn’t garner a lot of acclaim or weren’t as well known yet. Sometimes the tale grows with the telling, sometimes it’s only after a few books that characters really get to shine, and sometimes a trilogy in its entirety is just so much more than the sum of its parts.
I’ve been gushing about The Winternight Trilogy ever since the first book came out. While the first is still my favorite, simply because its fairy tale vibe and atmosphere is so dear to my heart, I can’t deny that Arden actually got better with every book. The Winter of the Witch was a worthy and beautiful ending to a pretty epic story. I loved it to pieces, I nominated the books for Best Novel every year, so it would warm my heart to see the trilogy as a whole take home a Hugo. While the first book could be read as a standalone, the trilogy definitely tells a larger tale that is well worth exploring. Full of atmosphere, great multi-layered characters, and Russian history, it’s the perfect trilogy for reading on a winter night.
I started The Wormwood Trilogy from scratch and was very impressed with the first book. Yes, the reviews are right – it is a confusing book, jumping between different timelines, different levels of existence and dealing with a lot of fresh ideas. Kaaro is a former thief who now works for a special branch of the government as an interrogator. It’s not the kind of interrogation you might think, though. Kaaro is also a sensitive – one of the people who got some sort of mind reading powers from the alien biodome around which Rosewater is built – so he can just go into a prisoner’s mind and have them spill the beans on whatever the government wants to know. And although that’s already a lot, there’s even more to discover in this book. It’s a wild ride with crazy ideas and while I definitely struggled to keep the timeline straight in my head, it was a great experience.
Emma Newman’s Planetfall surprised me in many ways. I had only read her previous fairy-inspired series and didn’t much like it. Not only did Newman create a fantastic science fictional world here but her writing is also just phenomenal There was not a single second in the first book, Planetfall, where I was bored. Renata lives on the one and only space colony on a distant planet. She and others followed Lee Suh-Min to this place in order to find God. However, Renata and the Ringmaster Mack have a secret, one that involves the colony’s religious ceremonies… When a stranger arrives at the colony, things are put into motion and Ren’s many secrets are revealed over the course of this novel. This was exciting, filled with awesome ideas about life on a different planet, and Ren is one of the most intriguing protagonists I’ve ever read about. It’s hard to say much without spoiling but just do yourself the favor and pick this book up!
Although the cover screams that this isnot for me, I did give InCryptid by Seanan McGuire a try. After all, I quite like her October Daye series, so why not try her other urban fantasy? Well, now I know why. Because of all the things I dislike in books, McGuire picked most of them and threw them all together. A super-perfect heroine, a plot that doesn’t start until a third of the book is over, and that third being filled with info dumps and mentions of how great the heroine is. I hated Verity from the get go because I just don’t like Mary Sues without nuance or flaws, and a girl shooting someone while wearing heels doesn’t impress me. When she does something intolerably stupid (although she is supposed to be so perfect), that was it for me. The final nail in the coffin was the forced love interest that is the opposite of organic and feels like it was just thrown in there because you have to have romance in your urban fantasy. As I didn’t care for anything in this book, I finally DNFd it at 34%. This book is the definition of Not My Thing.
When I started reading Luna by Ian McDonald, I knew very soon that I wouldn’t be able to be super fair to this book. It can be summed up as a Mafia story set on the moon – and how cool is that? – which puts it in the uncomfortable position of being compared in my mind to Jade City by Fonda Lee. I know that’s not fair and I know I should keep those books separate in my head but I am only human and that’s just how my brain works.
Mind you, although it’s tough for any book to be as great as Jade City, I still enjoyed this one. I didn’t think the character work was quite as well done, but as to not be even more unfair, I tried to focus on the worldbuilding. This is science fiction about a society living on the moon, ruled by the Five Dragons (old families running big corporations). There is no criminal law, only contracts. If you can’t pay for air, well, that’s too bad. The plot had massive pacing problems (or just… non-existence problems) but the writing was great and the ending had me reading with my mouth gaping open. Not my favorite but I will continue the series someday.
The series I feel most uncomfortable ranking is The Expanse. I read the first book shortly after it came out but I just haven’t kept up with the series. We are currently at seven volumes, so even if I had managed to read Caliban’s War in time, I wouldn’t have been able to judge the series fairly. My hope is that it will be nominated again in a few years and I’ll have caught up by then. As long as the series is still ongoing, there’s still hope. And I don’t have to feel too bad for ranking it based solely on its first volume.
My ballot (probably)
Katherine Arden – The Winternight Trilogy
Emma Newman – Planetfall
Tade Thompson – The Wormwood Trilogy
The Luna Trilogy
Seanan McGuire – InCryptid
As mentioned above, I took the next best approach to reading all the books in all the nominated series, which is to at least read the first volume in each series and continue on with those that interested me the most – if the first book doesn’t capture my attention enough for me to want the second book, then the series will proably not be my top choice. Even if the series in general gets better after book 3 or 5 or whatever, I’m not going to like it as much as a series that was great right from the start. At least that’s my reasoning. I also hate when people justify long series by saying things like “Oh, it really gets going around volume 4”. Why do I have to force myself through three mediocre or even bad books to get to the fun part? Shouldn’t the series have started with the fun part?
That’s why I only read the first book in the InCryptid series and I won’t be reading another book of that series even if it inevitably gets nominated again. I am going to vote for No Award in my sixth slot because, try as I might, I don’t see any reason why this could be deserving of an award. Considering the other finalists, this book just shouldn’t be here. It offers no original ideas, the writing is the laziest version of Urban Fantasy trope-land, the protagonist is plain bad, and the plot didn’t promise anything new. Yeah… I really hated it. But even apart from my personal taste, I think it is objectively not a great book that shouldn’t be in the company of these other finalists.
Luna and the Expanse might still switch places on my ballot. It’s been so long since I read LeviathanWakes. On the other hand, Luna was the last book I read. I enjoyed both but one was definitely more fun and one had more ambitious science-fictional ideas. And I don’t know how either of their sequels handle characters and world building, so I’m pretty much just ranking them by gut feeling.
As for Emma Newman and Tade Thompson, both first books were utterly stunning, so I definitely need a second one to make a final decision on where to rank them. Unfortunately, time is running out. I definitely plan to finish both these series, but when I had to decide on which one to continue first, Planetfall won. So this, and this alone, is the reason I am ranking it above Rosewater (for now). I am going to start the sequels for both of these books today and I may still finish them before voting closes. But with the decision making power I have at my disposal at this moment, this is where they go on my ballot.
And this is it for my Reading the Hugos series. I’m sad I didn’t get to the finalists for the Astounding Award or Best Related Work. I read half of the Astounding finalists but I definitely won’t catch up on the rest before Hugo voting is over. And, to be quite honest, I look forward to just reading whatever I want again.
Reading the Hugo finalists has been incredibly rewarding and led me to discover some truly fantastic books and probably even new favorite authors. But now that I’m done, I feel relieved that I can pick up a book by mood and catch up on 2020 releases. There’s an entire Murderbot novel waiting for me! And I got a gorgeous hardcover edition of Octavia Butler’s Parable duology that wants to be read.
I will be nominating and voting in the Hugo Awards again next year. And if everything works out well, I may even do another Reading the Hugos series. 🙂
Here we have another book that, although I was interested, I probably wouldn’t have picked up if the trilogy weren’t nominated for a Best Series Hugo Award this year. I have nothing against hard sci-fi but I am a character reader and characters tend to draw the short straw in many hard sci-fi novels. This trilogy starter was actually really good, but it didn’t exactly change my mind on the subgenre and its pros and cons.
LUNA: New Moon By Ian McDonald
Published: Tor, 2015 eBook: 432 pages Series: Luna #1 My rating: 6.75/10
Opening line: In a white room on the edge of the Sinus Medii sit six naked teenagers.
The Moon wants to kill you.
Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations – the Five Dragons – in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.
As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.
This is the story of the Cortas, a successful almost mafia-like family whose matriarch Adriana has established a name for herself on the moon by selling helium-3. Adriana came from Brazil, from nothing, and built an entire dynasty in one of the most inhospitable places a human could live. The environment wants to kill you, air has to be paid for, there is no criminal law, only contracts. And when you’re as rich and famous as the Cortas, assassins never stray too far…
I was hooked pretty quickly when I started reading this book because who doesn’t like a good mafia story? And this is essential a mafia story set on the moon. The moon may not be far away but it feels like a completely different world when you imagine living on it. The world building was well done and I got more and more of a sense of what it’s like to live on the moon, especially through the point of view of Marina. She isn’t part of the Dragon families and, in fact, starts out as a Jo Moonbeam (a newcomer to the moon) living in poverty.
While this first impression of life on the moon got me interested, I wanted a little more detail when it came to the world building. So many cool things are mentioned that I wanted to learn more of. Since this is only the start of a trilogy, I’m being lenient and hope to find out more in the sequels.
The most important part of a novel for me is always the characters. And there are plenty to choose from here. I honestly don’t remember how everyone is related to each other but I at least managed to keep the many, many Cortas separated in my head by age groups. Adriana Corta started it all, then come her sons and daughter who will inherit Corta Hélio, and then there are their children. Plus wives, madrinhas (more on that later), servants, bodyguards, and trusted advisors. I went into this expecting to be confused because the book starts with a long list of character names. However, I think any novel should establish the characters in such a way that no lists are needed, that the reader learns through context who is who and how they relate to each other. McDonald did an okay job with this. It’s all a bit much at first but the more we follow single characters and their story lines, the clearer it becomes who they are and what their role is in the family.
The plot was sadly a bit disappointing. It starts off with a bang. Several bangs, actually. We begin with Lucasinho (one of the younger Cortas) on his moon-run. I’m not spoiling that particular crazy tradition for you, but it had me on the edge of my seat for the entire first chapter. And then there’s an assassination attempt on one of the Cortas. Talk about a great start!
Except after that, the plot starts meandering, never really finding its footing. We follow the different Cortas doing their daily business and as they try to further their dynasty and prepare for a time when Adriana Corta will retire and hand off the company to one of her heirs. But I never got the sense of following a red thread, of having anything to hold on to. It’s all snippets and glimpses and the POV changes happen so quickly that it was hard to fully immerse myself in any one character’s story. I never really built an emotional connection to them. I found them intriguing, certainly, and I enjoyed following their lives, but they always stayed at a distance. My heart just wasn’t in it, so I also didn’t much care about their love stories, character deaths or their business successes and failures. I felt like a scientist watching these people in a lab and nodding with interest, not like someone living these stories alongside them.
I didn’t expect it but the language was quite challenging. With the Cortas originally coming from Brazil, there are many uses of Brazilian Portuguese words – or more specifically, Brazilian Portuguese words influenced by a life on the moon – that are easy enough to understand through context but made reading this book a bit harder nonetheless. Add to that all the cool tech our moon-dwellers use, the many concepts that are second nature to them but are new and strange to us Earth people, and you’ve got a book that takes a while to get through. Take for instance the madrinhas. With some knowledge of Romance languages, I kept thinking “little mother?” whenever I came across the word, and it’s not that far from what it means in this book. Madrinhas are surrogate mothers who carry the Corta’s children – but children created of the sperm and egg cells of actual Cortas and whoever they chose to marry. These surrogate mothers don’t just carry the baby, however, they also raise it for a while and become part of the larger family, which was a really interesting concept. Not one I necessarily understand or find particularly appealing to hand off childrearing because you’re too busy but still want a legacy, but… you know, interesting.
Another language thing I noticed was that McDonald seems extraordinarily in love with the pronoun game. A large number of chapters and POV changes start with lines like “Carlinho took her by the arm and led her to the other room […]” or “He walked down the steps in this secret passageway” with several paragraphs of not specifying who “she” or “he” is. This device can be used to create suspense, to make a surprising twist more shocking, or even just for fun on occasion. But in Luna it’s done so often and never for any point I could surmise that it got annoying rather quickly. It’s not like there aren’t enough names and relations to keep in mind already. At least tell me the name of the person I’m going to follow in this chapter!
I also found the descriptions of sex in this book a bit strange. There is plenty of it and while I loved that the people on the moon don’t give one single fuck about who sleeps with whom, the actual descriptions of sex made me cringe. I’m currently listening to The Salt Roads by Nalo Hopkinson which also has a lot of graphic sex in it so I can’t help but compare (unfair as that may be). And while in Hopkinson’s book even very detailed descriptions feel natural and honest, in Luna they felt like the author was just trying to be edgy. Don’t misunderstand me, the scenes weren’t bad, I just didn’t really understand the purpose of the detail in regards to this tale.
My favorite part, probably because it tells an actual story, was the first person narration of Adriana Corta which intersplices all the other characters’ stories. She tells her entire life story; how she lived in Brazil, went to the moon, had one crazy idea and built one of the biggest companies there. There was also friendship and love in that life and although I also didn’t connect very much with Adriana on an emotional level, I was excited to read about her. Her chapters were the ones where I didn’t want to put the book down.
Until the ending. Remember how there isn’t really any straightforward plot? Well, there really isn’t but somehow at the end, everything happens at once. I have to be vague so I don’t spoil things for you but let’s say that the incredibly exciting events of the last chapter should have been built up better. It all makes sense once it’s explained but it felt a bit out of left field. At least drop a clue here or there so the readers can go “ooooh, I should have seen that coming” at the end. Okay, that’s about all I can say without telling you what happens. I will add that this ending was brilliant and showed me that I cared at least about some of the characters more than I had thought. I am in no rush to continue the trilogy (even though the next book is set up and will probably be great) but I’m glad I read this.
This week’s Hugo category is one where I usually struggle with some of the finalists because – just like in the Best Series category – it’s often volume 7 of a series that’s nominated. When I haven’t read all the previous ones, it’s hard to judge the current finalist.
It gets even more difficult when a series is nominated that I started and didn’t continue because I just didn’t like it that much. Do I push through the missing volumes to see if this one is really great? Do I at least pick up the next (for me) volume and give the series another chance? Do I not read it at all?
It’s a tough one but you’ll find out how I handled the situation below. Let’s just say my plan to read one instalment of each series didn’t exactly work out…
Nnedi Okorafor, Tana Ford & James Devlin – LaGuardia
Kieron Gillen & Stephanie Hans – Die Volume 1: Fantasy Heartbreaker
Brian K. Vaughan, Cliff Chiang & Matt Wilson – Paper Girls
Marjorie Liu & Sana Takeda – Monstress
Kieron Gillen & Jamie McKelvie – The Wicked + The Divine
Wendy Xu & Suzanne Walker – Mooncakes
I love Nnedi Okorafor’s writing so it came as no surprise that her Graphic Novel LaGuardia turned out to be wonderful. While two of her novels didn’t work for me so well, I always appreciate the writing, the themes, and the diversity of her stories. Okorafor also has an amazing range – adult fantasy, YA, sci-fi novellas, short fiction, you name it.
This story deals with a future where aliens have landed on Earth and now live among us. In fact, if you want to know how that happened, check out her novel Lagoon.
It’s very obvious that this can be read as a book about racism. Sure, we’re talking humans and aliens here, but the experiences are based on the same issues. “Random” searches at airport security, groups of people wanting aliens out of their neighborhoods for no discernible reason other than that they are “not like them”, you know the drill. We see this world through pregnant Future’s eyes who has smuggled a plant creature from Nigeria to the US.
Apart from the great story, I also really loved the artwork. It’s vibrant and beautiful, the characters are distinguishable and come to life on the page. I’m sure this will not appeal to everyone, especially the people who like their fiction message-free (as if that even existed!), but I absolutely loved it and will continue reading the series.
I thought that Die: Fantasy Heartbreaker was a strange title for a graphic novel but it all becomes clear in the first chapter and is actually the most fitting title I could have imagined. This is the story of a group of teenagers who play a D&D game their friend created. And then crazy Jumanji-type stuff happens… I don’t consider it a spoiler to say that they are sucked into the game and emerge, two years later, in the real world again, with plenty of scars, both physical and psychological. The bulk of this volume is about their adult selves dealing with what happened to them. And then they get sucked right back into that crazy world and have to finish the game they started so many years ago…
I found the pacing of the first chapter to be way too fast but it really only serves as an introduction. The main plot is much more evenly paced and offered a lot of fun elements. As we visit the imaginary worlds of someone who grew up in the real world, there are a myriad of references to fantasy worlds any SFF fan will recognize. A quasi Middle Earth, the Bronte’s Glass Town, a Gibson-esque Cyberpunk place, and so on. But I enjoy stories mostly for their characters and while the protagonists are interesting and diverse, I had a hard time really getting attached to any of them. But I believe, over time, they can each grow even more interesting. So while this wasn’t an instant hit for me the way Saga was, I will probably continue reading it to see where it goes.
I read the first Paper Girls volume just after it came out and while I liked it, I just wasn’t hooked enough to continue. But when I found out that this series is now finished, that gave me the motivation to pick up at least the second volume. And about five hours later, I had binged the entire series… That tells you already that I was quite entertained by the story of these four 12-year-old girls time traveling through decades, meeting their older/younger selves, or sometimes completely different versions of themselves, and finding out certain things about the future that they probably shouldn’t know. I had a lot of fun, I enjoyed the characters immensely, but when it comes to the story and the sci-fi aspects of it, there wasn’t really anything new here. I’ve also just watched the third season of Dark (start watching it right now if you haven’t!) so my expectations for time travel stories are somewhat higher than they used to be. This is a solid, fun series with great diverse characters that I will gladly recommend. But for the top of the ballot, I needed it to be just a bit more. Oh, and I adore the artwork! Must never forget to mention the artwork. 🙂
I had super high expectations for Mooncakes, not so much that the plot would blow me away, but I hoped it would be a cute, wholesome story about a young girl and a non-binary person falling in love while doing magic. And I kind of got that, but the execution didn’t work for me at all. Any action there was, was over within a few panels. Instead we get lots of time following conversations like “How are you?” “I’m better, thank you. Do you want to sit down?” [Person sits down, they procede to hug or hold hands or smile at each other]. That would have worked really well in a movie but a comic book needs to use what little space it has more wisely. That just wasn’t the case here and many pages felt entirely like filler, rather than pushing the story or characters along.
The plot was also super thin, and I was never remotely worried that something bad could happen to anyone because every threat is just magicked away so quickly, you barely have time to be afraid. I was hoping so much I would love this. I didn’t hate it. I just… nothinged it… which is probably the worst thing a book can do. Leave me completely cold. The artwork was also not up my alley, so this is sadly but clearly at the bottom of my ballot.
I also binged the entire The Wicked + The Divine series in one day, even though I only meant to re-read the first volume and maybe try out the second. I remember not liking the first volume very much when I first read it years ago. This time around, I honestly don’t know what my problem was. Sure, it was only the beginning of a larger story but I found it quite intriguing. So I ended up spending a sunny afternoon with 12 reincarnated gods getting into all sorts of shenanigans, having relationship drama, and saving the world (of course). While I found the volumes varied a lot in quality, the overall story was really great! Paper Girls’ volumes were all steadily good, whereas The Wicked + The Divine had some fantastic and some less great volumes. I was also not a fan of the guest artists’ artwork because I loved the original art so, so much!
But for originality, characters, and overall plot, I think this kicks Paper Girls off my second spot. Plus, I keep thinking about this story more than a week after having finished it and I keep finding new details to appreciate.
The last series I read – another one where I’d read the first volume previously and never continued – was Monstress. I remember mostly enjoying it, especially the gorgeous art. But the art was so intricate that it kept distracting me from following the actual story.
Even though I only had to read four volumes for this series, it took me the longest. The books are consistently good but never really grabbed me emotionally. It may be that the protagonist is not a particularly emotional person and even when she said emotional things, her expression didn’t let us see that. Whether that’s miscommunication between writer and artist or a conscious choice, I can’t say, but it always kept me at arm’s length from Maika and never let me properly care about her.
The world building is so complex that, unfortunately, pages of info-dumping are needed just to keep the audience somewhat up to date on what is going on, who is fighting whom, what factions exist in this world, etc. etc. While this was always accompanied by stunning art, it still doesn’t change the fact that it’s a lot of text that isn’t conveyed through story.
Lastly, the art is beautiful but it really didn’t work for me when it came to action scenes. Whenever there was fight, each panel was so damn busy, so filled with detail, that I couldn’t quite follow who was hitting whom, who was getting hurt, and so on.
Another problem I had with the series is that it’s missing focus. We keep visiting new places, introducing new characters, finding out a little bit about who Maika is and what’s going on this world, but as Maika’s such a distant character, I don’t even know what to hope for in this story. If the series is nominated again next year, I’ll read the next volume, but I won’t go out and buy it for myself. Except for Kippa and Zinn, I don’t much care for any of the characters.
My ballot (probably)
The Wicked + The Divine
Die: Fantasy Heartbreaker
Suzanne Walker – Mooncakes
It is really unfair to judge single volumes against entire finished series. Sure, officially it’s the latest volume of Paper Girls, Monstress, and The Wicked + the Divine that’s nominated, but those volumes build on the work that was done during the previous volumes. And comparing two finales and one middle volume with two first volumes just doesn’t feel right.
As always, I ranked the books by personal enjoyment but obviously the two first volumes had a much harder time than the long running series. Despite it being only the start of a (hopefully) longer series, I put LaGuardia first even though, as a whole The Wicked + the Divine was more fun to read, simply because there was so much more of it. If it wins, I’ll be super happy, but I also think a series that hasn’t had time to build a loyal fan base yet should get a chance, especially since I enjoyed it so very much and definitely want more of the same.
Mooncakes is clearly on the bottom of my list. I don’t want to be mean, I appreciated the thought behind that book, but the execution is several leagues beneath everything else that’s nominated. It’s important that this book and others like it exist but I honestly don’t see how it would be worthy of an award, especially compared to the other finalists.
Monstress is the one series that I think just isn’t for me. There are things I enjoy about it but the crucial missing element is my emotional envolvement. It’s just not there. If you push the next volume on me, I’ll read it, but I honestly wouldn’t mind never finding out how that story ends.
I’d been looking forward to reading the next book in McGuire’s October Daye series but after this, I think I’ve had my share of McGuire books for the year. Toby Daye can wait until 2021 because I have McGuire burnout!
The only (!) reason I picked up this book with the horrible cover, the generic title, and the boring premise is because the series is nominated for a Best Series Hugo Award and I want to give everything a chance. McGuire has surprised me in the past, even within the same series (Wayward Children, I’m looking at you) so I jumped over my shadow and read this gave this a fair shot. Things did not go well…
Opening line: Verity danced circles around the living room, her amateurish pirouettes and unsteady leaps accompanied by cheers and exultations from the horde of Aeslin mice perched on the back of the couch.
Cryptid, noun: Any creature whose existence has not yet been proven by science. See also “Monster.” Crytozoologist, noun: Any person who thinks hunting for cryptids is a good idea. See also “idiot.”
Ghoulies. Ghosties. Long-legged beasties. Things that go bump in the night…
The Price family has spent generations studying the monsters of the world, working to protect them from humanity—and humanity from them.
Enter Verity Price. Despite being trained from birth as a cryptozoologist, she’d rather dance a tango than tangle with a demon, and is spending a year in Manhattan while she pursues her career in professional ballroom dance. Sounds pretty simple, right?
It would be, if it weren’t for the talking mice, the telepathic mathematicians, the asbestos supermodels, and the trained monster-hunter sent by the Price family’s old enemies, the Covenant of St. George. When a Price girl meets a Covenant boy, high stakes, high heels, and a lot of collateral damage are almost guaranteed.
To complicate matters further, local cryptids are disappearing, strange lizard-men are appearing in the sewers, and someone’s spreading rumors about a dragon sleeping underneath the city…
I don’t usually write reviews about books I didn’t finish because… well, I can’t judge the whole book when I’ve only read a part of it. But I can judge the bits I’ve read. In this case, they were not good. Actually, they were pretty terrible. We follow Verity Price’s first person narration as she lives in New York where she works with cryptids – supernatural beings – and protects them, but also makes sure that the wilder ones among them don’t start eating people. Otherwise, it’s exile or, you know, death. I have read 34% of this book (so sayeth my Kobo) and I could not bear a single page more. Let me elaborate.
Verity Price is good at everything. Scratch that – she’s perfect at everything. Blonde, lithe-bodied, athletic, and of course super smart. She’s everything I hate in a protagonist. Through rigorous training – NOT superpowers or magic or something else more believable – she is basically a pro in a dozen martial arts, knows how to use all sorts of weapons, she free runs through New York City, and generally just excels at everything she touches. Oh yeah, she’s also really into ballroom dancing, a fact with which she keeps bombarding the reader in every paragraph. That’s all we learn during the first five chapters or so, so this book was off to a very bad start.
I want my heroines flawed and if they have to be really good at something, at least give them something else that they sucks at. Or if the protagonist has to be supernaturally amazing at everything, give me an explanation that is somewhat believable. Even a handwavey explanation would have helped. But, alas, we are supposed to believe that one person can be this great just because she applied herself. Way to go for creating unrealistic expectations of women.
I’m probably one of the few people in the world who doesn’t have a problem showering while standing on one leg and pointing the toes of my other leg toward the ceiling.
Oh yes, Verity, you are so super special. But I’ll let you in on a secret. Even without a super special and unrealistic ballroom career next to your other job of full-time monster protecting, there are people who can do the splits… I’m one of them. We’re not that special. Being flexible shouldn’t be anyone’s best (or only) quality.
So what’s this mess of a novel even about? The Price family used to work with an organization called the Covenant – essentially a monster-hunting secret society that has sworn to find and kill all the cryptids living on Earth. Except the Prices realized that not all monsters are bad, some just want to live their life in peace and don’t eat people on a regular basis. So why not coexist? They left the Covenant and have been in hiding ever since. That’s important for the plot, which takes a whopping 15% of the book to even show the slightest hint of starting (but, spoiler, doesn’t even really start until 31%).
Because when Verity encounters an agent of the Covenant, she just straight up tells him who she is, that her family is alive and well, and then she lets him go… Remember, this is the super smart protagonist who paints herself as Miss Perfect and sleeps cuddling her many, many guns. I cannot BEAR stupid protagonists, especially when that supidity stands in stark contrast to what we’ve been told about them. There was absolutely no reason for Verity to tell that guy who she was. She just did it. Her explanation afterwards? She lost her temper. Which wasn’t there on the page at all. In fact, because she’s such an uber-badass, she remained pretty calm during the entire encounter. And then she proceded to spill her family’s secret. Because reasons, I guess.
“Hi,” I said brightly. “Ever been shot in the head? Because I don’t think you’d enjoy it much. Most people don’t.”
What little dialogue there is, was super cringe-worthy. It’s like Seanan McGuire tried to write her own Buffy (without the superpowers that give Buffy all her strength etc.) but couldn’t reach anywhere near Joss Whedon’s witty dialogue and snappy one liners.
The actual plot – cryptids gong missing and a certain creature existint that people thought didn’t exist – only begins at about 31%. That means you get over 100 pages of info dumping, repetitions about how wonderful Verity is and how she is great at everything, ESPECIALLY BALLROOM DANCING!
At that point, I decided I would give the book a limited number of pages to get me hooked and if it failed, I’d just DNF it. The more I read, the more annoyed I got. Because apart from the really dumb protagonist who we are repeatedly told is amazing, the pacing and plot are also really bad. If nothing of interest to the story happens during the first 100 pages, something went wrong during the editing stage. It’s great that we get to learn about all these cryptids and their quirks but I didn’t pick this up because I wanted a list of supernatural beings. I want plot and interesting characters. That’s not too much to ask, is it?
And when we’re not getting endless paragraphs about the make up habits of gorgons, we instead have to work several pages filled with the rules of ballroom competitions. And of course many mentions of Verity’s brilliance and awesomeness and general perfection.
Side note: I did a search on my Kobo and the word “dance” appears 145 times in this book. “Ballroom” is only used 30 times. But you get the picture. Verity doesn’t actually do much ballroom dancing, she just likes to let us know in every paragraph that she’s great at it.
Another thing that didn’t help was the humor. It may very well work for you – we all know humor is absolutely divisive and something one person hates can make another one giggle for hours. Generally, I do like Seanan McGuire’s humor, especially in interviews (her personal, real sense of humor works for me and I usually laugh at her jokes) but I was disappointed that, apparently, that’s the only type we ever get from her. The October Daye series – which I’ve started last year and enjoy a lot – doesn’t try as hard to be funny but Toby also likes being a bit snarky at times. Verity, however, lays it on pretty thick. Her “funny” one-liners left me frowning rather than smiling, her oh-so-clever descriptions of cryptid species all sound the same. I wish that these two urban fantasy series did more to stand apart when it comes to writing style as well as characters/plot.
The part where I finally decided I’d had enough was when Verity, out of nowhere, kisses a guy she had previously shown no interest in kissing. But of course, the only human male that we’ve met so far has to be the love interest because them’s the rules, I guess.
I know that this series, as well as McGuire’s other books and series, has quite a fan following and I wish I could have joined them. But to me, this felt like a carelessly thrown together mess without a point. If you’ve finished this book or even read more of this series, please let me know in the comments if things get better. At this moment I have no desire of ever touching another InCryptid novel, but who knows what the future might bring.
MY RATING: Did Not Finish (but I’d give the first third of this book 2/10)
Just like last year, I had already read four of the six finalists for Best Novel when they were announced. Catching up on the final two was easy enough.
In general, I really like this ballot. There is one book that I personally disliked but as a representation of what was most talked about and got the most acclaim from fans last year, it definitely deserves its spot on the list. Even the Seanan McGuire (I’m biased because her fans nominate everything as long as it’s written by her) was a pretty good book, although I would have preferred to see something different in its spot, like Black Leopard, Red Wolf (which I’m still in the middle of but which would so deserve to be nominated).
Oh man, this is so hard! My top two spots are fairly easy but having to rank one above the other makes it a lot more difficult. I’m talking about A Memory Called Empire and The Light Brigade, of course. Both of these books blew my mind, although in very different ways. But only one of them also got me hooked emotionally, so I’m going with that one as my top choice.
A Memory Called Empire is a debut novel (all the more impressive) that has so many layers, it’s hard to pick a favorite bit. It’s about a space empire and one little space station that’s still independent. That station’s embassador has died and so Mahit Dzmare is sent to the capital as his replacement. It turns out he’s been murdered and Mahit wants to find out why and by whom. So far for the basic plot, but there’s so much more to discover. The cultural aspects, the technology, the relationships between the multi-layered characters, the language conventions, I just loved everything about this book. And then it’s well-written too! I can’t wait for the sequel to come out because this is such an immersive world with fresh ideas by a great storyteller.
Close on its heels is The Light Brigade, the first fiction I’ve read by Kameron Hurley. And what a gorgeous mind-fuck it was! I love stories that are also puzzles and this is a perfect example. It’s a military sci-fi novel very much in the vein of Heinlein’s Starship Troopers but clearly in conversation with the MilSF that came before. Dietz goes through gruelling military training, becomes a soldier and jumps via super cool technology to fight on Earth, on Mars, wherever the supervisors send them. But something’s not right. Dietz ends up returning from missions nobody has heard of or is sent on missions that don’t have anything to do with what the briefing was about…
There are a lot of things to figure out in this book and you definitely have to keep track of what’s going on when and where. But it is so rewarding and the ending was so fantastic that I couldn’t help but love it. The only reason this goes below Arkady Martine’s book on my ballot is that I wasn’t as emotionally involved with the characters.
The Ten Thousand Doors of January is a book whose idea impresses me more than its execution. It’s all there, all the little things I love best about books and stories. The promise of adventure and magic and secret worlds behind doors. What we get is half a novel about a passive protagonist doing pretty much nothing. Then come some snippets of a book within a book that were brilliant, and a slightly more exciting third act to finish things up. So it’s a difficult book to rate. I loved some aspects of it so very much, I thought others were trying hard to achieve something they couldn’t – the lyrical language didn’t feel natural, it felt like Harrow pondered over every word, trying super hard to make it sound poetic. And January just isn’t a very good protagonist because she is so bland and passive and takes ages to become interesting. But once the story gets going, it’spretty great. And as for the book within the book – I absolutely adored it and would have gladly read 500 more pages of it. Also, this novel actually grew fonder in my memory the longer it’s been since I read it. I am totally undecided where to put it so it goes somwehere in the middle.
Seanan McGuire’s Middlegame is a pretty ambitious work with a great premise. Two engineered twins – one with a gift for language, the other a math prodigy – are separated as children to grow up in different families. The two of them combined embody the Doctrine of Ethos, something that basically gives them control over the world. But all Roger and Dodger want is friendship. They can communicate sort of telepathically and spend their lives trying to get together and being separated again.
With an overdrawn, slightly ridiculous villain and sloppy world building, this book still offered characters I rooted for and a plot that kept me turning the pages. Sure, there’s a lot of handwaving going on, none of the magic/science is ever explained or makes much sense, but there are great ideas here. It’s also a book of missed opportunities when it comes to the writing style and the anticlimactic ending. But overall, I enjoyed reading it. I probably wouldn’t give it an award but I’d recommend it to a friend.
ETA: I just had a thought when I was looking at the novella and series ballot and now I can’t let go of it. Seanan McGuire is so damn prolific, she publishes like 5 things every year. If she had spent more time on this one novel and not continued her various series in 2019, this could have been an entirely different beast! There’s so much potential here that it could have been a clear winner. But I guess if you churn out several full-length novels, a novella and a bunch of short stories in seven different universes, you just don’t have the time to spend on re-writes or thinking every aspect of your novel through. Maybe, one day, I’ll get my wish and see what McGuire really is capable of.
I was so excited for The City in the Middle of the Night because Anders’ first novel, All the Birds in the Sky, was right up my alley. She took quite a different route in this SF novel, set on a tidally locked planet that can only be inhabited by humans on a small strip of land between night and day. And while I really liked the book by the end, it took a long time for me to get into it. And I thought that Anders tackled maybe a few too many themes for one novel. She executed some of them brilliantly, others not so much, but I wanted just a bit more. I also didn’t connect with the characters for a long time. Again, by the ending, I was all in it, but that doesn’t change that I struggled during the start of this book. And that’s why it’s so hard to rank. On a pure enjoyment level, this book goes below Middlegame. On an ideas and skill level, it is above Middlegame. Where McGuire has only a little to say about humanity as such, Anders brings in the big guns, holds up a mirror to society and makes me think!
I’m one of the three people in the world who hated Gideon the Ninth. You guys, I like the idea of “lesbian necromancers in space” as much as the next person, but when I don’t get what I’m promised I get pissy. Instead of lesbian necromancers in space, I got 50 characters who aren’t distinguishable from each other, in a locked castle, sometimes doing some cool magic shit, sometimes doing cool sword shit (but nut nearly enough of either). Gideon may be a lesbian but other than her remarks about other women’s sexiness, this has no bearing on the plot. Which is also a mess, by the way. This book didn’t know what it wanted to be when it grew up so it just became a bit of everything but none of it well. Other than Gideon and Harrow, nobody had personality (I dare you to tell me any of the other House’s names or personality traits), the plot jumped from one thing to the next, never finding its focus. The end battle went on waaaaay too long. But the action scenes involving magic were pretty cool, as were the puzzles Gideon and Harrow have to solve. Is that really enough for an award? For me, no. It’s a mess that’s more obsessed with its own aesthetics than with good storytelling
My ballot (probably)
Arkady Martine – A Memory Called Empire
Kameron Hurley – The Light Brigade
Alix E. Harrow – The Ten Thousand Doors of January
Charlie Jane Anders – The City in the Middle of the Night
Seanan McGuire – Middlegame
Tamsyn Muir – Gideon the Ninth
I will most likely change spots 3 through 5 a lot in the next few weeks. I’m already struggling with my own ratings and how to decide which book is more deserving of an award than the others.
The top two books are easy. They did what they set out to do so well and they entertained and engaged me on many levels – what more can I want, really?
But then come the books that had one or two things going for them but didn’t do so well in other aspects. Now how do I decide whether a book that was more fun but maybe less accomplished should get an award rather than a book that takes risks but is a bit more of a struggle to read? I may have posted my ballot here for you to see but I very much doubt it’s going to look exactly like this when I hit that save button before voting closes.
Thank you, Hugo nominators, for pushing this series onto me! I have said this quite a few times in the last months because I am genuinely grateful for the wonderful books I’ve discovered this year due to the Hugo Awards. People have been raving about Emma Newman’s Planetfall series for years but because her fairy-inspired series didn’t work that well for me, I’ve been hesitant to pick up another book by her. Boy, was I stupid! This is one of the finest science fiction books I’ve read and it also does something I’ve never encountered before: combining science fiction with all its tech and (potential) alien life with a very human protagonist who deals with mental health issues.
Opening line: Every time I come down here I think about my mother.
From the award-nominated author Emma Newman, comes a novel of how one secret withheld to protect humanity’s future might be its undoing…
Renata Ghali believed in Lee Suh-Mi’s vision of a world far beyond Earth, calling to humanity. A planet promising to reveal the truth about our place in the cosmos, untainted by overpopulation, pollution, and war. Ren believed in that vision enough to give up everything to follow Suh-Mi into the unknown.
More than twenty-two years have passed since Ren and the rest of the faithful braved the starry abyss and established a colony at the base of an enigmatic alien structure where Suh-Mi has since resided, alone. All that time, Ren has worked hard as the colony’s 3-D printer engineer, creating the tools necessary for human survival in an alien environment, and harboring a devastating secret.
Ren continues to perpetuate the lie forming the foundation of the colony for the good of her fellow colonists, despite the personal cost. Then a stranger appears, far too young to have been part of the first planetfall, a man who bears a remarkable resemblance to Suh-Mi.
The truth Ren has concealed since planetfall can no longer be hidden. And its revelation might tear the colony apart…
Renata Ghali, called Ren, lives in the only space colony on a planet far from Earth. She and the other settlers came here on the ship Atlas because they were following a genius named Lee Suh-Mi who was looking for God. That may sound super religious but the book is really not. In fact, we know right from the start that the things most colonists believe aren’t true. Religious rituals are firmly in place but Ren and Mack – the Ringmaster and kind of, sort of leader of this place – know what’s what. Finding out the details of what exactly these two are hiding from the rest of the colony and why is one reason this book was so intriguing. But that’s not all there is to it.
The story kicks off with a new arrival to the colony. There shouldn’t be any humans left alive who aren’t already part of the colony, so naturally Ren and Mack are worried. Who is this person that looks so much like Suh but couldn’t possibly have survived out in the wild, far from the technology that keeps the colony going? It turns out this person is, in fact, Suh’s own grandson Sung-Soo, the only survivor of a group that apparently landed far away from what has become the human colony at the foot of God’s City. Oh yeah, I haven’t even mentioned that part. Just outisde the colony, an alien “building” looms, made of tentrils and organic-seeming matter, filled with corridors and secrets… This is believed to be God’s City and it’s where a big ritual is held every year that keeps the colony in touch with the now almost mystical Suh.
Throughout this novel, we follow Ren, who suffers from anxiety and who also has a secret or two. Ren is such a fantastic character, not only because she represents people who don’t often get to be the hero in a science fiction story but also because she is flawed but her flaws are understandable. She constantly feels guilty about the past (you’ll find out all the details about that), she has trouble letting go of things and people, she is a very private person with few – if any – close relationships. It is strongly suggested that Ren, a brilliant engineer responsible for the colony’s 3D-printers, was in love with Suh and followed her on this mission to find God for reasons other than pure logic. She also had a relationship with one of the colony’s doctors, Kay, that didn’t last because Ren just wouldn’t open up. She just felt like such a real, complicated person that can’t be described in a few lines, and that’s exactly how I like my protagonists best!
There’s a lot more going on in this book and I haven’t even scratched the surface yet. I’ve given you headlines, hints of what’s to come, but reading this and discovering all of it for yourself is so much fun! And let’s not forget that amazing surprising moment around the middle of the book. Ren deals with social anxiety and that much is clear from the start. But she is dealing with much more than that and the way this was revealed showed just how much skill Emma Newman possesses as a writer. Without naming the thing, without explicitly describing it, she nonetheless made it clear for the reader what is going on, what Ren has been hiding for years and years, and I was stunned and impressed and deeply unsettled. I can’t tell you more than that without spoiling and, trust me, you want to experience this for yourselves.
Emma Newman manages to weave her themes into a thrilling plot with so much ease, I almost didn’t recognize her writing from her other books. This book deals with guilt, anxiety, the way society works, religious fanaticism, technology, living in tune with nature, and so much more! Again, I can’t tell you any more details without spoiling things, but this book is an example of how to advance plot, world building, and characters all at the same time. There are no info dumps, no lengthy expositions, everything just happens organically and everything the readers learn, we learn through context.
The plot is pretty fast paced for a novel that also focuses so much on Ren’s feelings. Things are always happening, there is this underlying sense of tension that turned this into a proper page turner. Which is another thing I don’t come across that often. A book that’s both exciting because our protagonists are in danger, but still has enough time for introspection, for developing those characters, for making them come to life and having them grow. I found the side characters just as interesting as Ren herself but this story is clearly her journey.
The ending may not be everyone’s cup of tea but it brings Ren’s character arc to a beautiful and satsifying close. Had I read this when it came out, I might have liked it less because the ending leaves a lot of questions unanswered. But knowing this is only the beginning of a loosely connected series, I’m perfectly fine with the way things ended here. I also won’t be able to wait very long to dive into the next book, After Atlas. Newman has created a fascinating world, peopled with diverse characters that all feel real. I’m sure there is plenty more to discover and I look forward to going into the next book completely blind. Is it a prequel or a sequel? Do we meet characters we’ve heard about? I don’t know and I don’t care. Emma Newman has a new fan and I trust that I’ll love the next book as much as this one.