Hook’s Point of View: Brianna R. Shrum – Never Never

As someone who loves retellings and adores Peter Pan, it was time to try a new-to-me author who tackled the classic story of the boy who would never grow up. I haven’t read a lot of retellings from the point of view of the villain, but because Hook is enigmatic and wonderful and full of layers, I was quite curious to see how Shrum would tell his story.

by Brianna R. Shrum

Published by: Spencer Hill Press, 2015
Paperback: 356 pages
My rating: 6,5/10

First sentence: All children, except one, wish to stay young.

James Hook is a child who only wants to grow up. When he meets Peter Pan, a boy who loves to pretend and is intent on never becoming a man, James decides he could try being a child – at least briefly. James joins Peter Pan on a holiday to Neverland, a place of adventure created by children’s dreams, but Neverland is not for the faint of heart. Soon James finds himself longing for home, determined that he is destined to be a man. But Peter refuses to take him back, leaving James trapped in a world just beyond the one he loves. A world where children are to never grow up. But grow up he does. And thus begins the epic adventure of a Lost Boy and a Pirate. This story isn’t about Peter Pan; it’s about the boy whose life he stole. It’s about a man in a world that hates men. It’s about the feared Captain James Hook and his passionate quest to kill the Pan, an impossible feat in a magical land where everyone loves Peter Pan. Except one.

We all know Hook, the infamous pirate captain who lost his right hand to Peter Pan, who in turn fed it to the ever-ticking crocodile. We know Tiger Lily and the Lost Boys, the splendors of Neverland and the magic of fairy dust. But when this story begins, James Hook is a regular boy living in London, dreaming of being a famous pirate captain, but quite focused on making his father proud and showing good form. Getting into a good school, excelling at his tasks, putting serious effort into Growing Up. Until he meets Pan in Kensington Gardens one day…

Peter swiftly spirits Hook away to Neverland where he lives as a Lost Boy for a while. Although James is sceptical from the very beginning of Peter’s games and eating nothing but make-believe food, he goes along with it because he senses the darkness in Pan, the danger that lies in wait for him should he break Peter’s cardinal rule: Never Grow Up!

I thought Shrum’s choice to do a few time jumps was a great way to tell the story. James inevitably does grow up a bit because he simply isn’t the type to stay a boy forever, and of course he ends up captaining his very own pirate vessel. He also feels drawn to Tiger Lily, at first a little girl but soon a young woman who may develop more adult feelings as well.

While the writing is engaging throughout the novel, there is little to no plot for at least two thirds of it. Hook mostly struggles with the fact that he doesn’t know how to leave Neverland without Pan – and Pan refuses to help Hook in any way because, well, he’s growing up. The idea of Pan being anything but innocent is not new, so I didn’t find this fact to be very interesting. It’s clear that Peter has a dark side  (Peter is mostly dark side, if you ask me) so that isn’t enough to keep me interested as a reader. And Hook’s pain at realizing he may never see his family again because he is stuck in Neverland was not enough to keep me interested for long.

For quite some time, Hook does pretty much nothing. There are many moments where it is shown that he has responsibilities as a captain, that he should command his people, that they should do something. And they do a little. Some ransacking here, some conquering of other pirate ships there, a quick stop at a nearby port of Neverland… but honestly, it never becomes clear what these pirates do all day. And I wouldn’t have minded so much because that’s just a fact of Neverland – stuff doesn’t happen unless Peter is there – but  the author specifically made Starkey, Hook’s first mate, remind Hook of his duties all the time. When the pirates still didn’t really do much and Hook didn’t interact with them a lot, it began to bother me.

Eventually, the plot does get going and a romance evolves. I thought it was quite nicely done, especially with the tone of the novel shifting from childlike fairy tale to a more grown-up style. Both James and Tiger Lily felt like surprisingly mature people, considering they are still quite young and don’t have any experience other than life in Neverland – which is not exactly the place you look to for advice on how to be a grown-up. But I liked both of them as characters, even though Hook was dreadfully inactive after his first attempts at escaping Neverland were thwarted.

I was surprised at how little this story overlaps with the original Peter Pan. Sure, all the characters are there and even Wendy and her brothers show up at the end, but other than that, there aren’t any recognizable events from Hook’s point of view. It’s a different story that only melds with the original Peter Pan at the very end. The ending in general was completely different from the rest of the book. Not only does the author rush through events at high speed, but certain characters also change personality really quickly. Tiger Lily, that amazing girl with a mind of her own, suddenly does a 180 and turns from a clever young woman into an intolerably stupid girl. Hook’s development into the villain we all know is more gradual and therefore more believable.

All things considered, this was an okay retelling with a lot of focus on character rather than plot. Few elements of the original Peter Pan are there, but I did like the one scene that was taken from the book and twisted to fit this version of events. Not my favorite retelling, not groundbreaking in any way, but not a bad book.

MY RATING: 6,5/10 – Good

Austin Chant – Peter Darling

I stumbled across this book via the Read Diverse Books challenge and because it’s a sequel/retelling of Peter Pan with a grown-up Peter who falls for Hook, I had to read it. While I thought the story had several problems with plot, pacing, and the ending, there were some truly enjoyable parts. Plus, it’s a really quick read if you’re looking for a short retelling of a beloved children’s classic.

peter-darlingPETER DARLING
by Austin Chant

Published by: Less Than Three Press, 2017
Ebook: 164 pages
My rating: 6,5/10

First line: James Hook was bored.

Ten years ago, Peter Pan left Neverland to grow up, leaving behind his adolescent dreams of boyhood and resigning himself to life as Wendy Darling. Growing up, however, has only made him realize how inescapable his identity as a man is.
But when he returns to Neverland, everything has changed: the Lost Boys have become men, and the war games they once played are now real and deadly. Even more shocking is the attraction Peter never knew he could feel for his old rival, Captain Hook—and the realization that he no longer knows which of them is the real villain.


This book is both a sequel and a sort of retelling of the original Peter Pan. Peter is returning to Neverland after spending ten years in the real world. He is grown-up, he wishes to forget everything that happened in London, and simply wants to return to being the proud and insolent youth we all know. But Neverland has changed, as have the Lost Boys, as has Captain Hook.

The first few chapters deal with Peter finding the Lost Boys at peace with the pirates, and with their new leader Ernest, a quiet and thoughtful young man. He also finds Hook, bored out of his mind, and ready to rekindle the war between them. This part of the story was my least favorite. It felt like the story didn’t know what it wanted to accomplish, the pacing was incredibly off, switching between not-so-well written action scenes and boring moments without any impact on the overall story arc. Additionally, we are told Peter is ten years older, but he still acts exactly like the original Peter Pan, the child who would not grow up. So the dialogue felt jarring at times and I had trouble imagining a 20-something man (or even a 16-year-old) saying the things he says and behaving the way he does. But what has always made Peter into who he is was his power to forget. The fairies take care of that and give him back his memories – and that’s when the Peter of this book began to feel like a proper character.

With Peter’s reemerging memories come a few flashbacks to what happened during his ten years at home. Peter grew up as Wendy Darling, making up stories of who he really is, the magical boy Peter Pan. The flashbacks were so short and far between that I wasn’t sure why they were included at all. Each scene was over before it could begin properly and, yes, the gist of it (Peter Pan being a transgender man) gets through, but there was no time to really understand what Peter’s life was like. It felt very superficial – maybe parts of those scenes were cut during editing for whatever reason, but all the flashbacks felt like they were cut in half. Either make them proper scenes or even full chapters, or leave them away completely. Personally, I would have liked to find out more about Peter’s life in London.


The Neverland plot also takes a considerable time to get rolling. At first, it’s all exposition and fighting Hook, running away, fighting Hook again, talking to the Lost Boys, and getting to know Ernest, their new leader. I was also quite confused about Ernest as a character. I immediately liked him and felt he had a lot of potential, especially in balancing impulsive and battle-eager Pan. But he was only really present for the beginning of the story (and shortly at the end), but had no actual role to play. Again, either use the character or leave him out completely. The way it is, a great character was wasted… unless there’s a sequel planned which will feature him more prominently. I don’t know, I’m just guessing here.

The real heart of this story, for me, was the romance between Hook and Pan. Once these two are stuck together and have to kind of get along to survive, that’s when I got really interested. Their relationship was intriguing and tense and need I mention how much I love Hook?  It was especially his humor and his confidence that made him shine as a character. Peter also got a chance to grow as a person and understand his own feelings a bit better, but Hook stole the show on every page. Their romance was really well done and I loved reading about these two people realising how they felt about each other.

The writing was competent, but there were moments when it drifted and got really bad. The best written scenes were the ones filled with sexual tension between Hook and Pan. The battle scenes were boring to read and felt more like a transcript of a movie scene. Some of Peter’s moments of introspection made me cringe. They read like a child’s journal entry rather than a proper narration. As for the descriptions of Neverland and Peter’s surroundings, I felt like the author was trying to be poetic but the effort showed too much, so most metaphors fall falt for me. On the other hand, the dialogue was fun to read, and each character had their own distinct voice. Hook was definitely the shining star, in every possible aspect.

Another interesting thing that didn’t get nearly enough time to be explored was Neverland itself as well as its inhabitants. Austin Chant turned the Neverland fairies into insect-like creatures, although they are never fully described. But add a few too many eyes here, a couple of antennae there, a creature with lots of legs, and you get the idea. I loved that he came up with something new to make Neverland feel interesting, instead of just going with the world created by J. M. Barrie. But the fairies and a story about an old pirate captain are the only original additions to the world building. And, much like the flashbacks, they weren’t present nearly enough for my taste. See, there’s good stuff here, just never enough of it, which makes me kind of happy (because yay, good stuff) but also disappointed (what, that was it?).

Without spoiling anything, I have to say I wasn’t a fan of the ending. It felt rushed and didn’t adress some open questions that are really important to both protagonists. With a story that actually took care to show things aren’t black and white, that explores complicated relationships and features a protagonist still so unsure about himself, the ending felt like a cop-out, a happy end for the sake of a happy end, but without showing us how things work out. Maybe Chant is leaving room for a sequel, in which case I’d be more forgiving for ending Peter Darling this half-heartedly.

Because of the romance, the amazing James Hook, and the bits of original worldbuilding, I quite enjoyed this read. But I don’t feel the urge to pick up any of the author’s other books. If he writes something longer, where he takes more time to explore his characters and scenes, and where the pacing is a bit more balanced, then you can count me in.

MY RATING: 6,5/10 – Good


Other reviews (mostly more favorable than mine):




FTF Book Review: Lisa Jensen – Alias Hook

I will never tire of Peter Pan and the spin-offs, sequels, prequels, alternate stories, and whatever else it has inspired. The Neverland is a special place and fertile ground for the imagination. Some writers have made brilliant new stories of J.M. Barrie’s play, others riff on the Disney version of Peter Pan. Lisa Jensen gives a voice to the unsung hero of the story, Captain Hook. Let’s be honest. We all have a soft spot for that dark and sinister man, right?

alias hook newALIAS HOOK
by Lisa Jensen

Published by: Thomas Dunne Books, 2014 (2013)
Ebook: 368 pages
My rating: 6/10
Review copy provided by the publisher (thank you!)

First sentence: Second star to the right of what?

divider1Fairy Tales Retold

  • Peter Pan


“Every child knows how the story ends. The wicked pirate captain is flung overboard, caught in the jaws of the monster crocodile who drags him down to a watery grave. But it was not yet my time to die. It’s my fate to be trapped here forever, in a nightmare of childhood fancy, with that infernal, eternal boy.”
Meet Captain James Benjamin Hook, a witty, educated Restoration-era privateer cursed to play villain to a pack of malicious little boys in a pointless war that never ends. But everything changes when Stella Parrish, a forbidden grown woman, dreams her way to the Neverland in defiance of Pan’s rules. From the glamour of the Fairy Revels, to the secret ceremonies of the First Tribes, to the mysterious underwater temple beneath the Mermaid Lagoon, the magical forces of the Neverland open up for Stella as they never have for Hook. And in the pirate captain himself, she begins to see someone far more complex than the storybook villain.
With Stella’s knowledge of folk and fairy tales, she might be Hook’s last chance for redemption and release if they can break his curse before Pan and his warrior boys hunt her down and drag Hook back to their neverending game. Alias Hook by Lisa Jensen is a beautifully and romantically written adult fairy tale.


Hook is trapped in the Neverland. The cultured and correct but lonely man yearns for nothing more but to finally die. Whether it’s at the hands of the tyrannical boy Peter Pan or through some other means, doesn’t really matter to him. But then he stumbles across a woman – a grown woman – in the Neverland…

Lisa Jensen takes her sweet, sweet time telling the story of how Hook got his life back. There is magic involved, and a prophecy (naturally), Hook needs to come-of-age in a way, despite his immortality and his eternal war with the eternal child. I could sum up the plot in one sentence or I could do it like the author and talk and talk and talk without getting to the point. Lisa Jensen’s strength is her use of language – she writes flowery prose with tons of description, an introspective, thoughtful protagonist, but very little action. I have nothing against a book that moves slowly, that demands to be savored rather than devoured in one quick bite. But the need for plot, for a reason for this story to be told, is still there. And this is where I was disappointed a bit.

Alias Hook started out well enough. It slogged along a bit until Stella Parrish showed up and turned Hook’s head with her modern (comparatively) speech, manners, and ideas. I loved, loved, loved the scene where the two banter over a bottle of wine and I really wish there had been more scenes like it. This book is also supposedly a romance. But apart from the abovementioned snappy banter, there is very little to go on. Hook falls in love with Stella, to a large part because Stella doesn’t mind his missing hand, his scars, or his dark past. Once they are together however, it gets sappy as hell and I rolled my eyes frequently.

alias hook audio coverI can forgive cheesiness for the sake of good old Captain Hook becoming a little more human, a little less cold-hearted. But what I can’t forgive is the very thin plot. We find out why Hook is in the Neverland in the first place, and then, through convenient intervention by fairies, the Indians, and the mermaids are shown the signs of an ancient prophecy that will finally set Hook free – if he reads the signs right and does the right thing at the right time. That’s it. There isn’t much more to it, I’m sad to say. The rest of the nearly 400 pages is filled with description and inner monologue and rehashing of the same things we read in the beginning of the book.

I did like certain aspects of the world-building, however. Pan’s tyrannical rule, for example, is shown through small details, such as his dislike of roses. The Neverland accomodates the boy in everything he wishes, so there are no roses. Another cool spin on the original is the mermaids, the only creatures that Pan is afraid of. We only touch the surface of their story but I was really hooked whenever the mermaids showed up. They did what I always hope for in a fairy tale retelling – they added something new to a well-known and beloved story.

The fact that it took me weeks and weeks to finish the book, reading in small increments only, speaks to its readability. It is not a difficult story to follow but the prose is so thick, so luscious that it can be overwhelming if you read too much of it in one go. This was by no means a bad book, just one that had quite a few flaws. A tighter and faster moving plot and more layered side-characters would have been a good place to start. Nonetheless, I had fun in this Neverland adventure. Recommended to readers with patience or a deep, deep love of Peter Pan.

RATING: 6/10 – Good

divider1Second opinions:

Jodi Lynn Anderson – Tiger Lily

I feel like such an idiot. I’ve been reading this book for the past few days and now is the first time I notice that the flower on the cover is actually a girl in a dress… there you have it, internet. Sometimes, I’m just a bit dumb. But instead of covers, let’s talk stories – this one was far from what I expected. But it worked in its own way and even left me with a bit of a book hangover.

tiger lilyTIGER LILY
by Jodi Lynn Anderson

Published by: Harper Collins, 2012
ebook: 292 pages
My rating: 7/10

First sentence: She stands on the cliff, near the old crumbling stone house.

Before Peter Pan belonged to Wendy, he belonged to the girl with the crow feather in her hair. . . .
Fifteen-year-old Tiger Lily doesn’t believe in love stories or happy endings. Then she meets the alluring teenage Peter Pan in the forbidden woods of Neverland and immediately falls under his spell.
Peter is unlike anyone she’s ever known. Impetuous and brave, he both scares and enthralls her. As the leader of the Lost Boys, the most fearsome of Neverland’s inhabitants, Peter is an unthinkable match for Tiger Lily. Soon, she is risking everything—her family, her future—to be with him. When she is faced with marriage to a terrible man in her own tribe, she must choose between the life she’s always known and running away to an uncertain future with Peter.
With enemies threatening to tear them apart, the lovers seem doomed. But it’s the arrival of Wendy Darling, an English girl who’s everything Tiger Lily is not, that leads Tiger Lily to discover that the most dangerous enemies can live inside even the most loyal and loving heart.

Neverland is a wonderful place. Not just for visiting and revisiting the original Peter Pan, but also because it offers endless possibilities for new stories. Jodi Lynn Anderson chose a much-neglected character as her protagonist. Tiger Lily never did get much attention, neither in the Disney movie, nor any other adaptations I’ve seen (there was this one anime show I watched as a kid and I remember she did show up on a regular basis… can’t for the life of me remember what it was called, exactly.). Tiger Lily may be the focus of this story but its narrator is another familiar creature from Neverland – Tinkerbell, the fairy.

Here is where things should have started to put me off. Tinkerbell is a very simple character – as J.M. Barrie explains, fairies are so small that there is only room in them for one emotion at any given time. And Tink tends to fill up with jealousy, or adoration for Peter. Anderson’s Tink, on the other hand, is a complex person. She can hold several, even opposing, feelings within herself, and her love for Peter does not keep her from loving Tiger Lily as well – even as she watches them fall in love and has to reconcile herself with the fact that Peter will never look at her the way he does at Tiger Lily. In fact, although she is nothing like the original character I know and love, Tink was at least as interesting as Tiger Lily and quietly grew on me over the course of the novel.

But Tink isn’t the only one that seems like she has nothing to do with Barrie’s original creation. Both Peter and Hook get doused with a proper dose of reality. I won’t give anything away, let’s just say I was very surprised to find that the only things magical in this story are fairies and mermaids. There is nothing of Barrie’s playfulness in Anderson’s language or plot. Instead, the author focuses on the melancholy themes that come with the territory. Tiger Lily is supposed to marry Giant, a brutish man of her tribe, when she meets Peter Pan. It takes a while but they end up falling in love and Tiger Lily is torn between two worlds. Except that isn’t true – there are even more problems weighing on that one girl’s mind. The pirates are out to kill Peter, and one of the Englishmen that sometimes come to Neverland is trying to convert her entire village to Christianity.

Through these problems, several themes come up that could have been explored more. But then it would have been a very different book. For example, we get a proper psychopath in Reginal Smee, and I wouldn’t have minded reading an entire book about him. Or Phillip, the Englishman that Tiger Lily saves after his ship wrecked on Neverland’s shores, who is a symbol for colonialism and tries to lead the “savage” Sky Eater tribe on their path to Heaven. I’m not sure if I really would have enjoyed seeing all these sub-plots fleshed out more. The author did a pretty good job in making her readers think, but doesn’t stray from her focal point – a young girl’s coming-of-age.

tiger lily quote¹For a quiet little book like this, I have surprisingly much to say. There were so many things that I should have hated but didn’t: Tink being the way she is, Wendy being described as a silly, pampered idiot (although I guess, Tink does have a point there), and Hook being so very un-Hook-ish. But within the setting of this story, it all worked out. This isn’t an adventure story, it isn’t about children fighting pirates, and facing danger, and chasing after the Neverbird. This is a story about people, relationships, and how fragile they are.

Jodi Lynn Anderson manages one amazing feat that so few young adult books do. She creates characters that are vivid but feel like we never truly know them. We see them through Tink’s eyes and although she can pick up on people’s feelings and thoughts, we never get the whole picture. Tiger Lily always remains somewhat of a mystery – and this is where every reader’s imagination gets a chance to fill in the blanks. I’ve mentioned all the major players on this fantasy island, but I must talk about Anderson’s own inventions. Tiger Lily’s father, Tik Tok, was a wonderful addition to the cast. He is the tribe’s shaman who likes to wear women’s clothing and shows infinite patience for his daughter and tribe members. Pine Sap, teased for being unmanly and bad at hunting, is Tiger Lily’s only true friend and one of the few who just love her the way she is. Even Moon Eye, who could be cause for jealousy, is nothing but lovable and shows some amazing and unexpected depth.

There isn’t much dialogue in the book but even without saying much, these characters came to life through Tink’s descriptions, the things she notices and tells us, and the things she omits. Looking back now, I can’t help but feel all warm and fuzzy inside at the thought of Pine Sap and Moon Eye. I don’t have a lot to say about the prose. Sure, descriptions and introspection take center stage over dialogue and action, but again – and don’t ask me how – it just works. This is not what I would call a page turner and yet I finished the book in just a few sittings.

Apart from the characters, a lot of other things deviate from what you may know about Peter Pan. Tiger Lily tells the story of a young girl from the Sky Eater tribe, a story that started well before Wendy ever showed up. But Wendy does appear and we all know how that story goes… only in this case we don’t. For Tiger Lily and Tink, there is no fairy tale ending. But even though it was sad, verging on depressing, the ending was just as appropriate and fitting as was the rest of the story.

So yeah… I’ll never let go of my love for the original tale but, as retellings, spin-offs, prequels or sequels go, this is one of the better ones. If you want a quiet book that is nonetheless a quick read, and if you like explorign alternate versions of Peter Pan, pick this one up.

MY RATING: 7/10  –  Very good


Andrea Jones – Hook & Jill

Peter Pan has been one of my favorite books since I first read it in school. I had known (and disliked) the overly sweetened Disney version before I ever picked up the book and maybe it is because of this that the book touched me the way it did. I can’t get enough of this children’s adventure story, nestled within which lies  a dark tragedy of a boy. Retellings, sequels, prequels, and spin-offs have been on my radar ever since. And because I’m currently reading The Annotated Peter Pan by Maria Tatar, I felt like looking at Neverland from a different perspective.

hook and jillHOOK & JILL
by Andrea Jones

Published by: Reginetta Press, 2009
ISBN: 0982371497
ebook: 293 pages
Series: Hook & Jill #1

My rating: 6,5/10

First sentence: When she woke, she was the woman in the bed on the ship in the sea, and she used to be Wendy Darling, who dreamt in the bed in the nursery of Number 14.

In this startling new vision of a cultural classic, Wendy intends to live happily ever after with Peter Pan. But Time, like this tale, behaves in a most unsettling way. As Wendy mothers the Lost Boys in Neverland, they thrive on adventure. She struggles to keep her boys safe from the Island’s many hazards, but she finds a more subtle threat encroaching from an unexpected quarter… The children are growing up, and only Peter knows the punishment.
Yet in the inky edges of the Island, the tales Wendy tells to the Lost Boys come true. Captain Hook is real, and even the Wonderful Boy can’t defend his Wendy against this menace. Hook is a master manipulator, devising vengeance for his maiming. Insidious and seductive, Hook has his reasons for tempting Wendy to grow up. Revenge is only the first.


I love Peter Pan. James Barrie’s original children’s story is perfection to me but I am not at all averse to reinterpretations, retellings or darker versions of Neverland. Régis Loisel’s comic book series Peter Pan is one of my favorite stories ever, and this Andrea Jones series promised to deliver something similar. Wendy grows up – which of course is against Peter’s rules – and becomes partial to Captain Hook. The title and the blurb both led me to expect a sort of dark romance between the well-mannered yet ruthless pirate captain and the innocent girl. That’s pretty much what I got, but I still can’t decide whether I loved or hated the book.

The first thing I noticed was the language. I will not make presumptions about what the author intended, I can only state how I perceived her writing. The style came over as if she was trying very hard to sound poetic. It ended up clunky, at times even pretentious, and out of character. Because there is not much plot so speak of, the focus lies on the characters and their development. Wendy secretly wants to have a romance, her very own love story, with Peter Pan – a thing, of course, that he can and will never give her, because that is on the threshold to grown-up territory. Wendy’s inner turmoil was intriguing to read, even though the style got in the way of itself a bit. As the story progresses, we get to see other characters’ viewpoints, most intriguing among them Hook. It was for him that I kept reading. Andrea Jones’ Hook is menacing, sinister, and sexy all at the same time. I found myself wanting Wendy to go to him.

hook and jillWhich leads me to the characters. Their development begins slowly and is well-done. We start out with well-known characters who I personally found believable. Peter is selfish and arrogant and adventurous, Wendy caring and prudent, Tinker Bell moody. Hook’s plotting will eventually draw Wendy over to his side and explore her sexuality as well as her will to make her own decisions.

The reason I am so torn about this is because despite my misgivings about the writing style, I was (for lack of a better word) hooked. I didn’t want to put the book away, I wanted to find out where all this build-up would lead. In the end, the pay-off fell a little short of my expectations. Some of the dialogue, especially towards the end, put me off, some storylines were just dropped (maybe to be picked up again in the next book?), and the last third of the book was full of logical mistakes and strange time and point-of-view jumps that made it both confusing and annoying. For example, Wendy – at one point – points a pistol at somebody’s head and fires. This person (I won’t spoil) falls down and I assumed they were dead. A bullet to the head from about a meter away will do that to you, right? The scene stops there, we follow another character for a couple of pages, and when we return, the person who just got shot gets up like nothing happened. The Neverland is a universe of magic, so I’m fine with people miraculously surviving lethal wounds, but it wasn’t even adressed! Nobody wondered how Wendy’s shot didn’t seem to have any effect, nobody even mentioned it. I went back and re-read that bit, sure I must have missed a paragraph, but no. It’s just never explained or even alluded to.

hook and jillAs this is an alternate Neverland sort of sequel, I didn’t expect things to be the same as in Barrie’s original play. But there were some details that rankled. Peter Pan can only remain an eternal child because he forgets things extremely fast. Even if his body were to never age, if he remembered all his adventures, his Lost Boys and his fairies, he would still mature on the inside. It is precisely his lack of memory that allows him to stay a boy forever. In this book, Peter remembered a surprising amount of details that made for interesting stand-offs in the end but didn’t feel like Peter Pan to me. In fact, and I assume that was the author’s intent, I found myself rooting for Hook instead of Peter.

This is certainly a book full of atmosphere, of character development and of discovering that you want to grow up. When I say growing up, I mean that to include sex. There is a fair bit of sexy time but never graphic, usually alluded to or described metaphorically. If I’m completely honest, I think Andrea Jones would make quite a good vaginal fantasy writer. She kept it classy, however, and while I wouldn’t necessarily give this book to children, I believe the sexy bits could be glossed over easily.

quotes greyThen he woke her, and moving in Time to the rhythm of the sea, they began their dance.

What did I think? I was quickly sucked into this dark, yet recognisable version of Neverland and couldn’t wait to watch Wendy succumb to Hook’s charms. There are many good ideas and fantastic characters in this book, some of whose transformations were pleasantly surprising. That said, I found it to be overlong and unnecessarily drawn out. The ending, while satisfying in a way, lost a lot of atmosphere. I’d recommend this to fans of Peter Pan who want a dark and sexy twist on the beloved story and who don’t mind a slow-moving plot.

The Good: Character depth and development, surprisingly sexy yet subtle scenes, a villain to root for.
The Bad: Sometimes clunky, overly wanna-be poetic writing, logical mistakes, occasionally strange dialogue.
The Verdict: As a hardcore Pan fan, I wouldn’t want to have missed this. Even though I’m not a romance reader, I find myself wanting more Hook & Jill time and less repetition of people’s thoughts and feelings. Still, this is a good novel of an alternate Neverland, peopled by characters who dare to grow up.

Rating: 6,5/10 – Quite good


The Hook & Jill Saga:other oceans

  1. Hook & Jill
  2. Other Oceans