You all know I go a little coo-coo when it comes to Cat Valente’s books, right? So I pre-ordered this sometime last year, as soon as I found out it would be published. Now imagine my shriek of joy when I got an e-ARC in my mailbox. Yes, it was loud. The boyfriend thought I had seriously injured myself. And then I sank into a cloud of words and didn’t come up for air until I was finished.
Published by: Mad Norwegian Press, 6 May 2014
Paperback: 244 pages
Review copy from the publisher
My rating: 8/10
First sentence: These days, it’s almost a Cartesian axiom: I am a geeky postmodern girl, therefore I love Buffy the Vampire Slayer.
In Indistinguishable from Magic, more than 60 essays by New York Times-bestselling author Catherynne M. Valente (The Girl Who Circumnavigated Fairyland, The Girl Who Fell Beneath Fairyland) are brought together in print for the first time, sharing Cat’s observations and insights about fairy tales and myths, pop culture, gender and race issues, an amateur’s life on planet Earth and much more. Join Cat as she studies the fantasy genre’s inner clockwork to better comprehend its infatuation with medievalism (AKA “dragon bad, sword pretty”), considers the undervalued importance of the laundry machine to women’s rights in locales as wide-ranging as Japan and the steampunk genre, and comes to understand that so much of shaping fantasy works is about making puppets seem real and sympathetic (otherwise, you’re just playing with dolls).
Also featured: Cat takes a hard look at why she can’t stop writing about Persephone, dwells upon the legacy of poets in Cleveland, and examines how stories teach us how to survive – if Gretel can kill the witch, Snow White can return from the dead, and Rapunzel can live in the desert, trust that you can too.
Mad Norwegian Press are known (by me, at least) for such collections as Chicks Dig Time Lords and Whedonistas and the feshly-Hugo-nominated Queers Dig Time Lords - book-shaped love letters to fandom. But they also publish collections of essays by single authors. Having been to her blog a couple of times, I know that I enjoy Cat’s non-fiction almost as much as the made-up stories she shares with her readers. The release of Indistinguishable From Magic has been pushed back a couple of months but, trust me, you want to get your hands on this!
“Any sufficiently advanced technology is indistinguishable from magic.” – Arthur C. Clarke
My approach to collections is usually to read them front to back and then maybe go back to my favorite pieces and re-read them. I went the same way about Indistinguishable From Magic, except I went back all the time to highlight passages, and jot down book recommendations, and make notes to look this or that thing up on the internet later. It is a treasure cove of geeky goodness.
But most impressively, this book made me feel more accepted and more understood than anything else I’d read before. Growing up as someone who loves fantasy books wasn’t particularly harrowing on me. I always had friends and they accepted my quirks as a given, not questioning why I would be into that weird stuff about made-up worlds, why I would name my pets after Hobbits and characters from Labyrinth. But still, there was nobody around who shared that obsession. Then the internet happened and suddenly, I wasn’t so alone anymore. Cat Valente gets that. Oh, how she gets it.
I choose magic. I choose invented histories. I choose epic battles between armies of wolves and spriggans. I choose witchraft, ray guns, AI, and dark gods. I choose swashbuckling, cruel queens, and talking beasts. I choose cross-dressing orphan heroines. I choose unreliable narrators. I choose my friends.
Whether I share her opinion on the importance of folklore or not (I do), whether I agree with her paper – “Follow the Yellow Brick Road” – on Alice, Dorothy, and The Nutcracker‘s Clara, I couldn’t help but feel like I was talking to a friend. In fact, if I hadn’t admired and envied her before, after this collection, I want to be her best friend. Someone I can call late at night to talk about that old Doctor Who episode that made me cry again, or how underrated Flora Segunda is. I think she’d just get it, happily brew herself a cup of cocoa and discuss the night away.
While the collection is structured by topic – pop culture, gender in SFF, publishing – every section overflows with love for the genre and the community. Yes, there are rants about our failings, and pleas to behave like decent human beings – within fandom and outside of it – but the overwhelming feeling I got was this endless love for fantasy and science fiction. That’s something I can get behind.
Cat Valente also reveals a fair bit of herself through her writing. It depends, of course, on how you read her articles and how much you know about her already, but the fact that she can’t let go of Persephone speaks volumes. Her experience as an army wife, living in Japan, keeps coming up and if you’ve read a bit of her short fiction you’ll recognize sides of Cat in them that suddenly make all the more sense. You understand that behind that achingly beautiful prose is a full person with dreams and a past, and all the puzzle pieces fall together. So in a way, this is probably the Valente work in which she is most vulnerable and open about herself as a writer and as a human being. Obviously, I love her all the more for being that brave.
While Indistinguishable from Magic, as a book should, starts with a foreword, I will end this review with it. Unsurprisingly to anyone who knows a little bit about Cat Valente, the foreword is written by her friend Seanan McGuire. I have no words for how jealous I am of their friendship. The introduction not only shows off McGuire’s own hand at writing poetic prose but it shines with love and friendship and respect. And while I don’t know Cat Valente personally, I believe every word Seanan McGuire says about her. It is obvious from Valente’s prose that she must at least have a little bit of magic in her, eaten some of those pomegranate seeds, been sprinkled with just a thimble-ful of fairy dust.
She is a poet and a poem, wrapped up in the same star-and-moon-tanned palimpsest skin. She contains many contradictions. She’s the serious mermaid explaining to you why trading fins for feet was a feminist action, and why the sacrifice of a voice is sometimes a simple thing, because there are so many kinds of voices, child; the sea witch left you fingers, left you figures, left you everything you’ll ever need to make this tale your own. She’s the laughing gingerbread witch standing by the chicken coop, feathers in her hair and a promise on her lips that you may or may not want to hear, because promises are prophecies, in their own way, in their own time. She is her own once upon a time, and her own happy ending, and those are two of the best things in the world to be.
MY RATING: 8/10 - Excellent