I stumbled across this book via the Read Diverse Books challenge and because it’s a sequel/retelling of Peter Pan with a grown-up Peter who falls for Hook, I had to read it. While I thought the story had several problems with plot, pacing, and the ending, there were some truly enjoyable parts. Plus, it’s a really quick read if you’re looking for a short retelling of a beloved children’s classic.
by Austin Chant
Published by: Less Than Three Press, 2017
Ebook: 164 pages
My rating: 6,5/10
First line: James Hook was bored.
Ten years ago, Peter Pan left Neverland to grow up, leaving behind his adolescent dreams of boyhood and resigning himself to life as Wendy Darling. Growing up, however, has only made him realize how inescapable his identity as a man is.
But when he returns to Neverland, everything has changed: the Lost Boys have become men, and the war games they once played are now real and deadly. Even more shocking is the attraction Peter never knew he could feel for his old rival, Captain Hook—and the realization that he no longer knows which of them is the real villain.
This book is both a sequel and a sort of retelling of the original Peter Pan. Peter is returning to Neverland after spending ten years in the real world. He is grown-up, he wishes to forget everything that happened in London, and simply wants to return to being the proud and insolent youth we all know. But Neverland has changed, as have the Lost Boys, as has Captain Hook.
The first few chapters deal with Peter finding the Lost Boys at peace with the pirates, and with their new leader Ernest, a quiet and thoughtful young man. He also finds Hook, bored out of his mind, and ready to rekindle the war between them. This part of the story was my least favorite. It felt like the story didn’t know what it wanted to accomplish, the pacing was incredibly off, switching between not-so-well written action scenes and boring moments without any impact on the overall story arc. Additionally, we are told Peter is ten years older, but he still acts exactly like the original Peter Pan, the child who would not grow up. So the dialogue felt jarring at times and I had trouble imagining a 20-something man (or even a 16-year-old) saying the things he says and behaving the way he does. But what has always made Peter into who he is was his power to forget. The fairies take care of that and give him back his memories – and that’s when the Peter of this book began to feel like a proper character.
With Peter’s reemerging memories come a few flashbacks to what happened during his ten years at home. Peter grew up as Wendy Darling, making up stories of who he really is, the magical boy Peter Pan. The flashbacks were so short and far between that I wasn’t sure why they were included at all. Each scene was over before it could begin properly and, yes, the gist of it (Peter Pan being a transgender man) gets through, but there was no time to really understand what Peter’s life was like. It felt very superficial – maybe parts of those scenes were cut during editing for whatever reason, but all the flashbacks felt like they were cut in half. Either make them proper scenes or even full chapters, or leave them away completely. Personally, I would have liked to find out more about Peter’s life in London.
The Neverland plot also takes a considerable time to get rolling. At first, it’s all exposition and fighting Hook, running away, fighting Hook again, talking to the Lost Boys, and getting to know Ernest, their new leader. I was also quite confused about Ernest as a character. I immediately liked him and felt he had a lot of potential, especially in balancing impulsive and battle-eager Pan. But he was only really present for the beginning of the story (and shortly at the end), but had no actual role to play. Again, either use the character or leave him out completely. The way it is, a great character was wasted… unless there’s a sequel planned which will feature him more prominently. I don’t know, I’m just guessing here.
The real heart of this story, for me, was the romance between Hook and Pan. Once these two are stuck together and have to kind of get along to survive, that’s when I got really interested. Their relationship was intriguing and tense and need I mention how much I love Hook? It was especially his humor and his confidence that made him shine as a character. Peter also got a chance to grow as a person and understand his own feelings a bit better, but Hook stole the show on every page. Their romance was really well done and I loved reading about these two people realising how they felt about each other.
The writing was competent, but there were moments when it drifted and got really bad. The best written scenes were the ones filled with sexual tension between Hook and Pan. The battle scenes were boring to read and felt more like a transcript of a movie scene. Some of Peter’s moments of introspection made me cringe. They read like a child’s journal entry rather than a proper narration. As for the descriptions of Neverland and Peter’s surroundings, I felt like the author was trying to be poetic but the effort showed too much, so most metaphors fall falt for me. On the other hand, the dialogue was fun to read, and each character had their own distinct voice. Hook was definitely the shining star, in every possible aspect.
Another interesting thing that didn’t get nearly enough time to be explored was Neverland itself as well as its inhabitants. Austin Chant turned the Neverland fairies into insect-like creatures, although they are never fully described. But add a few too many eyes here, a couple of antennae there, a creature with lots of legs, and you get the idea. I loved that he came up with something new to make Neverland feel interesting, instead of just going with the world created by J. M. Barrie. But the fairies and a story about an old pirate captain are the only original additions to the world building. And, much like the flashbacks, they weren’t present nearly enough for my taste. See, there’s good stuff here, just never enough of it, which makes me kind of happy (because yay, good stuff) but also disappointed (what, that was it?).
Without spoiling anything, I have to say I wasn’t a fan of the ending. It felt rushed and didn’t adress some open questions that are really important to both protagonists. With a story that actually took care to show things aren’t black and white, that explores complicated relationships and features a protagonist still so unsure about himself, the ending felt like a cop-out, a happy end for the sake of a happy end, but without showing us how things work out. Maybe Chant is leaving room for a sequel, in which case I’d be more forgiving for ending Peter Darling this half-heartedly.
Because of the romance, the amazing James Hook, and the bits of original worldbuilding, I quite enjoyed this read. But I don’t feel the urge to pick up any of the author’s other books. If he writes something longer, where he takes more time to explore his characters and scenes, and where the pacing is a bit more balanced, then you can count me in.
MY RATING: 6,5/10 – Good
Other reviews (mostly more favorable than mine):